Pop Evil - What Remains - VINYL LP

Vinyl LP pressing. Theories abound regarding the seven-year cycle. Even the most casual of searches yields a wealth of discourse on the philosophy, positing the occurrence of transformation (or even full rebirth) in the seventh year. Higher Power grow into a similar space on their second full-length offering, 27 Miles Underwater. Uncovering the nexus between melodic vulnerability, metallic viciousness, and punk vitality, the Leeds, UK quintet-brothers Jimmy Wizard [vocals] and Alex Wizard [drums], Louis Hardy [guitar], Max Harper [guitar], and Ethan Wilkinson [bass]-deliver eleven anthems informed by everything from shoegaze and grunge to punk and thrash, yet defiant of era.

Ever wish you could travel back in time and be in the thick of the 1960s rock explosion? Well, until an actual TARDIS is perfected, this album is the next best thing. Recorded in the wee hours of May 26, 1966, A Session with The Remains is a no-holds barred romp through their club set, captured live-to-tape in Capitol Records' studios. Recorded as an audition for the tag, the albums seethes and snarls, twists and shouts, rocks and rolls and generally embodies the force of nature that was The Remains. Performing a mix of originals and current hits, the band is in command at every step, rocking one minute and pausing to kibitz between songs the next. In attempting to describe this album, reviewers have used words like Inchblazing, Inch Inchexplosive, Inch InchdeliriousInch - but honestly, none of these descriptions comes close to what is contained in the grooves. It's like trying to tell a stranger 'bout rock & roll, ya know? All you really need to do is listen. After all, one guitar lick is worth a thousand words.This BLAZING, EXPLOSIVE, DELIRIOUS album was painstakingly sourced from the one-and-only original two-track analog mono master tape and wrestled onto high-quality vinyl and compact disc for your review. I'd like to thank you on behalf of the group and Sundazed for listening and I hope they pass YOUR audition!InchA religious totem of all that was manic and marvelous about mid-'60s popInch - Rolling StoneInchBlazing through a mix of originals and covers, The Remains explode in a torrent melody, searing guitar leads and furious drumming. This quartet's ability to play with such delirious abandon yet still nail the tunes' sharp hooks and abundant vocal harmonies marks it as one of rock's more talented and incendiary unitsInch - Chicago Tribune

Vinyl LP pressing. 2025 . First new album in over two decades from the famed UK anarcho-punk pioneers. Conflict formed in 1981 in Eltham, Southeast London, when frontman Colin Jerwood, inspired by early encounters with the Pistols 'Spunk' bootleg and following The Clash on tour, struck up a friendship with Crass and set about crafting a whole new kind of punk that totally upped the ante in terms anger and confrontation. Featuring sixteen brand new Conflict creations, the album sees the band keeping one eye on their eventful past, and the other firmly on moving forward, both musically and politically. Animal Rights are still at the forefront of Conflict's collective minds, giving a voice to the voiceless on songs such as 'A Mother's Milk' and 'Shut The F**k Up', whilst their anger at world governments will never dissipate. Also featuring an appearance by the late Benjamin Zephaniah on the track 'Cut The Crap', 'This Much Remains' is the sound of a band that continues to surprise and progress, decades after it first began.