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Quintetto a Plettro "Giuseppe Anedda" - Cimarosa: Overtures arranged for Mandolin Ensemble - COMPACT DISCS [CD]

SKU: 10631530

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New, fun-filled arrangements-with historical authenticity on their side-bring bright and breezy curtain-raisers by a once-celebrated contemporary of Mozart to life. In a career not much longer than Mozart's, Domenico Cimarosa (1749-1801) wrote an astonishing total of 64 works for the stage-as well as substantial collections of symphonies, concertos, and sonatas-that were performed across the length and breadth of Europe, from Lisbon to St. Petersburg. No less than Haydn, Cimarosa had the gift of melodic fluency and an unerring feeling for what his audiences wanted. Haydn himself conducted performances of 13 Cimarosa operas at Esterháza. Cimarosa specialized in light-hearted comedies, for which he supplied stylishly upbeat scores, shot through with Italianate lyricism, and a kind of impetuous vigour which was all his own. This quality makes his overtures particularly suitable for transcription to the kind of plucked-ensemble chamber versions heard on this enterprising new album. During the period after unification, the mandolin became a popular instrument much as the ukulele and the balalaika did elsewhere relatively easy to learn, highly portable, and well suited to being played in ensemble as a kind of instrumental choir. Thus many arrangements of well-known classical pieces were made for the kind of mandolin ensemble heard here, naturally favouring operatic items by Rossini, Bellini, Donizetti and the other masters of the bel canto style. The Romantic-era quartet, consisting of two mandolins, mandola in G, and guitar was the preferred ensemble. Larger ensembles, known as plectrum orchestras, could achieve a quasi-symphonic texture, especially when supplemented by winds and bass instruments. The Anedda Quintet have devised a unique synthesis of the two approaches, adding a strong bass component to the classic quartet line-up. This collection of Cimarosa is mainly co

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  • Genre
    Classical
    Description
    New, fun-filled arrangements-with historical authenticity on their side-bring bright and breezy curtain-raisers by a once-celebrated contemporary of Mozart to life. In a career not much longer than Mozart's, Domenico Cimarosa (1749-1801) wrote an astonishing total of 64 works for the stage-as well as substantial collections of symphonies, concertos, and sonatas-that were performed across the length and breadth of Europe, from Lisbon to St. Petersburg. No less than Haydn, Cimarosa had the gift of melodic fluency and an unerring feeling for what his audiences wanted. Haydn himself conducted performances of 13 Cimarosa operas at Esterháza. Cimarosa specialized in light-hearted comedies, for which he supplied stylishly upbeat scores, shot through with Italianate lyricism, and a kind of impetuous vigour which was all his own. This quality makes his overtures particularly suitable for transcription to the kind of plucked-ensemble chamber versions heard on this enterprising new album. During the period after unification, the mandolin became a popular instrument much as the ukulele and the balalaika did elsewhere relatively easy to learn, highly portable, and well suited to being played in ensemble as a kind of instrumental choir. Thus many arrangements of well-known classical pieces were made for the kind of mandolin ensemble heard here, naturally favouring operatic items by Rossini, Bellini, Donizetti and the other masters of the bel canto style. The Romantic-era quartet, consisting of two mandolins, mandola in G, and guitar was the preferred ensemble. Larger ensembles, known as plectrum orchestras, could achieve a quasi-symphonic texture, especially when supplemented by winds and bass instruments. The Anedda Quintet have devised a unique synthesis of the two approaches, adding a strong bass component to the classic quartet line-up. This collection of Cimarosa is mainly co
    Artist
    Quintetto a Plettro "Giuseppe Anedda"
    Title
    Cimarosa: Overtures arranged for Mandolin Ensemble
    Format
    CD
    Label
    Brilliant Classics
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Quintetto a Plettro "Giuseppe Anedda" - Cimarosa: Overtures arranged for Mandolin Ensemble   - COMPACT DISCS [CD]
Quintetto a Plettro "Giuseppe Anedda" - Cimarosa: Overtures arranged for Mandolin Ensemble - COMPACT DISCS [CD]

New, fun-filled arrangements-with historical authenticity on their side-bring bright and breezy curtain-raisers by a once-celebrated contemporary of Mozart to life. In a career not much longer than Mozart's, Domenico Cimarosa (1749-1801) wrote an astonishing total of 64 works for the stage-as well as substantial collections of symphonies, concertos, and sonatas-that were performed across the length and breadth of Europe, from Lisbon to St. Petersburg. No less than Haydn, Cimarosa had the gift of melodic fluency and an unerring feeling for what his audiences wanted. Haydn himself conducted performances of 13 Cimarosa operas at Esterháza. Cimarosa specialized in light-hearted comedies, for which he supplied stylishly upbeat scores, shot through with Italianate lyricism, and a kind of impetuous vigour which was all his own. This quality makes his overtures particularly suitable for transcription to the kind of plucked-ensemble chamber versions heard on this enterprising new album. During the period after unification, the mandolin became a popular instrument much as the ukulele and the balalaika did elsewhere relatively easy to learn, highly portable, and well suited to being played in ensemble as a kind of instrumental choir. Thus many arrangements of well-known classical pieces were made for the kind of mandolin ensemble heard here, naturally favouring operatic items by Rossini, Bellini, Donizetti and the other masters of the bel canto style. The Romantic-era quartet, consisting of two mandolins, mandola in G, and guitar was the preferred ensemble. Larger ensembles, known as plectrum orchestras, could achieve a quasi-symphonic texture, especially when supplemented by winds and bass instruments. The Anedda Quintet have devised a unique synthesis of the two approaches, adding a strong bass component to the classic quartet line-up. This collection of Cimarosa is mainly co

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Quintetto A Plettro ""Giuseppe Anedda"" - Overtures   - COMPACT DISCS [CD]

All Rossini's qualities as a musical giant are to be found in concentrated form in the famous overtures. The sheer vitality of the music is astounding, and the wealth of thematic material ensures that each is remarkable in it's own different way. The Rossini anniversary of 2018 presented an opportunity to shed new light on these familiar works, but in a form that the composer himself would have recognised. This long-established mandolin quintet took a mix of old and newly commissioned arrangements and toured them across Italy to great success before making the present recording. The quintet takes it's name from the mandolin virtuoso Giuseppe Anedda (1912-97) who popularised the instrument throughout his native Italy with his own ensemble and established for it a place in classical concert halls and modern works beyond the 'early music revival' of the 50s and 60s. He took part in pioneering recordings of Vivaldi and early performances of Stravinsky's Agon. This all-Italian quintet (comprising a pair of mandolins, a mandola, guitar and double bass) was founded in Anedda's memory in 2003 to carry on his work. It's members are all soloists and teachers in their own right. They commissioned Michele Di Filippo to arrange the first four overtures on this album L'Italiana in Algeri (1813), Il Viaggio a Reims (1825), La Cenerentola (1817) and La Scala di Seta (1812). The other four overtures are from Il Signor Bruschino (1813), Il Barbiere di Siviglia (1816), Tancredi (1813) and La Gazza Ladra (1817), for which the quintet performs from transcriptions made and published in the first half of the 20th century by Mario Macchioci and Enrico Marucelli. All the arrangements preserve the heady excitement of the famous 'Rossini crescendo' as well as the chamber-like dialogue between wind and strings in the original scores.

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