Prince & the Revolution - Prince - VINYL LP
About this product
Prince is the eponymous second studio album by American recording artist Prince. It was released on October 19, 1979 by Warner Bros. Records. The album was written, arranged, composed, produced and performed entirely by Prince, with the only known contribution from another person being Inchsome vocal harmonyInch added by close friend/bassist André Cymone on Track 2. Prince recorded the album in just a few weeks after Warner Bros. Asked for a follow-up to his 1978 debut, For You. Prince had used twice his initial recording advance on the album, and it had failed to generate a pop hit (although InchSoft and WetInch became a No. 12 R&B hit). Displeased at his lack of success, Prince quickly recorded the follow-up. Few artists have created a body of work as rich and varied as Prince. During the '80s, he emerged as one of the most singular talents of the rock & roll era, capable of seamlessly tying together pop, funk, folk, and rock. Not only did he a series of groundbreaking albums; he toured frequently, produced albums and wrote songs for many other artists, and recorded hundreds of songs that still lie unreleased in his vaults. With each album he released, Prince has shown remarkable stylistic growth and musical diversity, constantly experimenting with different sounds, textures, and genres. Occasionally, his music can be maddeningly inconsistent because of this eclecticism, but his experiments frequently succeed; no other contemporary artist can blend so many diverse styles into a cohesive whole.
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VINYLSpecifications
- GenreRhythm & BluesDescriptionPrince is the eponymous second studio album by American recording artist Prince. It was released on October 19, 1979 by Warner Bros. Records. The album was written, arranged, composed, produced and performed entirely by Prince, with the only known contribution from another person being Inchsome vocal harmonyInch added by close friend/bassist André Cymone on Track 2. Prince recorded the album in just a few weeks after Warner Bros. Asked for a follow-up to his 1978 debut, For You. Prince had used twice his initial recording advance on the album, and it had failed to generate a pop hit (although InchSoft and WetInch became a No. 12 R&B hit). Displeased at his lack of success, Prince quickly recorded the follow-up. Few artists have created a body of work as rich and varied as Prince. During the '80s, he emerged as one of the most singular talents of the rock & roll era, capable of seamlessly tying together pop, funk, folk, and rock. Not only did he a series of groundbreaking albums; he toured frequently, produced albums and wrote songs for many other artists, and recorded hundreds of songs that still lie unreleased in his vaults. With each album he released, Prince has shown remarkable stylistic growth and musical diversity, constantly experimenting with different sounds, textures, and genres. Occasionally, his music can be maddeningly inconsistent because of this eclecticism, but his experiments frequently succeed; no other contemporary artist can blend so many diverse styles into a cohesive whole.ArtistPrince & the RevolutionTitlePrinceFormatVINYLLabelWarner Bros Uk
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Prince is the eponymous second studio album by American recording artist Prince. It was released on October 19, 1979 by Warner Bros. Records. The album was written, arranged, composed, produced and performed entirely by Prince, with the only known contribution from another person being Inchsome vocal harmonyInch added by close friend/bassist André Cymone on Track 2. Prince recorded the album in just a few weeks after Warner Bros. Asked for a follow-up to his 1978 debut, For You. Prince had used twice his initial recording advance on the album, and it had failed to generate a pop hit (although InchSoft and WetInch became a No. 12 R&B hit). Displeased at his lack of success, Prince quickly recorded the follow-up. Few artists have created a body of work as rich and varied as Prince. During the '80s, he emerged as one of the most singular talents of the rock & roll era, capable of seamlessly tying together pop, funk, folk, and rock. Not only did he a series of groundbreaking albums; he toured frequently, produced albums and wrote songs for many other artists, and recorded hundreds of songs that still lie unreleased in his vaults. With each album he released, Prince has shown remarkable stylistic growth and musical diversity, constantly experimenting with different sounds, textures, and genres. Occasionally, his music can be maddeningly inconsistent because of this eclecticism, but his experiments frequently succeed; no other contemporary artist can blend so many diverse styles into a cohesive whole.

In the late 2000s a sprawling catalog of what is now genre-defining music was emanating from an unlikely place. Cleveland, Ohio has a broad reputation for many things, but in the aughts, psyche-expanding Kosmische wasn't necessarily Cleveland's calling card... until Emeralds. The trio of John Elliott, Steve Hauschildt, and Mark McGuire had released a profusion of limited-run cassettes, CD-Rs, and vinyl titles that had been passed around basement shows and then migrated to niche music communities online, creating a unique kind of murmur at the height of the DIY blog era. Three kids from the rust belt were crafting a distinctive and truly far-out strain of music on their own terms in the Midwest. They were flipping lids in wood-paneled basements and circulating around the underground with soaring sounds stylistically indebted to deep German electronic music pioneers and released with the ethos and twisted fervor of renegade Midwestern noise freaks. After several releases garnered a die-hard fandom in niche circles of internet/music culture, and then catching the attention of the late Peter Rehberg, the renowned artist and curator of the Editions Mego tag, an expectation was set that the next Emeralds record was going to be a big one. And in 2010, Does it Look Like I'm Here was it. Artistically, the album is a definitive statement; this is to say it was crafted by heads for heads, a genuine article and a profoundly deep listen, but the mainstream dove in too. Pitchfork acknowledged the rarefied nature of the album's electricity with a InchBest New MusicInch . This crossover success is a result of the tracks' potency and wonderfully engineered and succinct structures. It's dialed in. Still creating their distinct yawning cosmic sound, Elliott and Hauschildt shower the stereo spectrum with shimmering arpeggios, dusty, melodically dynamic swells, rippling FM textures, and

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