Patricia Belieres - Other Brazil - COMPACT DISCS [CD]

The fantastic debut album of the Swedish Hard'n'Heavy legends for the first time on green transparent vinyl including printed inner sleeve with lyrics and liner notes!With InchOf The Son And The FatherInch in 2002 the band from Borlänge laid the foundation for their successful career with worldwide chart successes that continue to this day.

Maria Rita is a musical pioneer that was ahead of her time. On first hearing her song, 'Cântico Brasileiro No.3 (Kamaiurá)', we thought it sounded like a contemporary remix that an artist such as Carl Craig could have produced. In fact, it came out in 1988 and was taken from Maria's 'Brasileira' album, released on the Brazilian, independent Acorde imprint. The song would go on to gain cult status with it's inclusion on John Gomez's superb 'Outro Tempo' compilation, released on the Music From Memory tag in 2017.This cult classic fuses new-age electronics with indigenous vocals and Amazonian rhythms. It is beautiful and unique and takes you on a journey through different moods, textures and ethereal planes. Through the sounds Maria created, you join her on a timeless voyage gazing into the future whilst embracing her powerful roots.

Karol Szymanowski was a central figure in the renewal of Polish music, since, although his catalogue is not extensive, he managed to open the doors to the contemporary school of his nation in the piano, orchestral, chamber and vocal fields. It is to be thanked that the emerging pianist Patricia Arauzo has chosen this composer as the protagonist of her first solo album. The rigor and transparency, as well as the impetus and expressive force, characterize the approach to his work. Furthermore, the clarity with which Arauzo manages to make the simultaneous sound levels independent and to highlight the hidden themes interweaving the dense texture gives his versions an extraordinary communicative capacity, not easy to achieve in the Polish composer's art. The five works he has recorded in Masques allow us to go through the three creative stages of Szymanowski's career through the piano. They are three periods in which he cultivated eclectic languages that made up a polyhedral personality dotted with recurrent elements such as dance rhythms, with their vibrant internal energy. Above all, they shaped the concept of the masque as an element of concealment or a defensive shield against a vital and artistic reality that was not understood in his time.