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Prince Lincoln & Royal Rasses - God Sent Dub - VINYL LP

SKU: 10686201

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This album was issued in 1980 in a limited edition of 300 copies on a blank tag in a plain sleeve with no credits. It has never been re-pressed since then and has become a seriously in-demand collectors' item with copies changing hands for between £100 and £200... Now available on LP and CD with bonus tracks Dub mixed at TMC (Tooting Music Centre) Recording Studio, 118 Mitcham Road, Tooting, London by Chris Lane We probably did it in all in about two hours and ten minutes, despite not having a lot of time, or perhaps precisely because of not having a lot of time, the resulting album, 'God Sent Dub' proved to be a masterclass in dub mixing aimed directly at the roots market... it went back to the roots of dub and echoed the stark style of some of the very first dub albums from the mid-seventies.

Specifications

  • Genre
    Reggae
    Description
    This album was issued in 1980 in a limited edition of 300 copies on a blank tag in a plain sleeve with no credits. It has never been re-pressed since then and has become a seriously in-demand collectors' item with copies changing hands for between £100 and £200... Now available on LP and CD with bonus tracks Dub mixed at TMC (Tooting Music Centre) Recording Studio, 118 Mitcham Road, Tooting, London by Chris Lane We probably did it in all in about two hours and ten minutes, despite not having a lot of time, or perhaps precisely because of not having a lot of time, the resulting album, 'God Sent Dub' proved to be a masterclass in dub mixing aimed directly at the roots market... it went back to the roots of dub and echoed the stark style of some of the very first dub albums from the mid-seventies.
    Artist
    Prince Lincoln & Royal Rasses
    Title
    God Sent Dub
    Format
    VINYL
    Label
    Burning Sounds
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Prince Lincoln & Royal Rasses - God Sent Dub   - VINYL LP
Prince Lincoln & Royal Rasses - God Sent Dub - VINYL LP

This album was issued in 1980 in a limited edition of 300 copies on a blank tag in a plain sleeve with no credits. It has never been re-pressed since then and has become a seriously in-demand collectors' item with copies changing hands for between £100 and £200... Now available on LP and CD with bonus tracks Dub mixed at TMC (Tooting Music Centre) Recording Studio, 118 Mitcham Road, Tooting, London by Chris Lane We probably did it in all in about two hours and ten minutes, despite not having a lot of time, or perhaps precisely because of not having a lot of time, the resulting album, 'God Sent Dub' proved to be a masterclass in dub mixing aimed directly at the roots market... it went back to the roots of dub and echoed the stark style of some of the very first dub albums from the mid-seventies.

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Since 2014, Shelter Press has been steadily releasing a multi-volume series of documents showcasing Gabriel Saloman's music for contemporary dance. Under the title of Movement Building, these albums have covered a wide breadth of themes and approaches, all of them coalescing around Saloman's darkly cinematic approach to contemporary guitar music. Known for his part in the seminal electronic-noise duo Yellow Swans (alongside Pete Swanson), Saloman has taken the sweeping drones and fried electricity of his former band and embedded them within an expanding palette of bowed strings, martial percussion, and resonant piano. Here, Shelter Press collect all three volumes of this vinyl-only series - Movement Building Vol. I (SHELTER 051LP, 2014); Vol. II (SHELTER 063LP, 2015); and Vol. III (SHELTER 085LP, 2017) - as a double-CD, featuring new artwork, previously unreleased tracks, a new digital master by Helmut Erler (Dubplates & Mastering), and an extensive essay on dance, politics, and the themes of each album written by Saloman. The first disc collects Movement Building Vol. I and Vol. II, the latter a sprawling 36-minute epic that had previously been separated into two discreet tracks for vinyl and is collected here as one continuous piece, moving through an extended set of drone and loping drum play before climaxing in the kind of glorious guitar chording associated with groups such as My Bloody Valentine, GSYBE, or Mono. Movement Building Vol. II explores various combinations of drum and drone, ASMR inducing high-end clatter and Saloman's infamous take on Miles Davis's classic InchMy Funny ValentineInch. The second disc collects Movement Building Vol. III, including two tracks not available on the vinyl version. On Vol. III, the emotive and disorienting bowed guitar, militant percussion, and searing guitar eruptions of earlier albums are joined by other familiar Saloman

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