About This Item
This album aims to highlight one of the instruments that Barrios loved and played most, his Francisco Simplicio guitar, made in 1927. The selected pieces underline the main musical directions that stand out within the vast repertoire linked to Barrios, also making reference to the works of authors that he used to perform and who therefore had a voice on this instrument, like Chopin, Bach or Tarrega. Album Tracks 1. Barrios Mangore Caazapá (Aire Popular Paraguaya) 2. Barrios Mangore Luz Mala - Estilo Uruguayo 3. Barrios Mangore Aire de Zamba 4. Barrios Mangore Danza Paraguaya 5. Barrios Mangore Chôro Da Saudade 6. Barrios Mangore Waltzes, Op. 8 No. 3, Vals in D minor 7. Barrios Mangore Julia Florida - Barcarola 8. Barrios Mangore Mazurka Apasionada 9. Barrios Mangore Preludio en Do Menor 10. Barrios Mangore Medallón Antiguo 11. Barrios Mangore La Catedral I. Preludio Saudade 12. Barrios Mangore La Catedral II. Andante Religioso 13. Barrios Mangore La Catedral III. Allegro Solemne 14. Bach Suite in E Major, BWV 1006A III. Gavotte en Rondeau (Arr. for Guitar By Pietro Locatto) 15. Sor 12 Études, Op. 29 No. 13, in E-Flat Major 16. Chopin Nocturnes, Op. 9 No. 2 in E-Flat Major (Arr. for Guitar By Pietro Locatto) 17. Tárrega Capricho Arabe 18. Barrios Mangore El Ultimo Tremolo (Una Limosna Por El Amor de Dios)
