Orchestre National des Pays de la Loire - Orchestral Works - SUPER-AUDIO CD [Super Audio CD (SACD)]

While the three composers featured on this recording are not, in the public perception and sometimes even in that of the performers, among the most significant exponents of Viennese music in the first half of the twentieth century, their remarkably expressive and virtuoso writing is deeply rooted in fin-de-siècle Vienna. They were banned by the dictatorships of the 1930s and then blacklisted in the aftermath of the Second World War by the young European avant-garde, and it is only in recent years that the beauty and opulence of their works have been rediscovered.Vienna-born conductor Sascha Goetzel writes about the works performed here with the Orchestre National des Pays de la Loire 'With Korngold, Schreker and Krenek, we're not just hearing music - we're entering a dialogue between past and present, tradition and rebellion, myth and modernity [...] Korngold embodies the emotional sincerity and creative ambition of the late Romantic tradition. Schreker immerses us in the subconscious - mythical, unstable, and rich in feeling. Krenek breaks through the facade, injecting irony, jazz and fragmentation into the orchestral form [...] In their own ways, each composer pushes back against inheritedconventions to discover new languages of sound.'

The music of Mily Balakirev has largely disappeared from concert halls today. The dewy new recording by the Niederrheinische Symphoniker under the baton of chief conductor Mihkel Kütson comes at just the right time the 1st Piano Concerto with Dinara Klinton as soloist, plus the 2nd Symphony and two highly original overtures attest to Balakirev's special place in music history, not least as the spiritus rector of the so-called InchMighty GroupInch. With the InchMighty GroupInch, Balakirev and his comrades-in-arms wanted to commit themselves to genuinely Russian music, in contrast to their InchWesternisedInch colleagues Tchaikovsky and Rubinstein. Balakirev even founded his own music school, which dispensed with classical studies with lots of finger exercises and counterpoint lessons - not always to the students' advantage... Because of his commitment to young musicians, Balakirev often left compositions he had begun lying around for decades. It is uncertain whether this is why the one-movement piano concerto remained unfinished. However, the virtuoso work is convincing in every respect wide-ranging passages of free fantasizing hint at Liszt and Chopin as models. The 2nd Symphony, which Balakirev was only able to complete towards the end of his life, is also formally idiosyncratic. Russian themes demonstrate Balakirev's deep knowledge of folk music, which he studied on his travels through the Caucasus. With the Niederrheinische Symphoniker, all this sounds fresh and unspent - and in the high-quality 3D recording, it is also an acoustic delight.

?Symphonic works by the long-forgotten Russian composer Vasily Kalinnikov