Pasche I Pizzicanto - Alma Intrepida - COMPACT DISCS [CD]
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About this product
Full of adventure, I Pizzicanti set about making this album a reality. They came up with the idea for the project together with Céline Pasche, with whom the musicians share a love of the Italiano style. After lots of searching and playing the original repertoire with recorder, they were able to capture the spirit of this Italian style with the artistic means of historical transcription. As members of the new generation of upcoming artists, the musicians Nadja & Chani Lesaulnier, Rafael Becerra and Jonathan Pesek founded the group I Pizzicanti in the year 2009. I Pizzicanti, with all it's members being graduates of the Schola Cantorum Basiliensis, is perpetuating the movement of rediscovery of the 17th, 18th and 19th century repertoire by using the techniques of the historically informed performance practice. The common ground of shared aesthetic principles allows I Pizzicanti to pursue a research for liberty, creativity and spontaneity while paying due respect to the integrity of the historical masterpieces. In a productive dialogue process the dynamics of the group evolve around the distinct personalities of it's members. I Pizzicanti is devoted to the recreation and promotion of baroque musical practice like the proficient playing of several instruments and the art of transcription.
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- GenreClassicalDescriptionFull of adventure, I Pizzicanti set about making this album a reality. They came up with the idea for the project together with Céline Pasche, with whom the musicians share a love of the Italiano style. After lots of searching and playing the original repertoire with recorder, they were able to capture the spirit of this Italian style with the artistic means of historical transcription. As members of the new generation of upcoming artists, the musicians Nadja & Chani Lesaulnier, Rafael Becerra and Jonathan Pesek founded the group I Pizzicanti in the year 2009. I Pizzicanti, with all it's members being graduates of the Schola Cantorum Basiliensis, is perpetuating the movement of rediscovery of the 17th, 18th and 19th century repertoire by using the techniques of the historically informed performance practice. The common ground of shared aesthetic principles allows I Pizzicanti to pursue a research for liberty, creativity and spontaneity while paying due respect to the integrity of the historical masterpieces. In a productive dialogue process the dynamics of the group evolve around the distinct personalities of it's members. I Pizzicanti is devoted to the recreation and promotion of baroque musical practice like the proficient playing of several instruments and the art of transcription.ArtistPasche I PizzicantoTitleAlma IntrepidaFormatCDLabelArs Produktion
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Born in Molfetta (Italy) on June 21, 1931, don Salvatore has undertaken the priestly life uniting it deeply to the musical one. Together with the ecclesial experience of assistant FUCI (Italian Catholic University Federation) in the post-conciliar years and that of director of the Schola Cantorum of the Pontifical Regional Seminary of Molfetta, he built his musical training with the masters Armando Renzi (composition), Nicola Samale (conducting), Michele Marvulli, Marcel Couraud (perfecting choral conducting), Luigi Celeghin. He has taught at the Conservatories InchE.R. DuniInch in Matera and InchN. PiccinniInch in Bari; he has been at the head of the Choir and Orchestra InchJ. SalepicoInch, an institution born within the Association and Popular School InchA. DvorakInch of which he was founder and president until his death. He has been Maestro di Cappella of the Cathedral Chapter of Molfetta. Graduated in composition, conducting, piano and specialized in choral and organ conducting, he wanted to make up for the scarce musical and liturgical knowledge of the people, dedicating himself with passion and sacrifice to the young generations of his territory, building an associative and training experience so deep to constitute a generation of musicians that still today recognize him as their mentor and teacher. The fruits of his artistic genius are numerous and of various kinds, from oratorios to popular songs; but of particular interest are his two Oratories, the two Great Cantatas for Choir and Orchestra, as well as Masses and motets. He was a man of high perspicacity, a concrete visionary, able to see things in depth and projected into the future; acute intellectual, he has always fought, driven by the insatiable need for knowledge without ever giving up the ancient.
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