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PopMarket - Piano Concerto No. 1 Scapegoat 2 Piano Reduction - Multicolor

Model: 9790708217558
SKU: 11011672
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George Lloyd approached the piano concerto form with imagination and individuality. His idiomatic solo writing avoids shallow virtuosity and empty rhetoric and there are no mighty tussles between piano and orchestral forces encountered in archetypal large scale concertante scores. Instead, the composer offers a series of deeply personal attempts to reconcile time-honoured elements of display with symphonic preoccupations of long-range tonality, rhythmic energy and melodic growth. In sum, Lloyd's four piano concertos constitute a compelling and distinctive branch of his creative legacy. Paul Conway
  • General
    • Brand: PopMarket
    • Model Number: 9790708217558
    • Product Name: Piano Concerto No. 1 Scapegoat 2 Piano Reduction
    • Color: Multicolor
  • Other
    • Title: Piano Concerto No. 1 Scapegoat 2 Piano Reduction
    • UPC: 9790708217558

George Lloyd approached the piano concerto form with imagination and individuality. His idiomatic solo writing avoids shallow virtuosity and empty rhetoric and there are no mighty tussles between piano and orchestral forces encountered in archetypal large scale concertante scores. Instead, the composer offers a series of deeply personal attempts to reconcile time-honoured elements of display with symphonic preoccupations of long-range tonality, rhythmic energy and melodic growth. In sum, Lloyd's four piano concertos constitute a compelling and distinctive branch of his creative legacy. Paul Conway

  • SPECIAL PRODUCTS: LLOYD,GEORGE Studio/Label/Brand: Lyrita
  • SPECIAL PRODUCTS: LLOYD,GEORGE Studio/Label/Brand: Lyrita
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PopMarket - Piano Concerto No. 1 Scapegoat 2 Piano Reduction - Multicolor
PopMarket - Piano Concerto No. 1 Scapegoat 2 Piano Reduction - Multicolor

George Lloyd approached the piano concerto form with imagination and individuality. His idiomatic solo writing avoids shallow virtuosity and empty rhetoric and there are no mighty tussles between piano and orchestral forces encountered in archetypal large scale concertante scores. Instead, the composer offers a series of deeply personal attempts to reconcile time-honoured elements of display with symphonic preoccupations of long-range tonality, rhythmic energy and melodic growth. In sum, Lloyd's four piano concertos constitute a compelling and distinctive branch of his creative legacy. Paul Conway

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