PreSonus - ATOM SQ - Black
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5 CORE - Keyboard Stand Z Shape Adjustable Foldable Heavy Duty Key Board Piano DJ Controller Stands - Black$55.55$61.00
- General
- Brand: PreSonus
- Model Number: ATOMSQ
- Product Name: ATOM SQ
- Color: Black
- Warranty
- Warranty - Parts: Not available
- Warranty - Labor: Not available
- Other
- Product Width: 14.25 inches (The out of box width of the item. Width is measured as the horizontal distance from one side of the item to the other as it would be primarily used or placed.)
- Product Height: 0.98 inches (The out of box height of the item. Height is measured as the vertical distance from the bottom of the item to the top as it would be primarily used or placed.)
- Product Length: 6.77 inches (The out of box length of the item. Length is measured as the longest dimension of the item.)
- Product Weight: 2 pounds (The out of box weight of the item.)
- USB Port(s): true
- Number Of Keys: 16
- Software Compatibility: Compatible with most music production and performance software for Mac and Windows
- UPC: 673454008726
Music creation made fun, fast, and easy; ATOM SQ is all about creating a groove while in the groove. Just set up a couple of loop points and bang out your beats and melodies on the fly, without getting bogged down in kludgy menu dives, setup, or configuration. A staggered 16-pad layout ensures that both keyboard players and drum programmers will be right at home, and the pads’ pressure sensitivity allows for truly expressive performances. Make ATOM SQ your own—the eight assignable rotary encoders can be mapped to control nearly whatever you like, and RGB LEDs in the pads make for gorgeous, intuitive color-coordination of your samples and loops. Studio One Artist and Ableton Live Lite are included, so you'll be making beats on day one—and its bus-powered, portable design means you can create nearly anywhere. Keyboards and mice are for spreadsheets and flowcharts. Get an ATOM SQ and sculpt your music by hand.
Q: Can the MIDI controller be used with other music production software?
A: The ATOM SQ MIDI controller is compatible with most music production and performance software for Mac and Windows.
A: The ATOM SQ has lighted keys.
Q: Are the pads pressure sensitive?
A: Yes, the pads on the ATOM SQ are pressure sensitive, allowing for dynamic and expressive performances.
Q: What is the purpose of the assignable rotary encoders?
A: The eight assignable rotary encoders on the ATOM SQ can be mapped to control nearly whatever you like.
A: The product weight is 2 pounds.
Q: How many pads does the MIDI controller have?
A: The ATOM SQ MIDI controller features a staggered 16-pad layout.
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Music creation made fun, fast, and easy; ATOM SQ is all about creating a groove while in the groove. Just set up a couple of loop points and bang out your beats and melodies on the fly, without getting bogged down in kludgy menu dives, setup, or configuration. A staggered 16-pad layout ensures that both keyboard players and drum programmers will be right at home, and the pads’ pressure sensitivity allows for truly expressive performances. Make ATOM SQ your own—the eight assignable rotary encoders can be mapped to control nearly whatever you like, and RGB LEDs in the pads make for gorgeous, intuitive color-coordination of your samples and loops. Studio One Artist and Ableton Live Lite are included, so you'll be making beats on day one—and its bus-powered, portable design means you can create nearly anywhere. Keyboards and mice are for spreadsheets and flowcharts. Get an ATOM SQ and sculpt your music by hand.
Arturia MicroBrute UFO Limited-edition Analog Monosynth. MicroBrute UFO delivers raw analog power with an extraterrestrial edge. Equipped with the iconic Steiner-Parker filter, a multi-waveform VCO, a patchable Mod Matrix, and flexible sequencer - discover the same massive brute sound, recast in space black with martian-green detailing. Product Features: Summon Extraterrestrial Analog Energy. The same pocket-sized powerhouse that earned a cult following, recast for deep-space missions. MicroBrute UFO Edition packs a full analog voice, patch-point control, and hands-on sequencing into one compact unit - perfect for desktops, studios and live rigs alike. Brute Sound. From unruly basslines and piercing leads to wild, unstable harmonics - MicroBrute delivers a sound that’s raw, edgy, and unmistakably Brute. 100% Analog Power. Mix and shape waves with MicroBrute’s VCO and built-in modifiers, then sculpt your sound through the iconic Steiner-Parker filter and Brute Factor drive. Patchable Mod Matrix. Forge your own signal path: patch modulation sources and destinations to sculpt wild, custom tones - or connect external gear for more creative control. Patch the Unknown. Mini-jack patch cables (included) let you reroute envelopes, LFO, pitch and more in seconds. Cross-patch external gear, feed CV loops or jack straight into your modular for interplanetary modulation. Link Up and Lift Off. USB-MIDI, DIN MIDI and CV/Gate play nicely with DAWs, drum machines and Eurorack. Route external audio through the brute filter, sync to clock, or let MicroBrute run your whole rig. Command Your Sound. From gut-punch basslines to sci-fi bleeps, MicroBrute UFO Edition adapts to any sonic mission. Twist a knob for instant attitude, sketch a new sequence on the fly, or reroute the Mod Matrix for wild, custom modulation. No menus - just hands-on analog response that’s uniquely yours. 