Power - Turned On - VINYL LP
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Vinyl LP pressing. 2018 . Being that Power is a band with just three members has meant that everybody carves their own name into the stone, a trio de force who share the Atlantic weight equally upon their shoulders. In the time since their debut album, Electric Glitter Boogie, finer details have been ironed out, their craft honed to a sharp point 2018's Turned On is a sonic triumph. Three days in the studio has given birth to a titan-a thunderous recording that'd make Lemmy and the fellas blush. From the get-go there's an outrageousness in songwriting that is present on many classic rock 'n' roll follow up albums. Stomping boogie, raw glam, punk 'n' roll, blues bashing and primitive heavy metal exaltation. There's not a moment of falter or doubt to be heard, it's purely sweat and confidence here. They've created an album equally drenched in the classic moves of loud guitar music (think the sounds oozed by Australian acts of the '70s and a certain band from England featuring Fast Eddie Clarke on guitar, Philthy Animal Taylor on drums and God himself on bass) while also completely stepping forward on their own hero's journey-a journey through many moons of rock and roll. Be turned on.
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- GenreRockDescriptionVinyl LP pressing. 2018 . Being that Power is a band with just three members has meant that everybody carves their own name into the stone, a trio de force who share the Atlantic weight equally upon their shoulders. In the time since their debut album, Electric Glitter Boogie, finer details have been ironed out, their craft honed to a sharp point 2018's Turned On is a sonic triumph. Three days in the studio has given birth to a titan-a thunderous recording that'd make Lemmy and the fellas blush. From the get-go there's an outrageousness in songwriting that is present on many classic rock 'n' roll follow up albums. Stomping boogie, raw glam, punk 'n' roll, blues bashing and primitive heavy metal exaltation. There's not a moment of falter or doubt to be heard, it's purely sweat and confidence here. They've created an album equally drenched in the classic moves of loud guitar music (think the sounds oozed by Australian acts of the '70s and a certain band from England featuring Fast Eddie Clarke on guitar, Philthy Animal Taylor on drums and God himself on bass) while also completely stepping forward on their own hero's journey-a journey through many moons of rock and roll. Be turned on.ArtistPowerTitleTurned OnFormatVINYLLabelIn the Red Records
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Vinyl LP pressing. 2018 . Being that Power is a band with just three members has meant that everybody carves their own name into the stone, a trio de force who share the Atlantic weight equally upon their shoulders. In the time since their debut album, Electric Glitter Boogie, finer details have been ironed out, their craft honed to a sharp point 2018's Turned On is a sonic triumph. Three days in the studio has given birth to a titan-a thunderous recording that'd make Lemmy and the fellas blush. From the get-go there's an outrageousness in songwriting that is present on many classic rock 'n' roll follow up albums. Stomping boogie, raw glam, punk 'n' roll, blues bashing and primitive heavy metal exaltation. There's not a moment of falter or doubt to be heard, it's purely sweat and confidence here. They've created an album equally drenched in the classic moves of loud guitar music (think the sounds oozed by Australian acts of the '70s and a certain band from England featuring Fast Eddie Clarke on guitar, Philthy Animal Taylor on drums and God himself on bass) while also completely stepping forward on their own hero's journey-a journey through many moons of rock and roll. Be turned on.
Vinyl LP pressing. 2017 . The appeal of Power is the spontaneous brilliance of live Australian hard rock music. The heat from relentless performances in greasy inner city pubs was strong in the '70s, and the debut albums of many of Australia's greatest bands are testimony to many late nights twitching and sweating it out. Troglodyte rock music and inner city Melbourne have always made sense. Every week there have been bands playing fast and loose. 2014 was the year Power stepped up, and immediately earned comparison to Melbourne's Coloured Balls, sharing that edge of menace in their affection for boogie rock and the same air of familiarity with aforementioned greasy confines. Power hosted their own weekly residency in this city, kicking through backyard parties and seemingly hundreds of Tote Hotel shows with the collection of songs they recorded at the right moment and turned into Electric Glitter Boogie. The result has the savage drive of their live sound, the bolts tightened to threadbare, and is carried by that supreme confidence and determination that allows the band to relax and let the songs happen when they need to, and to know when to kick it hard. Living in the age of power. The sound is raw but full, the band recorded live with minimal overdubs, and the songs continually disintegrate into white heat guitar noise before slamming back into manic amphetamine lockstep. In eight numbers, they traverse an entire history of hard rock, electric glitter boogie, thug glam, raw power punk. Strong character. Definite purpose. Something you just cannot control.
Rain Parade's InchLast Rays of a Dying SunInch remains loyal to the hypnotic psychedelic stylings and hook-filled melodies for which the band is well known. Featuring original founding members and songwriters Matt Piucci and Steven Roback, along with long-time producer Jim Hill and guitarist John Thoman, Rain Parade creates a soundscape that takes you on a journey through time and space, with original songs that range from spacey folk to raging psychedelic rock. With guest appearances from the Bangles, Debbie and Vicki Peterson and the Moore Brothers, this album is a must for the psychedelic rock fan and beyond. -
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