Oliver Triendl - Piano Works - COMPACT DISCS [CD]

Album Tracks 1. Andante - Allegro 2. Allegro Molto E Vivace 3. Adagio Con Espressione 4. Allegro Vivace 5. Andante 6. Rondo. Allegro 7. Allegro Ma Non Troppo 8. Tempo Di Menuetto 9. Six Variations on a Swiss Song in F Major, Woo64 10. Moderato 11. Romanze 12. Allegro Assai 13. Rondo. Allegro 14. Adagio Sostenuto 15. Allegretto - Trio 16. Presto Agitato

Album Tracks 1. Sonata for Trombone & Piano 1. Allegro 2. Sonata for Trombone & Piano 2. Adagio 3. Sonata for Trombone & Piano 3. Finale 4. Sonatina No. 2 for Trumpet & Piano 1. Vivo E Giocoso 5. Sonatina No. 2 for Trumpet & Piano 2. Lento 6. Sonatina No. 2 for Trumpet & Piano 3. Intermezzo Presto 7. Sonatina No. 2 for Trumpet & Piano 4. Finale Vivo 8. Sonata for Bass Tuba & Piano 1. Allegro 9. Sonata for Bass Tuba & Piano 2. Lento 10. Sonata for Bass Tuba & Piano 3. Finale Vivace 11. Sonatina for Trumpet & Piano 1. Allegro 12. Sonatina for Trumpet & Piano 2. Andante Tranquillo 13. Sonatina for Trumpet & Piano 3. Saltarello Allegro Giocoso E Molto Vivace 14. Sonatina for Horn & Piano 1. Allegro 15. Sonatina for Horn & Piano 2. Andante 16. Sonatina for Horn & Piano 3. Presto 17. Sonatina for Horn & Piano 4. Finale Adagio - Allegro 18. Quintet After a Theme By Johann Pachelbel, for 2 Trumpets, Horn, Trombone & Tuba 1. Introduction 19. Quintet After a Theme By Johann Pachelbel, for 2 Trumpets, Horn, Trombone & Tuba 2. Gavotte with 3 Variations 20. Quintet After a Theme By Johann Pachelbel, for 2 Trumpets, Horn, Trombone & Tuba 3. Sarabande 21. Quintet After a Theme By Johann Pachelbel, for 2 Trumpets, Horn, Trombone & Tuba 4. Fuge Giocoso E Vivace

Until recently, Bronsart von Schellendorf's career as a composer has been almost completely overlooked. But Liszt was aware of Bronsart's prowess, referring to his orchestral work Fruhlings-Fantasie as Inchbeautiful and invaluableInch and later declaring, InchI value him as a character and a musician.Inch Even a cursory listen to the Piano Concerto reveals a composer working in ambitious dimensions and an extrovert musical language. Rich in melodic and emotional content, Bronsart's piano writing gives ample opportunity for virtuoso display while delivering Bronsart's musical arguments with power and precision. Bronsart's good friend Hans von Bulow, another pupil of Liszt, had toured the work from 1870 onwards. He took the concerto abroad, giving a concert in Manchester under the baton of Charles Halle in 1877, by which time the work had secured a temporary foothold in the repertory.