Portrayal of Guilt - CHRISTFUCKER - VINYL LP
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We each have our own idea of what it means to live through a period filled with perpetual dread, a slowly burning world, and overwhelming darkness. In the case of Portrayal of Guilt, their tortuous afterlife comes with grief, loss, masochism, suffering, and pain. On CHRISTFUCKER, their second full-length of 2021, Portrayal of Guilt plunges headfirst into unfathomable depths, creating a work of art that's powerfully unsettling. InchWe think of it partially in the sense of scoring a horror movie,Inch guitarist/vocalist Matt King says. InchWe wanted to create an atmosphere of anxiety and fear.Inch The entirety of CHRISTFUCKER is set to unrelenting, nihilistic, howling soundscapes, created by King, drummer James Beveridge, and bassist, Alex Stanfield. Each track tells a story set in the darkest of settings for the listener to interpret and explore. *Beginning with the ominous InchThe Sixth Circle,Inch which features King shrieking over hypnotic guitar patterns and a thudding rhythm, the band eventually roars to life with a tyrannical blast, delving you further into it's oppressive heaviness. On InchBed of Ash,Inch the band plumb new depths while exploring the mechanistic gnashings of industrial drum and bass. On Inch... where the suffering never ends,Inch churning, gruesome instrumentals provide the backdrop to a tale of brutal demise. Recorded at Strange Weather and Circular Ruin studios in Brooklyn with Ben Greenberg, CHRISTFUCKER features guest vocals from Jenna Rose of New York darkwave outfit Anatomy (on InchSadistInch) and Touché Amoré vocalist Jeremy Bolm (on InchFall From GraceInch). Started in 2017, Portrayal of Guilt have released two full-length albums, two EPs, four splits & a digital single. They've toured the world relentlessly since their inception, playing with bands such as Deafheaven, Pg.99, Touché Amoré, Soft Kill and many more
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- GenreHeavy MetalDescriptionWe each have our own idea of what it means to live through a period filled with perpetual dread, a slowly burning world, and overwhelming darkness. In the case of Portrayal of Guilt, their tortuous afterlife comes with grief, loss, masochism, suffering, and pain. On CHRISTFUCKER, their second full-length of 2021, Portrayal of Guilt plunges headfirst into unfathomable depths, creating a work of art that's powerfully unsettling. InchWe think of it partially in the sense of scoring a horror movie,Inch guitarist/vocalist Matt King says. InchWe wanted to create an atmosphere of anxiety and fear.Inch The entirety of CHRISTFUCKER is set to unrelenting, nihilistic, howling soundscapes, created by King, drummer James Beveridge, and bassist, Alex Stanfield. Each track tells a story set in the darkest of settings for the listener to interpret and explore. *Beginning with the ominous InchThe Sixth Circle,Inch which features King shrieking over hypnotic guitar patterns and a thudding rhythm, the band eventually roars to life with a tyrannical blast, delving you further into it's oppressive heaviness. On InchBed of Ash,Inch the band plumb new depths while exploring the mechanistic gnashings of industrial drum and bass. On Inch... where the suffering never ends,Inch churning, gruesome instrumentals provide the backdrop to a tale of brutal demise. Recorded at Strange Weather and Circular Ruin studios in Brooklyn with Ben Greenberg, CHRISTFUCKER features guest vocals from Jenna Rose of New York darkwave outfit Anatomy (on InchSadistInch) and Touché Amoré vocalist Jeremy Bolm (on InchFall From GraceInch). Started in 2017, Portrayal of Guilt have released two full-length albums, two EPs, four splits & a digital single. They've toured the world relentlessly since their inception, playing with bands such as Deafheaven, Pg.99, Touché Amoré, Soft Kill and many moreArtistPortrayal of GuiltTitleCHRISTFUCKERFormatVINYLLabelRun for Cover
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We each have our own idea of what it means to live through a period filled with perpetual dread, a slowly burning world, and overwhelming darkness. In the case of Portrayal of Guilt, their tortuous afterlife comes with grief, loss, masochism, suffering, and pain. On CHRISTFUCKER, their second full-length of 2021, Portrayal of Guilt plunges headfirst into unfathomable depths, creating a work of art that's powerfully unsettling. InchWe think of it partially in the sense of scoring a horror movie,Inch guitarist/vocalist Matt King says. InchWe wanted to create an atmosphere of anxiety and fear.Inch The entirety of CHRISTFUCKER is set to unrelenting, nihilistic, howling soundscapes, created by King, drummer James Beveridge, and bassist, Alex Stanfield. Each track tells a story set in the darkest of settings for the listener to interpret and explore. *Beginning with the ominous InchThe Sixth Circle,Inch which features King shrieking over hypnotic guitar patterns and a thudding rhythm, the band eventually roars to life with a tyrannical blast, delving you further into it's oppressive heaviness. On InchBed of Ash,Inch the band plumb new depths while exploring the mechanistic gnashings of industrial drum and bass. On Inch... where the suffering never ends,Inch churning, gruesome instrumentals provide the backdrop to a tale of brutal demise. Recorded at Strange Weather and Circular Ruin studios in Brooklyn with Ben Greenberg, CHRISTFUCKER features guest vocals from Jenna Rose of New York darkwave outfit Anatomy (on InchSadistInch) and Touché Amoré vocalist Jeremy Bolm (on InchFall From GraceInch). Started in 2017, Portrayal of Guilt have released two full-length albums, two EPs, four splits & a digital single. They've toured the world relentlessly since their inception, playing with bands such as Deafheaven, Pg.99, Touché Amoré, Soft Kill and many more

Plunge deeper into the deranged world of PORTRAYAL OF GUILT with DEVIL MUSIC, the latest EP from the Austin-based trio. In the wake of releasing two full-length records in 2021 - We Are Always Alone and CHRISTFUCKER - they followed up 2022 with a year of relentless touring. In the middle of their frantic schedule, the band took time to craft the five new songs that would make up Devil Music with Viva Studios' Matt Michel (Majority Rule) in Virginia. They then took their creative vision to the next level with Ben Greenberg (Uniform), by tracking alternate versions of each song with orchestral arrangements in place of the three piece's standard instrumentation. On Devil Music, Portrayal of Guilt's goal is to create a visceral listening experience. On either version of these songs, whether it be the a-side's more familiar heaviness or the orchestral b-side takes, the band is determined to drag the listener with them through what feels like a reckoning. Lyrics on songs like the opener InchOne Last Taste of HeavenInch feel burdened with a sense of finality - InchI've carried this body for miles... I lay the angel on the wooden pyre / before taking one last Tate of heavenInch feels as heavy as the blackened guitar riff refraining throughout the song. Through other songs like the intense InchBurning HandInch (complete with it's hypnotizing post-punk bridge) or the epic title-track closer, the imagery of King's lyrics is an unapologetically grotesque examination of loss, exhaustion and suffering - brought fully to life by illustrator Ben Robert's cover art for the . These songs are yet another example of Portrayal of Guilt pushing the limits of their sound into more extremes. Since their inception they have been challenging the boundaries of genre, taking elements from screamo, blackened metal, grind and industrial music to make something uniquely unsettling and expertly-cra
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