Papercuts - You Can Have What You Want - VINYL LP
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Papercuts' You Can Have What You Want is the third phase in Jason Quever's ongoing pop investigations. The relatively earthbound happy/sad pop of Mockingbird and Can't Go Back has been launched into the vault of the skies. Here, Quever delves further into epic dream-pop using mostly vintage organs, pulsing bass, and Kraut-via-Ringo-inspired drum rhythms. Intact from those earlier efforts is Quever's sense of arrangement and drama, as well as his soaring vocals, draped in reverb gauze. The words reveal a fascination with mortality and things cosmic, while sonically the voice acts as another instrument. This obsessively all-analog effort (no computer processing here whatsoever!) cuts across several eras of dreamy sound '80s/'90s Creation and 4AD Records, The Zombies, '60s French pop, even Can's Future Days-and then there's the inevitable connection to former tourmates Beach House and Grizzly Bear. Indeed, Beach House's Alex Scally helped with some of the arrangements, though You Can Have What You Want is it's own strain of addictive pop. For many, it will be the blissful/melancholy jam of the spring and summer.Quever was raised on a commune in Humboldt County, orphaned, and moved up and down the West Coast before calling San Francisco home and starting Papercuts, initially as a four-track recording project. When not performing with his own band, he can often be found recording others in his studio and filling in when needed as a multi-instrumentalist in friends' groups.InchIt takes a few seconds of Papercuts' second album, Can't Go Back, to think that maybe you've stumbled upon something special, a delicate mood piece made to slice through the din and chaos of modern life.Inch-Pitckfork (8.3 )
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- GenreRockDescriptionPapercuts' You Can Have What You Want is the third phase in Jason Quever's ongoing pop investigations. The relatively earthbound happy/sad pop of Mockingbird and Can't Go Back has been launched into the vault of the skies. Here, Quever delves further into epic dream-pop using mostly vintage organs, pulsing bass, and Kraut-via-Ringo-inspired drum rhythms. Intact from those earlier efforts is Quever's sense of arrangement and drama, as well as his soaring vocals, draped in reverb gauze. The words reveal a fascination with mortality and things cosmic, while sonically the voice acts as another instrument. This obsessively all-analog effort (no computer processing here whatsoever!) cuts across several eras of dreamy sound '80s/'90s Creation and 4AD Records, The Zombies, '60s French pop, even Can's Future Days-and then there's the inevitable connection to former tourmates Beach House and Grizzly Bear. Indeed, Beach House's Alex Scally helped with some of the arrangements, though You Can Have What You Want is it's own strain of addictive pop. For many, it will be the blissful/melancholy jam of the spring and summer.Quever was raised on a commune in Humboldt County, orphaned, and moved up and down the West Coast before calling San Francisco home and starting Papercuts, initially as a four-track recording project. When not performing with his own band, he can often be found recording others in his studio and filling in when needed as a multi-instrumentalist in friends' groups.InchIt takes a few seconds of Papercuts' second album, Can't Go Back, to think that maybe you've stumbled upon something special, a delicate mood piece made to slice through the din and chaos of modern life.Inch-Pitckfork (8.3 )ArtistPapercutsTitleYou Can Have What You WantFormatVINYLLabelPanam
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Papercuts' You Can Have What You Want is the third phase in Jason Quever's ongoing pop investigations. The relatively earthbound happy/sad pop of Mockingbird and Can't Go Back has been launched into the vault of the skies. Here, Quever delves further into epic dream-pop using mostly vintage organs, pulsing bass, and Kraut-via-Ringo-inspired drum rhythms. Intact from those earlier efforts is Quever's sense of arrangement and drama, as well as his soaring vocals, draped in reverb gauze. The words reveal a fascination with mortality and things cosmic, while sonically the voice acts as another instrument. This obsessively all-analog effort (no computer processing here whatsoever!) cuts across several eras of dreamy sound '80s/'90s Creation and 4AD Records, The Zombies, '60s French pop, even Can's Future Days-and then there's the inevitable connection to former tourmates Beach House and Grizzly Bear. Indeed, Beach House's Alex Scally helped with some of the arrangements, though You Can Have What You Want is it's own strain of addictive pop. For many, it will be the blissful/melancholy jam of the spring and summer.Quever was raised on a commune in Humboldt County, orphaned, and moved up and down the West Coast before calling San Francisco home and starting Papercuts, initially as a four-track recording project. When not performing with his own band, he can often be found recording others in his studio and filling in when needed as a multi-instrumentalist in friends' groups.InchIt takes a few seconds of Papercuts' second album, Can't Go Back, to think that maybe you've stumbled upon something special, a delicate mood piece made to slice through the din and chaos of modern life.Inch-Pitckfork (8.3 )
PAPERCUTS / PAST LIFE REGRESSION - Jason Quever has been releasing timeless guitar-based dream pop as Papercuts since 2004, impervious to trends or micro genres that have come and gone around him. In that regard, his contemporaries are artists like Hiss Golden Messenger, Fruit Bats, Andy Shauf or Kings of Convenience ' artists who are more concerned with song craft and perfecting their sound, and less concerned with gimmicks or fitting into a specific scene. InchPast Life RegressionInch is his new album and it's a journey into the dreamier reaches of Velvets-flavored strum that digs deep into influences as wide-ranging as Leonard Cohen, The West Coast Pop Art Experimental Band, Spiritualized, Echo & The Bunnymen, 60s sunshine pop and folk rock of all eras. As always, Jason's songcraft and production are immaculate, marking InchPast Life RegressionInch as a crucial addition to his discography.
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