Napoleon Murphy Brock & Ensemble Musikfabrik - in-between - COMPACT DISCS [CD]
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Multifaceted tonal colours, virtuosity, and a field of tension between ruptures and connections characterize the music of Turgut Ercetin. In particular, he illuminates the in-between spaces in a wide variety of dimensions. As Paul Griffiths explains in the booklet, the composer explores Inchthe space between instruments or groups, between harmony and noise [...], between spectra, between what is played and what resounds from the performance space.InchAt the center of the album lies the cycle InchDas Phonem zwischen zwei WorternInch (InchThe Phoneme Between Two WordsInch). The largest part, (b), draws on one of Turgut Ercetin's research fields vanished architecture, here referring to two demolished Byzantine buildings. In this work, the SWR Symphony Orchestra as a modern orchestra meets a Baroque ensemble with musicians from the ELISION Ensemble. However, the two formations do not appear as opposites but as mutually interacting seeds. The smaller pieces (a) and (c) function as fanfare and epilogue they condense the themes of fusion and separation, ultimately leading the ELISION musicians back to modern instruments.Ensemble Musikfabrik is featured in two works on this album InchResonances (b)Inch and InchThousand Dead Bodies Under My Bed, All Cloaked with the Breath of the LivingInch. The latter recalls how the past continues to live on - in art, in memory, in trauma. Within three interlaced ensembles, an interplay unfolds characteristics drift from one group to another, while the very nature of the piece as a whole gradually shifts.
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- GenreClassicalDescriptionMultifaceted tonal colours, virtuosity, and a field of tension between ruptures and connections characterize the music of Turgut Ercetin. In particular, he illuminates the in-between spaces in a wide variety of dimensions. As Paul Griffiths explains in the booklet, the composer explores Inchthe space between instruments or groups, between harmony and noise [...], between spectra, between what is played and what resounds from the performance space.InchAt the center of the album lies the cycle InchDas Phonem zwischen zwei WorternInch (InchThe Phoneme Between Two WordsInch). The largest part, (b), draws on one of Turgut Ercetin's research fields vanished architecture, here referring to two demolished Byzantine buildings. In this work, the SWR Symphony Orchestra as a modern orchestra meets a Baroque ensemble with musicians from the ELISION Ensemble. However, the two formations do not appear as opposites but as mutually interacting seeds. The smaller pieces (a) and (c) function as fanfare and epilogue they condense the themes of fusion and separation, ultimately leading the ELISION musicians back to modern instruments.Ensemble Musikfabrik is featured in two works on this album InchResonances (b)Inch and InchThousand Dead Bodies Under My Bed, All Cloaked with the Breath of the LivingInch. The latter recalls how the past continues to live on - in art, in memory, in trauma. Within three interlaced ensembles, an interplay unfolds characteristics drift from one group to another, while the very nature of the piece as a whole gradually shifts.ArtistNapoleon Murphy Brock & Ensemble MusikfabrikTitlein-betweenFormatCDLabelWergo Germany
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