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Orchestre De Chambre Nouvelle-Aquitaine - Messiaen: Des canyons aux etoiles - COMPACT DISCS [CD]

SKU: 10716506

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Without a doubt, it is urgent to get back to essentials, to retrace the path from the canyons to the stars, to celebrate Inchthe beauties of the earth (it's rocks, it's birdsongs), the beauties of the material sky, the beauties of the spiritual skyInch as Messiaen writes at the head of his score. According to Jean-François Heisser, Inchthere is a grandeur in this work that sweeps aside reservations about the composer; something in the music escapes us and instantly grips the audienceInch. One cannot deny this work exemplifies the Inchtoo big for meInch of which Gilles Deleuze spoke. That is why it must be heard, that is why this new recording was necessary.

Specifications

  • Genre
    Classical
    Description
    Without a doubt, it is urgent to get back to essentials, to retrace the path from the canyons to the stars, to celebrate Inchthe beauties of the earth (it's rocks, it's birdsongs), the beauties of the material sky, the beauties of the spiritual skyInch as Messiaen writes at the head of his score. According to Jean-François Heisser, Inchthere is a grandeur in this work that sweeps aside reservations about the composer; something in the music escapes us and instantly grips the audienceInch. One cannot deny this work exemplifies the Inchtoo big for meInch of which Gilles Deleuze spoke. That is why it must be heard, that is why this new recording was necessary.
    Artist
    Orchestre De Chambre Nouvelle-Aquitaine
    Title
    Messiaen: Des canyons aux etoiles
    Format
    CD
    Label
    Mirare
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Without a doubt, it is urgent to get back to essentials, to retrace the path from the canyons to the stars, to celebrate Inchthe beauties of the earth (it's rocks, it's birdsongs), the beauties of the material sky, the beauties of the spiritual skyInch as Messiaen writes at the head of his score. According to Jean-François Heisser, Inchthere is a grandeur in this work that sweeps aside reservations about the composer; something in the music escapes us and instantly grips the audienceInch. One cannot deny this work exemplifies the Inchtoo big for meInch of which Gilles Deleuze spoke. That is why it must be heard, that is why this new recording was necessary.

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