Pluralone - A Drop in the Ocean - VINYL LP
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Chad R. Matheny has been releasing eccentric, lyrically-denseunderground pop music since 1998, often under the name EmperorX. After training in physics, philosophy, and music composition,Matheny paused academic work and spent much of the past twodecades crossing the world on buses and bullet trains to make musicat locations ranging from a small but packed symphony hall inPortugal to an emtpy trade fair dome in northern Lebanon to literally-underground metal bars across Ukraine.He often tours alone with a guitar and synth, but sometime sharesbills with fellow travelers including Ratboys, The Hotelier, The Worldis a Beautiful Place and I Am No Longer Afraid to Die, Foxing, AJJ, TheFront Bottoms, and Xiu Xiu.He produced the new Brian Sella album Well I Mean, co-produced theSub Pop album Bits by jangle punk legends Oxford Collapse alongsideEric Topalski of Don Caballero and Storm & Stress, and composedvideo soundtrack music for non-profit organizations including PlannedParenthood and SEIU. In 2011 and 2012, Matheny's ambient workKeeling Curve was used in a multimedia installation by photographerJoel Sternfeld that was featured in a retrospective exhibition atMuseum Folkwang.
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- GenreRockDescriptionChad R. Matheny has been releasing eccentric, lyrically-denseunderground pop music since 1998, often under the name EmperorX. After training in physics, philosophy, and music composition,Matheny paused academic work and spent much of the past twodecades crossing the world on buses and bullet trains to make musicat locations ranging from a small but packed symphony hall inPortugal to an emtpy trade fair dome in northern Lebanon to literally-underground metal bars across Ukraine.He often tours alone with a guitar and synth, but sometime sharesbills with fellow travelers including Ratboys, The Hotelier, The Worldis a Beautiful Place and I Am No Longer Afraid to Die, Foxing, AJJ, TheFront Bottoms, and Xiu Xiu.He produced the new Brian Sella album Well I Mean, co-produced theSub Pop album Bits by jangle punk legends Oxford Collapse alongsideEric Topalski of Don Caballero and Storm & Stress, and composedvideo soundtrack music for non-profit organizations including PlannedParenthood and SEIU. In 2011 and 2012, Matheny's ambient workKeeling Curve was used in a multimedia installation by photographerJoel Sternfeld that was featured in a retrospective exhibition atMuseum Folkwang.ArtistPluraloneTitleA Drop in the OceanFormatVINYLLabelOrg Music
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Chad R. Matheny has been releasing eccentric, lyrically-denseunderground pop music since 1998, often under the name EmperorX. After training in physics, philosophy, and music composition,Matheny paused academic work and spent much of the past twodecades crossing the world on buses and bullet trains to make musicat locations ranging from a small but packed symphony hall inPortugal to an emtpy trade fair dome in northern Lebanon to literally-underground metal bars across Ukraine.He often tours alone with a guitar and synth, but sometime sharesbills with fellow travelers including Ratboys, The Hotelier, The Worldis a Beautiful Place and I Am No Longer Afraid to Die, Foxing, AJJ, TheFront Bottoms, and Xiu Xiu.He produced the new Brian Sella album Well I Mean, co-produced theSub Pop album Bits by jangle punk legends Oxford Collapse alongsideEric Topalski of Don Caballero and Storm & Stress, and composedvideo soundtrack music for non-profit organizations including PlannedParenthood and SEIU. In 2011 and 2012, Matheny's ambient workKeeling Curve was used in a multimedia installation by photographerJoel Sternfeld that was featured in a retrospective exhibition atMuseum Folkwang.
Vinyl LP pressing. BLUES FOR THE RED SUN was the second studio album by American Stoner Rock band Kyuss, released in 1992. The album incorporates Acid Rock, Grunge, Psychedelic Rock, Space Rock, and Doom Metal, and has been compared to such acts as Black Sabbath, Hawkwind, Blue Cheer, and Alice in Chains. The album is considered a pioneer to the Stoner Metal genre.
This is the Show is the third studio album from Pluralone, the project of songwriter and multi-instrumentalist Josh Klinghoffer. As former guitarist of the Red Hot Chili Peppers and a current member of both Pearl Jam and Eddie Vedder's Earthlings, alongside a lengthy resume of past contributions (Gnarls Barkely, PJ Harvey, Ataxia), Klinghoffer has been performing and recording music for most of his life. However Pluralone is the first time that he's truly showcased his many talents in one place as the sole songwriter and primary performer on every track. InchThis is the ShowInch was produced by Klinghoffer's Dot Hacker bandmate Clint Walsh who also performs on the album with appearances from Eric Gardner (Dot Hacker) and Eric Avery (Jane's Addiction). A student of history Klinghoffer channeled the thematic anxieties of modern times and the tension of the post-World War II era while interpersonal relationships are dotted throughout. Pressed on clear vinyl, limited to 500 copies.
Amidst the backdrop of a global pandemic, political unrest, and wildfiresraging across the western United States, Josh Klinghoffer hunkered down and found the inspiration to complete the sophomore album for his latest project, Pluralone. The , aptly titled InchI Don't Feel Well,Inch comes on the heels of Pluralone's critically acclaimed debut album, InchTo Be One With You.Inch In some ways, InchI Don't Feel WellInch seems like a natural progression of the Pluralone project, just as dynamic and fluid in it's arrangements, but more focused in it's execution. Similar to InchTo Be One With You,Inch Klinghoffer leans heavily on piano and keyboards for the foundation of most songs, with some outliers such as the anthemic guitar-heavy track, 'Mother Nature.' The album weaves sparse rhythmic moments with grandiose arrangements of strings and layered vocals, showcasing Klinghoffer's impressive range and signature falsetto. By all accounts, InchI Don't Feel WellInch is a reflection of the trying times we find ourselves in; often dark and reflective, but with a glimmer of hope and underlying themes of solidarity, something we could use a bit more of these days.
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