Office Culture - Big Time Things - VINYL LP
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Brooklyn band Office Culture is made up of four longtime collaborators (and all solo artists in their own right)-lead singer and songwriter Winston Cook-Wilson (vocals/keyboards), Ian Wayne (guitar), Charlie Kaplan (bass), and Pat Kelly (drums). Following the electronic avant-pop experimentation of their debut album I Did the Best I Could, the band's critically acclaimed sophomore LP-2019's A Life of Crime-unveiled a rich, jazz-inflected sound that Pitchfork described as Inchsleek music for a cursed place, opulent like a ritzy hotel lounge.Inch Cook-Wilson's wry and contemplative songs reflect the bandmates' shared points of musical reference, including Nite-Flights-era Scott Walker, mid-'70s Joni Mitchell, Curtis Mayfield, and ECM-tag jazz. The FADER wrote InchOffice Culture spends the best moments on [A Life Of Crime] sounding like the most vital lounge-pop act of all time.InchBig Time Things-the band's third album and Northern Spy debut-is a more maximalist affair. Written and recorded across the course of three years, it's a meticulously orchestrated and groove-forward record featuring nine of Cook-Wilson's most ambitious compositions to date. Tracks like singles InchElegance,Inch InchBig Time Things,Inch and InchLittle RemindersInch draw together a disparate collection of influences, integrating soulful vocal harmonies, horns straight out of '70s spiritual jazz, string arrangements informed by modernist classical music, and beats that reflect the band's enduring love of neo-soul and hip-hop.The playful experimentation of the arrangements elevates the melodrama and humor of Cook-Wilson's songs-his most emotionally direct to date-which trace the complexities of our efforts to better ourselves by learning from our worst and least rational behavior, and how we attempt to apply that knowledge to nurturing close personal relationships. The record features a dense cast
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VINYLSpecifications
- GenreRockDescriptionBrooklyn band Office Culture is made up of four longtime collaborators (and all solo artists in their own right)-lead singer and songwriter Winston Cook-Wilson (vocals/keyboards), Ian Wayne (guitar), Charlie Kaplan (bass), and Pat Kelly (drums). Following the electronic avant-pop experimentation of their debut album I Did the Best I Could, the band's critically acclaimed sophomore LP-2019's A Life of Crime-unveiled a rich, jazz-inflected sound that Pitchfork described as Inchsleek music for a cursed place, opulent like a ritzy hotel lounge.Inch Cook-Wilson's wry and contemplative songs reflect the bandmates' shared points of musical reference, including Nite-Flights-era Scott Walker, mid-'70s Joni Mitchell, Curtis Mayfield, and ECM-tag jazz. The FADER wrote InchOffice Culture spends the best moments on [A Life Of Crime] sounding like the most vital lounge-pop act of all time.InchBig Time Things-the band's third album and Northern Spy debut-is a more maximalist affair. Written and recorded across the course of three years, it's a meticulously orchestrated and groove-forward record featuring nine of Cook-Wilson's most ambitious compositions to date. Tracks like singles InchElegance,Inch InchBig Time Things,Inch and InchLittle RemindersInch draw together a disparate collection of influences, integrating soulful vocal harmonies, horns straight out of '70s spiritual jazz, string arrangements informed by modernist classical music, and beats that reflect the band's enduring love of neo-soul and hip-hop.The playful experimentation of the arrangements elevates the melodrama and humor of Cook-Wilson's songs-his most emotionally direct to date-which trace the complexities of our efforts to better ourselves by learning from our worst and least rational behavior, and how we attempt to apply that knowledge to nurturing close personal relationships. The record features a dense castArtistOffice CultureTitleBig Time ThingsFormatVINYLLabelNorthern Spy Records
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Brooklyn band Office Culture is made up of four longtime collaborators (and all solo artists in their own right)-lead singer and songwriter Winston Cook-Wilson (vocals/keyboards), Ian Wayne (guitar), Charlie Kaplan (bass), and Pat Kelly (drums). Following the electronic avant-pop experimentation of their debut album I Did the Best I Could, the band's critically acclaimed sophomore LP-2019's A Life of Crime-unveiled a rich, jazz-inflected sound that Pitchfork described as Inchsleek music for a cursed place, opulent like a ritzy hotel lounge.Inch Cook-Wilson's wry and contemplative songs reflect the bandmates' shared points of musical reference, including Nite-Flights-era Scott Walker, mid-'70s Joni Mitchell, Curtis Mayfield, and ECM-tag jazz. The FADER wrote InchOffice Culture spends the best moments on [A Life Of Crime] sounding like the most vital lounge-pop act of all time.InchBig Time Things-the band's third album and Northern Spy debut-is a more maximalist affair. Written and recorded across the course of three years, it's a meticulously orchestrated and groove-forward record featuring nine of Cook-Wilson's most ambitious compositions to date. Tracks like singles InchElegance,Inch InchBig Time Things,Inch and InchLittle RemindersInch draw together a disparate collection of influences, integrating soulful vocal harmonies, horns straight out of '70s spiritual jazz, string arrangements informed by modernist classical music, and beats that reflect the band's enduring love of neo-soul and hip-hop.The playful experimentation of the arrangements elevates the melodrama and humor of Cook-Wilson's songs-his most emotionally direct to date-which trace the complexities of our efforts to better ourselves by learning from our worst and least rational behavior, and how we attempt to apply that knowledge to nurturing close personal relationships. The record features a dense cast

Having crested the west coast modular-ambient wave in just a few releases- including 2018's Sharing Waves on the influential LA experimental imprint Leaving Records- Sean Hellfritsch has swapped the mossy analog synth improvisations of his prior output for refined melodic arrangements dressed in sprightly dawn-of-digital textures. Big Earth Energy plumbs the depths of Hellfritsch's multimedia mind and naturalist heart, spinning an impressionistic narrative world off of cultural touchstones like the PC game MYST, and the work of Studio Ghibli composer Joe Hisaishi. Inspired by the aforementioned, and guided by Hellfritsch's experience as an animator and filmmaker, Big Earth Energy is the soundtrack to a hypothetical video game with a pointedly ecological premise, and a twist of psychedelic charm. In Hellfritsch's imagined virtual journey, the player assumes the perspective of a treefrog sixty-five-million years ago, hopping epochs with each new level, forming a comprehensive picture of the massive hanges the planet has gone through over the eons. The ultimate goal of the game is not to amass resources, defeat enemies, or gain power, but to fully witness the unfolding of one of the biggest systems of energy imaginable- or as the album's creator puts it- Inchto explore the incomprehensibly vast energetic expression and mystery that is Earth.Inch Big Earth Energy is steeped in exploratory RPG intrigue, possibility, and contemplation, lovingly overlaid with Miyazaki-an sentiments and aesthetics. The through-composed, organic, meandering synthesis heard on previous Cool Maritime albums has been fully replaced by meticulous polygonal arrangements that recall the computerized sheen of late 80s work by composers like Hiroshi Yoshimura, and Yoichiro Yoshikawa- using true-to-period gear no less. Even given it's referentiality, Big Earth Energy comes off as forward-facing where s

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