Penderecki - Penderecki Concertos 7 - COMPACT DISCS [CD]
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Penderecki's Concerto doppio per violin e viola was composed in 2012 on the occasion of the 200th anniversary of the Wiener Musikverein. The Concerto doppio is a piece with a clearly outlined neoromantic architecture. Although the composer often uses semitones as form shaping means, the Concerto is also saturated with many consonant solutions mitigating tensions. Penderecki's Concerto per viola ed orchestra has been transcribed for a variety of instruments. The original version was created in 1983 as a result of a composing commission by the Venezuelan government in the context of commemorating the bicentenary of birth of the hero of the fight for independence of South America- Simon Bolivar. Completed in 2003, the Concerto Grosso No. 2 for three clarinets and two basset horns, apart from the Spanish premiere has not been presented to a wider audience for 15 years. It is a composition that is difficult to consider only in the context of the inspiration with the form of musical expression developed in the Baroque.
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- GenreClassicalDescriptionPenderecki's Concerto doppio per violin e viola was composed in 2012 on the occasion of the 200th anniversary of the Wiener Musikverein. The Concerto doppio is a piece with a clearly outlined neoromantic architecture. Although the composer often uses semitones as form shaping means, the Concerto is also saturated with many consonant solutions mitigating tensions. Penderecki's Concerto per viola ed orchestra has been transcribed for a variety of instruments. The original version was created in 1983 as a result of a composing commission by the Venezuelan government in the context of commemorating the bicentenary of birth of the hero of the fight for independence of South America- Simon Bolivar. Completed in 2003, the Concerto Grosso No. 2 for three clarinets and two basset horns, apart from the Spanish premiere has not been presented to a wider audience for 15 years. It is a composition that is difficult to consider only in the context of the inspiration with the form of musical expression developed in the Baroque.ArtistPendereckiTitlePenderecki Concertos 7FormatCDLabelDux Recording Prod.
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Five compositions from three decades are brought together here representing all of Penderecki's creative periods. This provides an interesting possibility for reflection. The series of works begins with the 1983 Concerto for Viola, music by the composer at the age of 50, reflecting the current position of his compositional work a pluralism which combines all the possible aspects of his earlier writing experience. This began in 1959 with InchStrophesInch, his first point of contact with the west European avantgarde. This however had no further consequences, because Penderecki had already in 1965 in his Capriccio for Oboe condensed his very personal and bold experiments with material in the border region between sound and noise. Similarly in 1973 at the age of 40 when he wrote his little Intermezzo for Strings, he had already written his First Symphony, the emphatic work of his middle period. Only thereafter came the surprising shift in style - Penderecki's Inchromantic phaseInch - one of the results of which is the Concerto for Viola. Tabea Zimmermann viola / Mariusz Pedzialek oboe / Olga Szwajgier soprano / Amadeus Kammerorchester Posen / Agnieszka Duczmal conductor.
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