Nina Nesbitt - Mountain Music - COMPACT DISCS [CD]
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Mountain Music is Nina Nesbitt as fans have never heard her before. Having risen to fame at a young age with her disarming, candid pop - the Scottish musician is now found in an entirely new realm. It is inspired in part by the two years she spent touring the States in support of her second studio album the critically acclaimed Top 40, The Sun Will Come Up, The Seasons Will Change, which has now accrued over a billion streams. These songs are permeated with gorgeous nods to US folk and Americana. It's made all the more extraordinary by the face that, not long ago, Nesbitt was considering quitting music altogether. Produced by Peter Miles and Nesbitt, mixed and mastered by Miles at his stunning studio MiddleFarm in south Devon, and released via her own tag, Apple Tree Records. A playful nod to her 2012 debut EP, TheApple Tree, this marks the start of an exciting new era for Nina Nesbitt. While it might sound strange that Nesbitt was drawn to the music of Appalachia, heard echoing through the vast, verdant mountain ranges of the eastern United States, it makes more sense when you consider how traditional Scottish ballads and hymns are threads in that rich tapestry. Empathy is one of Nesbitt's greatest strengths. We hear it on InchPainkillerInch, a Joni Mitchell-indebted ballad on which her heart breaks for the men who believe they have to suppress their own feelings. One of the album's standout qualities is, perhaps, the dynamic that Nesbitt creates from one song to the next. Where many folk artists might lean into quiet introspection, she craves the full spectrum of emotion - so ensconced around InchPainkillerInch you have the tender InchOn the Run', with it's distant shivers of percussion and crystalline piano, but also InchAngerInch. She's in a nostalgic mood on the rousing InchComing HomeInch, a Springsteen-inspired, driving-with-the-top-down journey back to the
- GenreRockDescriptionMountain Music is Nina Nesbitt as fans have never heard her before. Having risen to fame at a young age with her disarming, candid pop - the Scottish musician is now found in an entirely new realm. It is inspired in part by the two years she spent touring the States in support of her second studio album the critically acclaimed Top 40, The Sun Will Come Up, The Seasons Will Change, which has now accrued over a billion streams. These songs are permeated with gorgeous nods to US folk and Americana. It's made all the more extraordinary by the face that, not long ago, Nesbitt was considering quitting music altogether. Produced by Peter Miles and Nesbitt, mixed and mastered by Miles at his stunning studio MiddleFarm in south Devon, and released via her own tag, Apple Tree Records. A playful nod to her 2012 debut EP, TheApple Tree, this marks the start of an exciting new era for Nina Nesbitt. While it might sound strange that Nesbitt was drawn to the music of Appalachia, heard echoing through the vast, verdant mountain ranges of the eastern United States, it makes more sense when you consider how traditional Scottish ballads and hymns are threads in that rich tapestry. Empathy is one of Nesbitt's greatest strengths. We hear it on InchPainkillerInch, a Joni Mitchell-indebted ballad on which her heart breaks for the men who believe they have to suppress their own feelings. One of the album's standout qualities is, perhaps, the dynamic that Nesbitt creates from one song to the next. Where many folk artists might lean into quiet introspection, she craves the full spectrum of emotion - so ensconced around InchPainkillerInch you have the tender InchOn the Run', with it's distant shivers of percussion and crystalline piano, but also InchAngerInch. She's in a nostalgic mood on the rousing InchComing HomeInch, a Springsteen-inspired, driving-with-the-top-down journey back to theArtistNina NesbittTitleMountain MusicFormatCDLabelAppletree Records
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Mountain Music is Nina Nesbitt as fans have never heard her before. Having risen to fame at a young age with her disarming, candid pop - the Scottish musician is now found in an entirely new realm. It is inspired in part by the two years she spent touring the States in support of her second studio album the critically acclaimed Top 40, The Sun Will Come Up, The Seasons Will Change, which has now accrued over a billion streams. These songs are permeated with gorgeous nods to US folk and Americana. It's made all the more extraordinary by the face that, not long ago, Nesbitt was considering quitting music altogether. Produced by Peter Miles and Nesbitt, mixed and mastered by Miles at his stunning studio MiddleFarm in south Devon, and released via her own tag, Apple Tree Records. A playful nod to her 2012 debut EP, TheApple Tree, this marks the start of an exciting new era for Nina Nesbitt. While it might sound strange that Nesbitt was drawn to the music of Appalachia, heard echoing through the vast, verdant mountain ranges of the eastern United States, it makes more sense when you consider how traditional Scottish ballads and hymns are threads in that rich tapestry. Empathy is one of Nesbitt's greatest strengths. We hear it on InchPainkillerInch, a Joni Mitchell-indebted ballad on which her heart breaks for the men who believe they have to suppress their own feelings. One of the album's standout qualities is, perhaps, the dynamic that Nesbitt creates from one song to the next. Where many folk artists might lean into quiet introspection, she craves the full spectrum of emotion - so ensconced around InchPainkillerInch you have the tender InchOn the Run', with it's distant shivers of percussion and crystalline piano, but also InchAngerInch. She's in a nostalgic mood on the rousing InchComing HomeInch, a Springsteen-inspired, driving-with-the-top-down journey back to the
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