Myslivecek / Schayegh - Violin Concertos - COMPACT DISCS [CD]
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Josef Myslivecek (1737-1781) also known as Il Divino Boemo (The Divine Bohemian) was one of the most celebrated opera composers in Italy in the 1770s. His instrumental works - symphonies, concertos, octets, quartets, and trios - were as popular as his vocal music. Certain features of his melodic style reflect his Bohemian origins, and Myslivecek's influence on his contemporaries was significant. A close friend of the young Wolfgang Amadeus Mozart and a musical influence on him, Mozart described Myslivecek's character as Inchfull of fire, spirit and life.Inch All nine of the Myslivecek violin concertos that survive in complete form were probably written in a short period during the late 1760s and early 1770s when the composer maintained close contacts with the city of Padua and the composer and violinist Giuseppe Tartini. As a representative of Italian traditions that extended back to the early eighteenth century, Myslivecek's violin concertos are all cast in three movements of the pattern 'fast-slow-fast'. InchFrom this music one can hear that the author was also a superb opera composer the quickly alternating themes are well defined in character, whether sounding serious or boisterous, pleading or alluring, questioning or majestic, friendly or imperious. Figuratively, we find ourselves on the opera stage.Inch (Leila Schayegh) Album Tracks 1. I. Allegro - Leila Schayegh/Collegium 1704 2. II. Larghetto - Leila Schayegh/Collegium 1704 3. III. Allegro - Leila Schayegh/Collegium 1704 4. I. Spiritoso - Collegium 1704 5. II. Andantino - Collegium 1704 6. III. - Collegium 1704 7. I. - Leila Schayegh/Collegium 1704 8. II. - Leila Schayegh/Collegium 1704 9. III. Presto - Leila Schayegh/Collegium 1704 10. I. Allegro Con Brio - Collegium 1704 11. II. Andante - Collegium 1704 12. III. Allegro - Collegium 1704 13. I. Allegro Moderato - Leila Schayegh
- GenreClassicalDescriptionJosef Myslivecek (1737-1781) also known as Il Divino Boemo (The Divine Bohemian) was one of the most celebrated opera composers in Italy in the 1770s. His instrumental works - symphonies, concertos, octets, quartets, and trios - were as popular as his vocal music. Certain features of his melodic style reflect his Bohemian origins, and Myslivecek's influence on his contemporaries was significant. A close friend of the young Wolfgang Amadeus Mozart and a musical influence on him, Mozart described Myslivecek's character as Inchfull of fire, spirit and life.Inch All nine of the Myslivecek violin concertos that survive in complete form were probably written in a short period during the late 1760s and early 1770s when the composer maintained close contacts with the city of Padua and the composer and violinist Giuseppe Tartini. As a representative of Italian traditions that extended back to the early eighteenth century, Myslivecek's violin concertos are all cast in three movements of the pattern 'fast-slow-fast'. InchFrom this music one can hear that the author was also a superb opera composer the quickly alternating themes are well defined in character, whether sounding serious or boisterous, pleading or alluring, questioning or majestic, friendly or imperious. Figuratively, we find ourselves on the opera stage.Inch (Leila Schayegh) Album Tracks 1. I. Allegro - Leila Schayegh/Collegium 1704 2. II. Larghetto - Leila Schayegh/Collegium 1704 3. III. Allegro - Leila Schayegh/Collegium 1704 4. I. Spiritoso - Collegium 1704 5. II. Andantino - Collegium 1704 6. III. - Collegium 1704 7. I. - Leila Schayegh/Collegium 1704 8. II. - Leila Schayegh/Collegium 1704 9. III. Presto - Leila Schayegh/Collegium 1704 10. I. Allegro Con Brio - Collegium 1704 11. II. Andante - Collegium 1704 12. III. Allegro - Collegium 1704 13. I. Allegro Moderato - Leila SchayeghArtistMYSLIVECEK / SCHAYEGHTitleViolin ConcertosFormatCDLabelAccent Records
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Josef Myslivecek (1737-1781) also known as Il Divino Boemo (The Divine Bohemian) was one of the most celebrated opera composers in Italy in the 1770s. His instrumental works - symphonies, concertos, octets, quartets, and trios - were as popular as his vocal music. Certain features of his melodic style reflect his Bohemian origins, and Myslivecek's influence on his contemporaries was significant. A close friend of the young Wolfgang Amadeus Mozart and a musical influence on him, Mozart described Myslivecek's character as Inchfull of fire, spirit and life.Inch All nine of the Myslivecek violin concertos that survive in complete form were probably written in a short period during the late 1760s and early 1770s when the composer maintained close contacts with the city of Padua and the composer and violinist Giuseppe Tartini. As a representative of Italian traditions that extended back to the early eighteenth century, Myslivecek's violin concertos are all cast in three movements of the pattern 'fast-slow-fast'. InchFrom this music one can hear that the author was also a superb opera composer the quickly alternating themes are well defined in character, whether sounding serious or boisterous, pleading or alluring, questioning or majestic, friendly or imperious. Figuratively, we find ourselves on the opera stage.Inch (Leila Schayegh) Album Tracks 1. I. Allegro - Leila Schayegh/Collegium 1704 2. II. Larghetto - Leila Schayegh/Collegium 1704 3. III. Allegro - Leila Schayegh/Collegium 1704 4. I. Spiritoso - Collegium 1704 5. II. Andantino - Collegium 1704 6. III. - Collegium 1704 7. I. - Leila Schayegh/Collegium 1704 8. II. - Leila Schayegh/Collegium 1704 9. III. Presto - Leila Schayegh/Collegium 1704 10. I. Allegro Con Brio - Collegium 1704 11. II. Andante - Collegium 1704 12. III. Allegro - Collegium 1704 13. I. Allegro Moderato - Leila Schayegh
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With a quartet of violin concertos by Jean-Marie Leclair, Leila Schayegh continues her exploration of the instrument's repertory, combining musical insight, virtuosic brilliance and historical understanding. Leclair, who grew up in Lyon and studied in Turin before moving to Paris (he held a short-lived official post at Louis XV's court in the 1730s) produced solo sonatas (and duos) as well as his acclaimed concertos. In her booklet notes, Leila Schayegh, who currently teaches Baroque violin at the Schola Cantorum Basiliensis, comments on how Leclair - an outstanding violinist himself - was in thrall to the Italian instrumental style but was concerned that his music should not be played too fast; he was praised for his netteté, a combination of impeccable technique and musical perfection. This first volume in Schayegh's projected series of recordings of the Leclair violin concertos embraces the Nos 2 and 6 works from the two six-concerto series of Op 7 and 10. The G minor concerto, Op 10 No 6, is frequently cited as being the highpoint of Leclair's output. For this dazzling new exhibition of the Swiss violinist's art, Schayegh - who plays a late-seventeenth-century Andrea Guarneri instrument - directs Basel's La Cetra Barockorchester, which features Eva Saladin as it's Konzertmeisterin and Sonoko Asabuki as a further principal violinist.
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