Necronomicon - Apocalyptic Nightmare - COMPACT DISCS [CD]
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Kreator, Destruction and Sodom. All three are German Thrash Metal legends. So far, so good. But what about a band called Necronomicon? Never heard of them? Well, life could have been so much different. If, yes, if Necronomicon had had the same luck as the above mentioned three in signing a deal with one of the prominent German labels back in the mid-1980s. But instead of securing a deal with Steamhammer (like Sodom and Destruction), Noise (Kreator) or even Roadrunner, Necronomicon ended up with the little known Wave Records (a sublabel of Gama Records). Necronomicon was founded in late 1984 but their self-titled debut did not hit the shops until 1986. Their debut album, nowre-released on High Roller Records, is by many fans still regarded as one the greatest German Thrash Metal records in history. InchWe were 100% authentic on this recordInch, muses guitarist/vocalist Volker Fredrich (aka Freddy). InchWe recorded the album within three days. We were not thinking about mistakes at this stage. We cranked up the amps to 11 and went for it.Inch After »Necronomicon« the band issued three more albums (»Apocalyptic Nightmare« in 1987, »Escalation« in 1988 and »Screams« in 1994) before splitting up. Necronomicon returned in the new century with three more albums (on various labels). With songs such as InchPossessed by EvilInch, InchBloody RevengeInch or InchBlind DestructionInch, the true classic, however, remains their first album recorded in 1984 and originally issued in 1986. InchNecronomicon was loved internationallyInch, reveals Freddy. InchEspecially in all Scandinavian countries, the United States of America and South America. We got fan letters on a daily basis.Inch
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- GenreHeavy MetalDescriptionKreator, Destruction and Sodom. All three are German Thrash Metal legends. So far, so good. But what about a band called Necronomicon? Never heard of them? Well, life could have been so much different. If, yes, if Necronomicon had had the same luck as the above mentioned three in signing a deal with one of the prominent German labels back in the mid-1980s. But instead of securing a deal with Steamhammer (like Sodom and Destruction), Noise (Kreator) or even Roadrunner, Necronomicon ended up with the little known Wave Records (a sublabel of Gama Records). Necronomicon was founded in late 1984 but their self-titled debut did not hit the shops until 1986. Their debut album, nowre-released on High Roller Records, is by many fans still regarded as one the greatest German Thrash Metal records in history. InchWe were 100% authentic on this recordInch, muses guitarist/vocalist Volker Fredrich (aka Freddy). InchWe recorded the album within three days. We were not thinking about mistakes at this stage. We cranked up the amps to 11 and went for it.Inch After »Necronomicon« the band issued three more albums (»Apocalyptic Nightmare« in 1987, »Escalation« in 1988 and »Screams« in 1994) before splitting up. Necronomicon returned in the new century with three more albums (on various labels). With songs such as InchPossessed by EvilInch, InchBloody RevengeInch or InchBlind DestructionInch, the true classic, however, remains their first album recorded in 1984 and originally issued in 1986. InchNecronomicon was loved internationallyInch, reveals Freddy. InchEspecially in all Scandinavian countries, the United States of America and South America. We got fan letters on a daily basis.InchArtistNecronomiconTitleApocalyptic NightmareFormatCDLabelHigh Roller
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Kreator, Destruction and Sodom. All three are German Thrash Metal legends. So far, so good. But what about a band called Necronomicon? Never heard of them? Well, life could have been so much different. If, yes, if Necronomicon had had the same luck as the above mentioned three in signing a deal with one of the prominent German labels back in the mid-1980s. But instead of securing a deal with Steamhammer (like Sodom and Destruction), Noise (Kreator) or even Roadrunner, Necronomicon ended up with the little known Wave Records (a sublabel of Gama Records). Necronomicon was founded in late 1984 but their self-titled debut did not hit the shops until 1986. Their debut album, nowre-released on High Roller Records, is by many fans still regarded as one the greatest German Thrash Metal records in history. InchWe were 100% authentic on this recordInch, muses guitarist/vocalist Volker Fredrich (aka Freddy). InchWe recorded the album within three days. We were not thinking about mistakes at this stage. We cranked up the amps to 11 and went for it.Inch After »Necronomicon« the band issued three more albums (»Apocalyptic Nightmare« in 1987, »Escalation« in 1988 and »Screams« in 1994) before splitting up. Necronomicon returned in the new century with three more albums (on various labels). With songs such as InchPossessed by EvilInch, InchBloody RevengeInch or InchBlind DestructionInch, the true classic, however, remains their first album recorded in 1984 and originally issued in 1986. InchNecronomicon was loved internationallyInch, reveals Freddy. InchEspecially in all Scandinavian countries, the United States of America and South America. We got fan letters on a daily basis.Inch
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Stereolab Seaya (Laetitia) Sadier (vocals, Moog synthesizer); Tim Gane (guitar, Farfisa organ, Moog synthesizer); Martin Kean (bass); Joe Dilworth (drums). Recorded in London, England in April 1992. Originally released in 1992, PENG! Is the second full-length album by sonic experimentalists Stereolab. Sometimes jam-packed with thundering keyboards and driving drums, at other times ethereal, airy and light, PENG! Captures this thinking man's band at the early stages of it's prolific career. Emulating aspects of the Velvet Underground's rhythms as well as the Moog-happy keyboard euphonies of the early 1970s, Stereolab's far left-of-center pop vision has always been something of a love-'em-or-hate-'em proposition. Longtime fans familiar with the band's later work will find interest in this early recording-it includes the moody, cafe-styled InchK-StarsInch sung fetchingly in French by Leatitia Sadier. There's also the dry, rub-a-dub guitar of InchPerversion,Inch which is more a dissertation over post-modern music than some boring old song InchIn our Christian society there's something wrong with having pleasure.Inch Rock 'n' roll!
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