100% Analog Signal Path: pure VCO → Steiner-Parker filter → Brute Factor drive. Syncable LFO: 3 waveforms, tempo-sync or audio-rate for FM craziness. Step-sequencer: 8 patterns, up to 64 steps each, with rate & trigger modes. Unique VCO: Saw, Pulse & Triangle with Ultrasaw, PWM, Metalizer and a Sub-5th generator for huge tone. Steiner-Parker Multimode Filter: Low-, High- & Band-Pass with self-oscillating resonance. CV/Gate & Audio In/Out: process external signals and patch into modular rigs. Patchable Mod Matrix: route LFO, ENV or external CV anywhere; mini-jack cables in the box. Brute Factor: from subtle saturation to full intermodulation havoc. MIDI DIN + USB-MIDI: plug into any DAW or hardware setup, clock-sync, or use as a master keyboard. Get Hands On. MicroBrute UFO Edition is a synth for fearless sound designers. Push the Brute Factor into overdrive, fold waves with the Metalizer, and patch signals in ways no manual ever intended - pure, untamed analog expression. A Closer Look. Explore MicroBrute UFO Edition, from the expression controls to back panel connections - built for bold analog adventures. Oscillator and Modifiers: MicroBrute UFO's 100% analog VCO blends saw, pulse, and triangle waves, enhanced with unique built-in modifiers: Ultrasaw for huge width, Metalizer for complex harmonics, and a sub-oscillator that rattles the room. Filter and Brute Factor: Shape your sound with the Steiner-Parker multimode filter, offering low-pass band-pass, and high-pass modes with resonance that pushes into self-oscillation. Brute Factor adds everything from subtle grit to full-blown intermodulation havoc. Mod Matrix: The patch bay Mod Matrix lets you create custom modulation routes and connect MicroBrute to modular, semi-modular, and analog gear. Shape, animate, and expand your sound without menus - just patch and play. LFO: Syncable LFO with three waveforms, tempo sync, and audio-rate operation for vibrato, wild modulation, or FM-style tones. Envelope and Controls: Classic ADSR envelope for precise dynamic shaping. Glide, modulation wheel depth, and direct controls for expressive, hands-on performance. Sequencer: Program up to eight patterns with 64 steps each. Adjustable rate and multiple trigger modes let you lock in tight grooves or explore evolving phrases. CV/Gate: Pitch Out, Gate Out, and Gate In for easy integration with modular systems, analog synths, and sequencers. Audio In/Out: Process external audio through the filter and Brute Factor, or send MicroBrute's raw analog tone into your mix via Line Out or headphone output.
Produce full tracks on-the-go with this Roland Groovebox music workstation. The 16 RGB pads and a four-track sequencer are great for creating drum and bass patterns, while the wide range of pro effects offers creative freedom. This expandable Roland Groovebox music workstation lets you import custom sounds and loops, so you can easily craft a unique style.
Record, edit and produce audio files with this PreSonus FaderPort controller. Intuitive controls offer easy navigation, and the small-size chassis encourages portability. Sort through eight functions quickly using the sizable encoder and companion buttons. This PreSonus FaderPort controller features plug-and-play functionality for immediate integration with multiple recording applications, and the included Studio One software provides access to virtual instruments.
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- Rated 4 out of 5 stars
Honesty its a good Midi Controller
Actually this is a good controller but under rated. if you know the basics and not get overwhelmed by the buttons youre all set.I also have Novation launchkey37, Arturia minilabmk2, Akai MPk mini mk3, Atom, Maschine mikro mk3. For me, The best one is the Novation Launchkey because its so versatile. But the Atom SQ can hold its own regardless of the unusual pads for a keyboards. I considered returning this after 2 days of playing around but decided to keep it when I found its versatility especially using studio one. Im an ableton user but for me Studio one is a really good daw. the atom sq is well integrated and easy to produce beats using the LX impact which is great. For the pad velocity that theyre complaining about all you have to do is find and press Full for the Velocity. The strip pads is also great. The only thing that I complain is the knobs whixh doesnt a default mapping on its own. You have to assign for it. But Im still learning will all of these buttons. But its a good hardware
This review is from PreSonus - ATOM SQ - Black
Posted by FaRBeHiNd
- Rated 5 out of 5 stars
Takes time to understand, better than you think
I’ll start with the biggest complaints by people, the key sensitivity. At first I thought the same as other reviewers that the keys are not sensitive enough when using. Too quiet, doesnt pick up the hard hits well, velocities too soft, etc. But after watching some Presonus videos on mixing and mastering with many tracks I realized it’s because we tend to have all the channels very hot or high in volume which causes clipping in the Master out channel especially the more tracks added. So I dialed everything back and raised the master and that solved the problem both the clipping and low velocity issues. Just turn your other tracks down. If you are starting and only have one or two tracks, just lower the volume of the others like -10 to -14 in the track and raise the master or volume on your monitors or headphone. That will fix it. Then in mastering everything will be brought up in volume for the final product. The menu is well designed. I just need to finish learning the functions because this device allows for faster menu access versus using a mouse or trackpad all the time. It is a time saver.
This review is from PreSonus - ATOM SQ - Black
Posted by Musician
- Rated 5 out of 5 stars
Presonus midi
Synched right up to my recording software. Still learning the ropes on it. But very sstisfied so far.
This review is from PreSonus - ATOM SQ - Black
Posted by Presonus
