Pino Donaggio - Two Evil Eyes / Due Occhi Diabolici - O.s.t. - VINYL LP

In March of 1999, Superchunk traveled to Electrical Audio Studios in Chicago to record the tracks that would become Come Pick Me Up. The addition of producer Jim O'Rourke allowed Superchunk to advance their sound with more experimentation, including horn and string accompaniments. Ken Vandermark, Jeb Bishop, and Bob Weston provided the horn section (saxophone, trombone, and trumpet, respectively) while Fred Longberg-Holm and Suzanne Roberts contributed on cello and violin. InchIt was exciting to work in the big room downstairs at Electrical. For part of our visit we also slept there, in the dark except for lights on all the gear blinking. It snowed a ton the day we got there, and I didn't go outside for the first five or six days we were there,Inch Mac recalls. InchI read an interview where O'Rourke said we tried to make a two-month record in two weeks or something. I'm sure he's right - we never wanted to spend the time or money making records the 'proper' way, but I like how this record came out, and it has some of my favorite songs of ours on it.Inch

Limited red marbled vinyl LP pressing. For the first time on vinyl, the soundtrack of the Italian cult Giallo film 'Nothing Underneath' composed by Pino Donaggio. This soundtrack perfectly represents Pino Donaggio's style, capable of transitioning from terrifying and sharp symphonies to sweet and sensual electronic pieces. The atmospheres are reminiscent of films such as 'Body Double' and 'Dressed to Kill.' A limited edition not to be missed, for all lovers of Italian thrilling giallo and for all fans of Brian de Palma's films.

The incredible existential and atmospheric experience of Dario Argento's films comes from the merging of gorgeously crafted visuals with a soul tingling auditory experience. Once heard, Goblin's scores are never quite forgotten. Profondo Rosso is no exception, characterized by it's synth heavy sound and chilling central theme. Along with Suspiria, Profondo Rosso is perhaps Argento's most celebrated film and a classic of the giallo horror subgenre in it's own right.