Nanpa Basico - Que Tin Y Que Tan - CASSETTES

The whole point of this record was to share every emotion that I feel, says The Soft Moon's Luis Vasquez. InchNo two songs are the same. It's about existing in the world as a human being and experiencing many emotions and experiences throughout life.Inch And so hence the title Exister, a record rooted in the ecstatic joys and crippling lows that life can throw up and how just hanging on and existing is sometimes all we have. InchExister is my way of saying 'I'm here, deal with it.'Inch Vasquez says. Sonically, this expression is a vast, expansive and potent one. The opening 'Sad Song', which unfurls with a dense brooding atmosphere, Vasquez describes as almost a ballad, while tracks such as 'The Pit' capture the opposite end of the musical spectrum, exploding as a thundering piece of industrial techno complete with gut-churning levels of bass. 'Monster' - a song that follows a human metamorphosis into an unrecognizable and destructive being - seamlessly combines a deeply melodic, almost electro pop, vocal hook with a slow build atmospherics to create something equally beautiful and unsettling. 'Become the Lies' explores the devastating consequences of being lied to by your own family and is a post-punk stomper, merging charging basslines, pummelling drums and snaking guitars, all of which combine explosively. Elsewhere the album runs the gauntlet of everything from ambient to dark wave - features ferocious guest contributions from fish narc and Special Interest's Alli Logot on 'Him' and 'Unforgiven' - all while retaining that distinct tone that unmistakably The Soft Moon

Shapeshifting between electronic experimentation and acoustic texture, the Queens-based artist has long delved into themes of erosion and lithification, along with the infinite possibilities of metamorphosis. On her new album Powders, alchemical forces connect ideas from every stage of her career just as they dissolve her practice into atomized particles ripe for reconstitution. The results find Eartheater at a fertile crossroads, honing her pop songwriting and lyrics to their most vivid state to date-all without losing the thread of experimentation that has always enlivened her work.

Doris Willingham, an incredibly soulful girl from New Jersey recorded her first single in 1966 and became a session singer, mostly in Philadelphia, singing back-up for Nina Simone and many others. In 1969, former Atlantic Records producer Jerry 'Swamp Dogg' Williams Jr. signed her as a solo artist, renaming her Doris Duke and recorded the album “I'm A Loser” at the Capricorn studios in Macon, Georgia. The first single, InchTo the Other WomanInch, reached no. 7 on the Billboard R&B chart, but further lack of promotion from a tag that was about to fold saw the album slip into obscurity. Today it is regarded as one of the finest deep soul records of all time. Presented here is the original album, newly remastered.