Nnamdi - Please Have A Seat - Walnut Brown - VINYL LP

As an artist, composer, producer, writer, and co-founder of Sooper Records, so much of NNAMDÏ's life is go/go/go, do/do/do, produce/produce/produce, with precious little time to stop. Take a Breath. Have a Seat. Please Have a Seat finds NNAMDÏ writing through those calmer moments as he's been able to capture them; to sit down, pause, and write twelve songs. If there is comfort here among the common themes, it's the comfort in finding wisdom and gaining confidence. Pausing, but also knowing there maybe is no real pause, that every moment is one to grow as a human, to reflect or learn. In fact, Please Have a Seat is bookended by two songs about running, about finding those moments in motion, getting out of go-brain and into something deeper, more elemental. That these are pop songs to NNAMDÏ is telling; the hooks are there, melodies and chorus lines that make Please Have a Seat warm and inviting. But the articulations are nonlinear, and NNAMDÏ's Please Have a Seat isn't a story or narrative collection so much as an incantation, a conjuring of elements with an almost synesthetic quality. Sounds, styles and themes crisscross into focus, giving a glimpse into NNAMDÏ's inspiration and inviting us to please have a seat ourselves, to make our own moment and our own meaning of it. With Please Have a Seat, NNAMDÏ doesn't so much tell a story as show us the power of it's requisite pieces.

LP Vinyl Pressing. 2014 from the California indie pop band. SUPERMODEL, Foster the People's sophomore , is the follow-up to their hit album TORCHES and includes 11 tracks including the hit single 'Coming of Age'.

On Origins Chris Bartels takes on the role of singer-songwriter for the first time under his Elskavon moniker, unveiling a voice that wouldn't sound out of place next to vocal-forward artists like Justin Vernon, Jónsi, or Baths, who master the balance between conventional songcraft and bold, idiosyncratic experimentation. Origins is vast yet intimate, fluttering yet cohesive, tattered yet clean, a little like rainfall during sunlight. Shedding the ambient-classical confines of his previous output, the album's opener and title track, offers a swirling mosaic of acoustic textures that recall the beloved duo The Books, laced with warped vocal utterances flitting in and out of a club-friendly beat. InchOriginsInch is followed by the equally danceable InchCoastline,Inch which drives home the smiling melodies and intricate sound-design that form the spine of Origins, keeping Bartels' voice in a largely decorative and impressionistic role up to this point. InchBlossom and the VoidInch dissolves the introductory tension as Bartels comes out lyrically swinging, his digitized voice chanting widely over the mutated New Wave-esque anthem. Here, Bartels shows his instinct for dynamics by rising to bombast and quickly dispelling it, making steep yet graceful descents into skillfully delicate sound-design.Throughout Origins, the patient glacial aesthetic of his previous work is still discernible- there are wordless, expansive panoramas that stretch out patiently for minutes at a time and smartly resist the impulse to pack each moment with a persona made even more impactful when Bartels chooses to wield it. At other times, his spokesmanship is woven discreetly into a larger tapestry, like on InchSee Out LoudInch (and it's ambient reprise) where Bartels' voice shimmers from a distance, covering the scene in diffuse splendor. InchThere is so much warping, mangling, re-sampling, reversi