Mush - Lines Redacted - COMPACT DISCS [CD]

Languish - Feeding The Flames Of Annihilation [COMPACT DISCS] date 10/28/2022

'3D Routine' has arrived. Following on from their 'Induction Party E.P', Mush are circulating their own sonic mythology, blurring the lines between abstract surrealism, existentialism and social commentary. Like it's predecessor '3D Routine' is a sensory overload of clattering, hooky, guitar work. However, this time space emerges between the onslaughts and in this respite, room is found for new emotional depth. More expansive than ever before, '3D Routine' manages to maintain the rawness of a classic debut but it's experimentation and variety portray a band unlikely to rest on their 'guitar band' chops. Songwriter Dan Hyndman explains the genesis of the band as being Inchfairly boiler plateInch a combination of friends old and new converging in Leeds post-uni to form a band predominantly united in their mutual affection for the Pavement back catalogue. Finally settling on a lineup of Nick Grant (bass), Tyson (guitar) and Phil Porter (drums) the band's progression has taken them far beyond this original vision. Having garnered local attention in the early days for their unhinged and often calamitous live shows in Leeds, it was the unlikely radio hit 'Alternative Facts', (clocking in at an uncompromising ten minutes) that brought the Mush to the attention of a wider audience. The song, one of the last releases for the legendary Too Pure Singles Club saw early support from Marc Riley and others on BBC 6music with them playing multiple sessions, and the follow up single, 'Gig Economy' hopping onto the 6music playlist. Roaming further afield from their hometown, Mush spent the first half of 2019 heading out around the UK, earning a reputation for their intense live performances, supporting the likes of Girl Band, The Lovely Eggs, Yak, Shame and Stereolab, as well as releasing the 'Induction Party' EP to great acclaim. At the tail end of summer of 2019 Mush headed to Leeds'

Early in 1920, the brash young American composer George Antheil decided to leave his home country and conquer the concert halls of Europe as a pianist. Born in Trenton, New Jersey, as son of German immigrants, Antheil spoke German at home. At ease with the language and the culture, he arrived in Germany in 1922 well-prepared to dazzle Europe with his daring compositions and bold pianism. Most of his experimental piano music was composed in Berlin. Thanks to new discoveries and scholarly research, many of these works can be heard together for the first time on this recording performed by Guy Livingston. Livingston is one of the world's foremost exponents of Antheil's music.