Orchestra La Scintilla - Piano Concertos - VINYL LP
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For years, Margarita Höhenrieder was searching for the authentic sound of Frédéric Chopin's piano works. Which instrument of it's time most convincingly reflected Chopin's music? Chopin himself had given the answer in 1831 InchPleyel's instruments are the non plus ultraInch! The choice for the recording therefore fell on a Pleyel fortepiano, built 1848 in Paris and expertly restored using historical materials and methods. It is absolutely identical in construction to the instrument that Chopin owned, and thus represents an authentic sound testimony. For acoustic reasons of the sound of the original i nstruments, the Oberstrass Church in Zurich (1st Piano Concerto) and the Vienna Musikverein in Vienna (2nd Piano Concerto) were chosen as recording venues. The orchestras InchLa ScintillaInch conducted by Riccardo Minasi and the InchWiener AkademieInch conducted by Martin Haselböck also played on historical instruments. We hear in each case the historical versions by Jan Ekier. Margarita Höhenrieder's careful r ecreation of the authentic Chopin sound gives the listener highly interesting insights into music history. Sting insights into music history.
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VINYLSpecifications
- GenreClassicalDescriptionFor years, Margarita Höhenrieder was searching for the authentic sound of Frédéric Chopin's piano works. Which instrument of it's time most convincingly reflected Chopin's music? Chopin himself had given the answer in 1831 InchPleyel's instruments are the non plus ultraInch! The choice for the recording therefore fell on a Pleyel fortepiano, built 1848 in Paris and expertly restored using historical materials and methods. It is absolutely identical in construction to the instrument that Chopin owned, and thus represents an authentic sound testimony. For acoustic reasons of the sound of the original i nstruments, the Oberstrass Church in Zurich (1st Piano Concerto) and the Vienna Musikverein in Vienna (2nd Piano Concerto) were chosen as recording venues. The orchestras InchLa ScintillaInch conducted by Riccardo Minasi and the InchWiener AkademieInch conducted by Martin Haselböck also played on historical instruments. We hear in each case the historical versions by Jan Ekier. Margarita Höhenrieder's careful r ecreation of the authentic Chopin sound gives the listener highly interesting insights into music history. Sting insights into music history.ArtistOrchestra La ScintillaTitlePiano ConcertosFormatVINYLLabelSolo Musica
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For years, Margarita Höhenrieder was searching for the authentic sound of Frédéric Chopin's piano works. Which instrument of it's time most convincingly reflected Chopin's music? Chopin himself had given the answer in 1831 InchPleyel's instruments are the non plus ultraInch! The choice for the recording therefore fell on a Pleyel fortepiano, built 1848 in Paris and expertly restored using historical materials and methods. It is absolutely identical in construction to the instrument that Chopin owned, and thus represents an authentic sound testimony. For acoustic reasons of the sound of the original i nstruments, the Oberstrass Church in Zurich (1st Piano Concerto) and the Vienna Musikverein in Vienna (2nd Piano Concerto) were chosen as recording venues. The orchestras InchLa ScintillaInch conducted by Riccardo Minasi and the InchWiener AkademieInch conducted by Martin Haselböck also played on historical instruments. We hear in each case the historical versions by Jan Ekier. Margarita Höhenrieder's careful r ecreation of the authentic Chopin sound gives the listener highly interesting insights into music history. Sting insights into music history.
Double vinyl LP pressing including . A Seat At The Table the 2016 album written and performed by Solange Knowles. The album features collaborations with Q-Tip, Kelly Rowland, The Dream, BJ The Chicago Kid, Kelela, Tweet, Moses Sumney, Sampha, Sean Nicholas Savage, Nia Andrews, Devonte Hynes of Houston Texas and Lu of Carolina. A Seat at the Table is the third studio album by Solange. Following the of her second studio album Sol-Angel and the Hadley St. Dreams (2008), Knowles began work on her third studio album, during which she suffered a InchbreakdownInch due to the amount of time and emotion she was putting into the recording process. Writing for the album began as early as 2008, while the albums recording sessions took part from 2013 to June 2016.
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