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Pete Shelley - Homosapien - COMPACT DISCS [CD]

SKU: 10667336

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After Buzzcocks disbanded in 1981, frontman Pete Shelley teamed up with Martin Rushent, embracing the producer's newly acquired synths and drum machines to rework his tracks, crafting a new blueprint for electronic pop music in the process. A production blueprint that would soon achieve massive mainstream success with another Rushent production; Dare by the Human League. Across both LPs, Shelley combines his urgent songwriting with chugging synthesisers and electronic percussion creating records that straddle rock radio and London's nascent club scene. These albums sound as fresh today as they did upon , but the innovative nature of Homosapien and XL-1 has been overlooked. Overshadowed by the influence of Pete's former band and by the Human League's runaway hit, not helped by the BBC banning the 'Homosapien' single on homophobic grounds (though it became an electro LGBT anthem in gay dance clubs). Domino reissues both albums as standalone double LPs, housed in gatefold sleeves with new liner notes by Clinton Heylin. InchIt is like a dialogue between me and myself. I put in the deep dark feelings and what I gain out of the music helps give me a to keep me saneInch - Pete Shelley, to Richard Cook, NME April 1983. 1. Homosapien 2. Yesterday's Not Here 3. I Generate A Feeling 4. Keats' Song 5. Qu'est-ce Que C'est Que Ça 6. I Don't Know What It Is 7. Guess I Must Have Been In Love With Myself 8. Pusher Man 9. Just One Of Those Affairs 10. It's Hard Enough Knowing 11. In Love With Somebody Else 12. Witness The Change 13. Maxine 14. Love In Vain 15. Homosapien (Elongated Dancepartydubmix) 16. Witness the Change/I Don't Know What Love Is (Dub)

Specifications

  • Genre
    Rock
    Description
    After Buzzcocks disbanded in 1981, frontman Pete Shelley teamed up with Martin Rushent, embracing the producer's newly acquired synths and drum machines to rework his tracks, crafting a new blueprint for electronic pop music in the process. A production blueprint that would soon achieve massive mainstream success with another Rushent production; Dare by the Human League. Across both LPs, Shelley combines his urgent songwriting with chugging synthesisers and electronic percussion creating records that straddle rock radio and London's nascent club scene. These albums sound as fresh today as they did upon , but the innovative nature of Homosapien and XL-1 has been overlooked. Overshadowed by the influence of Pete's former band and by the Human League's runaway hit, not helped by the BBC banning the 'Homosapien' single on homophobic grounds (though it became an electro LGBT anthem in gay dance clubs). Domino reissues both albums as standalone double LPs, housed in gatefold sleeves with new liner notes by Clinton Heylin. InchIt is like a dialogue between me and myself. I put in the deep dark feelings and what I gain out of the music helps give me a to keep me saneInch - Pete Shelley, to Richard Cook, NME April 1983. 1. Homosapien 2. Yesterday's Not Here 3. I Generate A Feeling 4. Keats' Song 5. Qu'est-ce Que C'est Que Ça 6. I Don't Know What It Is 7. Guess I Must Have Been In Love With Myself 8. Pusher Man 9. Just One Of Those Affairs 10. It's Hard Enough Knowing 11. In Love With Somebody Else 12. Witness The Change 13. Maxine 14. Love In Vain 15. Homosapien (Elongated Dancepartydubmix) 16. Witness the Change/I Don't Know What Love Is (Dub)
    Artist
    Pete Shelley
    Title
    Homosapien
    Format
    CD
    Label
    Domino
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Pete Shelley - Homosapien   - COMPACT DISCS [CD]
Pete Shelley - Homosapien - COMPACT DISCS [CD]

After Buzzcocks disbanded in 1981, frontman Pete Shelley teamed up with Martin Rushent, embracing the producer's newly acquired synths and drum machines to rework his tracks, crafting a new blueprint for electronic pop music in the process. A production blueprint that would soon achieve massive mainstream success with another Rushent production; Dare by the Human League. Across both LPs, Shelley combines his urgent songwriting with chugging synthesisers and electronic percussion creating records that straddle rock radio and London's nascent club scene. These albums sound as fresh today as they did upon , but the innovative nature of Homosapien and XL-1 has been overlooked. Overshadowed by the influence of Pete's former band and by the Human League's runaway hit, not helped by the BBC banning the 'Homosapien' single on homophobic grounds (though it became an electro LGBT anthem in gay dance clubs). Domino reissues both albums as standalone double LPs, housed in gatefold sleeves with new liner notes by Clinton Heylin. InchIt is like a dialogue between me and myself. I put in the deep dark feelings and what I gain out of the music helps give me a to keep me saneInch - Pete Shelley, to Richard Cook, NME April 1983. 1. Homosapien 2. Yesterday's Not Here 3. I Generate A Feeling 4. Keats' Song 5. Qu'est-ce Que C'est Que Ça 6. I Don't Know What It Is 7. Guess I Must Have Been In Love With Myself 8. Pusher Man 9. Just One Of Those Affairs 10. It's Hard Enough Knowing 11. In Love With Somebody Else 12. Witness The Change 13. Maxine 14. Love In Vain 15. Homosapien (Elongated Dancepartydubmix) 16. Witness the Change/I Don't Know What Love Is (Dub)

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After Buzzcocks disbanded in 1981, frontman Pete Shelley teamed up with Martin Rushent, embracing the producer's newly acquired synths and drum machines to rework his tracks, crafting a new blueprint for electronic pop music in the process. A production blueprint that would soon achieve massive mainstream success with another Rushent production; Dare by the Human League. Across both LPs, Shelley combines his urgent songwriting with chugging synthesisers and electronic percussion creating records that straddle rock radio and London's nascent club scene. These albums sound as fresh today as they did upon , but the innovative nature of Homosapien and XL-1 has been overlooked. Overshadowed by the influence of Pete's former band and by the Human League's runaway hit, not helped by the BBC banning the 'Homosapien' single on homophobic grounds (though it became an electro LGBT anthem in gay dance clubs). Domino reissues both albums as standalone double LPs, housed in gatefold sleeves with new liner notes by Clinton Heylin. InchIt is like a dialogue between me and myself. I put in the deep dark feelings and what I gain out of the music helps give me a to keep me saneInch - Pete Shelley, to Richard Cook, NME April 1983. 1. Telephone Operator 2. If You Ask Me (I Won't Say No) 3. What Was Heaven? 4. You Know Better Than I know 5. Twilight 6. (Millions Of People) No One Like You 7. Many A Time 8. I Just Wanna Touch 9. You And I 10. XL1 11. Many A Time (Dub) 12. Telephone Operator/I Just Wanna Touch/If You Ask Me (I Won't Say No)/(Millions of People (No One Like You) (Dub)

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