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Pianist Clemens Christian Poetzsch has always known what he wanted from music - freedom. Freedom to improvise, to create new musical worlds, and to follow his instincts wherever they take him. As a child in Dresden, Germany, Poetzsch received his first piano lessons from his opera singer grandfather, and was soon immersed in the world of Bach, Schubert, and Clementi. But aged ten, a birthday gift from his father - a sheet music book of Frank Sinatra standards - opened his ears to wider musical possibilities, and he was soon playing in the bar next door to his house, improvising and messing around with the structure of songs. Such formative experiences stayed with Poetzsch through his classical training at the Conservatory of Music in Dresden. While studying piano and composition, his spare time was spent playing in jazz and free improvisation bands with friends and colleagues. The result is Remember Tomorrow, an expansive collection of thirteen songs that stand as self-contained worlds; Incha house with thirteen rooms, and every composition is a little room,Inch says Poetzsch. Music stirs up memories and fragments of remembrance too, and Remember Tomorrow is an attempt to make sense of it all, of bridging that gap between the past and the present. To do so, he stepped out of his comfort zone, adding new elements and instruments to his compositional mix, and simply let his ideas bloom. His approach to experimentation, as with collaboration, is simply to dive in and see what works, to discover through trial and error. Ditto with electronics and his use of samples; despite admitting that he's no expert, the austere, monochromatic moods he captures are far more important than any technical proficiency or purity. It comes back to freedom - to create without restrictions, and to dissolve preconceived notions around genres and instruments. And so Remember Tomorrow is Poetzsc

Ghost - InchPhantomime Inch - Ghost follows last year's international chart-topping opus IMPERA as intended from the start with PHANTOMIME, a diverse and spellbinding sampling of the GRAMMY Award-winning band's musical DNA. Featuring covers of classics by Television, Genesis, The Stranglers, Iron Maiden and Tina Turner, PHANTOMIME pays tribute to these unlikely bedfellow influences while stamping them all with Ghost's undeniable sonic signature. LP features curated live photos. Album Tracks 1. See No Evil 2. Jesus He Knows Me 3. Hanging Around 1. Phantom of the Opera 2. We Don't Need Another

Limited vinyl LP repressing in gatefold jacket. Off the Wall is the fifth solo studio album by Michael Jackson. It was released on August 10, 1979, following Jackson's critically well-received film performance in The Wiz. While working on that project, Jackson and Quincy Jones had become friends, and Jones agreed to work with Jackson on his next studio album. Recording sessions took place between December 1978 and June 1979 at Allen Zentz Recording, Westlake Recording Studios, and Cherokee Studios in Los Angeles, California. Jackson collaborated with a number of other writers and performers such as Paul McCartney, Stevie Wonder and Rod Temperton. Five singles were released from the album. It was his first solo under Epic Records, the tag he would record on until his death roughly 30 years later. Album Tracks 1. Don't Stop 'Til You Get Enough 2. Rock with You 3. Workin' Day and Night 4. Get on the Floor 1. Off the Wall 2. Girlfriend 3. She's Out of My Life 4. I Can't Help It 5. It's the Falling in Love 6. Burn This Disco Out

Limited vinyl LP repressing in gatefold jacket. Thriller is the sixth solo studio album by Michael Jackson. It was released by Epic Records on November 30, 1982, as the follow-up to Jackson's critically and commercially successful 1979 album Off The Wall. Thriller explores similar genres to those of Off The Wall, including pop, post-disco, rock and funk. Recording sessions took place on April to November 1982 at Westlake Recording Studios in Los Angeles with a production budget of $750, 000, assisted by producer Quincy Jones. Seven singles were released from the album, all of which reached the Top 10 on the Billboard Hot 100. In just over a year, Thriller became-and currently remains-the best-selling album of all time, with estimated sales of 65 million copies worldwide. It has become the first album ever to be certified 32 times multi-platinum for U.S. sales, marking more than 32 million sales shipped. The album won a record-breaking eight Grammy Awards in 1984, including for Album of the Year. Album Tracks 1. Wanna Be Startin' Somethin' Jackson, Michael 6 03 2. Baby Be Mine Jackson, Michael 4 20 3. The Girl Is Mine Jackson, Michael with Paul McCartney 3 42 4. Thriller Jackson, Michael 5 58 1. Beat It (Single Version) Jackson, Michael 4 18 2. Billie Jean (Single Version) Jackson, Michael 4 53 3. Human Nature Jackson, Michael 4 05 4. P.Y.T. (Pretty Young Thing) Jackson, Michael 3 59 5. The Lady in My Life Jackson, Michael 4 57
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