PJ Harvey - Rid Of Me - COMPACT DISCS [CD]

2018 , the seventh full length album from dream pop band Beach House. InchAt it's , we will have been a band for over 13 years. We have now written and released a total of 77 songs together. Throughout the process of recording 7, our goal was rebirth and rejuvenation. We wanted to rethink old methods and shed some self-imposed limitations. In the past, we often limited our writing to parts that we could perform live. On 7, we decided to follow whatever came naturally. As a result, there are some songs with no guitar, and some without keyboard. There are songs with layers and production that we could never recreate live, and that is exciting to us. Basically, we let our creative moods, instead of instrumentation, dictate the album's feel. For 7, we built a home studio, and began all of the songs there. Whenever we had a group of 3-4 songs that we were excited about, we would go to a InchproperInch recording studio and finish recording them there, in the process shortening the amount of time between the original idea and the finished song. 7 didn't have a producer in the traditional sense. James Barone, who became our live drummer in 2016, played on the entire record. We also worked with Sonic Boom (Peter Kember), who became a great force on this record by shedding conventions and helping to keep the songs alive, fresh and protected from the destructive forces of recording-studio over-production/over-perfection.Inch

Ethernet - Outside Of Time [COMPACT DISCS] date 12/29/2017

During the year of 1966 Duke Ellington was touring Europe. Duke Ellington's sacred concerts had many incarnations, more than the three on the commercial records The First (1965), The Second (1968) and The Third (1973). At concerts Ellington often made changes in the proceedings - left out some numbers, and played others, and altered the succession of numbers played. This was evidenced at Coventry Cathedral on a winter's Monday, February 21st 1966. The Coventry concert had it's centerpiece in InchIn The Beginning GodInch, but apart from that it was no ordinary sacred concert Two numbers, InchCome SundayInch and InchTell Me It's The TruthInch would have a vocal on the issued record and in other performances of A Concert of Sacred Music the previous year, but were purely instrumental here - and the two numbers following InchIn The Beginning GodInch had no connection to a religious theme. With him on that day in Coventry Cathedral were some highly professional British vocalists, The Cliff Adams Singers and the baritone singer George Webb, giving the performance a special quality, which the band acknowledged by playing on the top of their game. The concert was filmed for TV, and part of it was telecast. Two numbers were regrettably omitted from the TV production, but are on this album, a powerful version of InchLight (Montage)Inch from Black, Brown And Beige, and the above-mentioned InchCome Sunday.Inch The concert also includes a premiere and only performance of a new Ellington composition InchCome Easter,Inch a premiere of another new Ellington piece InchWest Indian Pancake,Inch and one of the first performances of a piece which would become an important part of many concerts during the following years, InchLa Plus Belle Africaine.Inch