Nachtmystium - The World We Left Behind - Splatter Green Vinyl - VINYL LP

We are proud to announce the much-anticipated re- of InchThe World We Left Behind,Inch the critically acclaimed album from the innovative black metal band Nachtmystium. Originally launched in 2012, this powerful record stands as a poignant reflection on loss, change, and the quest for meaning in a chaotic world. With it's atmospheric soundscapes and raw intensity, the album captures a unique fusion of black metal and progressive influences. Nachtmystium, known for pushing the boundaries of the genre, features the visionary talents of Blake Judd and a rotating lineup of accomplished musicians. Their commitment to artistic exploration is evident in every track, which intricately balances aggression with melodic elements. InchThe World We Left BehindInch delves deep into themes of personal and societal upheaval, making it both a deeply personal and universally resonant experience. This vinyl edition comes with a meticulously restored artwork and exclusive insights into the album's creation, offering fans a deeper connection to it's profound themes. Don't miss your chance to experience this landmark album in it's most authentic , secure your copy of today and immerse yourself in the haunting world of Nachtmystium.

Bartok / Stuttgart - Symphony 3 / Dance Suite SZ 77 [COMPACT DISCS] date 09/15/2017

Nachtmystium are back! And after all that was said and done, mastermind Blake Judd is still standing. Not only that, but Judd has also clawed himself back from the abyss of a most extreme life imaginable to a much more quiet, observant, and matured artist and person. His return will not be met with universal applause - even from the black metal scene. For anybody following the tumultuous career of Blake Judd and his pioneering band that has pushed the borders of their genre into new territories, this comes hardly as a surprise. With their ninth studio album InchBlight PrivilegeInch, Nachtmystium are once again presenting a masterpiece that can even compete with the trilogy of albums that many view as the peak of the earlier career of the American black metal (USBM) trailblazers InchInstinct DecayInch (2006), InchAssassins Black Meddle Pt. IInch (2008), and InchAddicts Black Meddle Pt. IIInch (2010). Like an infernal sniper, every song on InchBlight PrivilegeInch hits straight on target. All the darkest elements, required and longed for, are there harsh, rasping vocals, the fierce hum and whirr of guitars burning with an ice cold fire, moments of ecstatic and exalted beauty in hellish soundscapes. Yet there are also those fine details that the musically well-versed Judd has always cunningly hidden in the general sonic onslaught such as post-punk and wave elements, and now even a knife-tip of outlaw country. InchBlight PrivilegeInch connects Nachtmystium to it's glory-days - not as a nostalgic reminiscence but as a forward-looking continuation and next evolutionary step. If anything, this ninth album is marked by a maturity derived from experience and learning. Judd's often diabolically catchy tunes are sharper than ever and have lost none of their bite. This might be due to the fact that it is the first album of the USBM spearheads which Judd composed in a fully s