Ra Al Dee Experience - Diatessaron - COMPACT DISCS [CD]

Transubstans veterans Oblivious is back on track, this time with the stunning Creating Meaning. Bluesy, groovy Hard Rock with flowing bass lines and mysterious riffs that resembles the inventiveness of Led Zeppelin and Sabbath, but also acts like Dozer or Clutch. Since their 2009 debut Goons And Masters, Oblivious has not lost the harshness of the tone in their sound. During these four years, they've rather built up a more solid wall of sound, with well-arranged riffs and conceived 70's grooves. Explore this record if you wanna know what Transubstans is all about!

Constanze Mozart was later to claim that her husband had a premonition that the Requiem was an omen of his own coming death, a suggestion to which one may attach little credence, however attractive the story may appear to the romantic imagination. Mozart seemed, in the summer of 1791, very much more cheerful than he had been, since his fortunes had taken an obvious turn for the better. In November, however, he was taken ill and within a fortnight he was dead, his death ascribed by his doctor to military fever, but the subject of much subsequent speculation. On 4th December he felt well enough to sing with his friends parts of the Requiem, which was still incomplete. Benedikt Schack, Tamino in Die Zauberflöte, sang the soprano part in falsetto, Mozart sang alto, the violinist Hofer, husband of Constanze's sister Josefa, Queen of the Night, sang tenor and Franz Gerl, whose wife played Papagena, while he took the part of Sarastro, sang bass. It is said that Mozart burst into tears and could go no further when it came to the Lacrimosa, of which, incidentally, he had written on I y the first eight bars. This was in the afternoon. In the evening his condition worsened and he died at five minutes to one on the morning of 5th December, to be buried a day or so later in an unmarked grave. Mozart had completed the composition and scoring of the Introit and Kyrie, used by Süssmayer for the final Communion, Lux aeterna. The great Sequence, the Dies Irae, was sketched fairly fully up to the verse Lacrimosa, dies illa, a point at which Eybler too gave up his tentative work on the score. Süssmayer continued the Lacrimosa for a further 22 bars, completing it. Mozart had written the voice parts and bass of the Offertory, as he had for much of the Dies Irae, and this Süssmayer completed. Sanctus, Benedictus and Agnus Dei are the work of Süssmayer. The Czech conductor Zdenek Kosler stud

The Last Supper, originally released in 2005, was the 12th studio album of the band. With a chart entry on #39 it was also the second most successful in Grave Digger's career so far. The concept album deals with the last days of Jesus Christ. For the first time the internationally renowned artist Gyula Havancsak was responsible for the artwork. This re- is the first to be released in a high-quality Digipak and contains exclusive new liner notes by Chris Boltendahl. The Last Supper is a big exclamation point (Rock Hard)Powerful double bass attacks dominate the battlefield, as do catchy melodies mixed with ingeniously worked out solos. [metal. De]It is nice that there are still such reliable heavyweights in the scene! [powermetal. #com]If you are looking for a high-quality heavy metal album of the finest German workmanship, you can get it here without hesitation. (burnyourears. De)With InchThe Last SupperInch, the guys have managed to create a grenade par excellence at the beginning of the year, which the rest of the industry will probably clench their teeth on throughout 2005.