Radiator Hospital - Can't Make Any Promises - VINYL LP

Hypercaffium Spazzinate by Descendents - Descendents' first Epitaph since Everything Sucks in 1996, Hypercaffium Spazzinate, began taking shape after the band ended an extended hiatus to play live in 2010. Though still tight, they lived apart singer Milo Aukerman - whose cartoon rendering famously serves as the band's logo - was now living in Delaware, bassist Karl Alvarez and founder and drummer Bill Stevenson were in Colorado, and guitarist Stephen Egerton had settled in Oklahoma. So the album came to life over three years as the band sent tracks back and forth, occasionally meeting up in Karl and Bill's adopted hometown of Fort Collins. Adopting such a protracted process meant not having to rush things, allowing for some of their sharpest songwriting yet.

Radiator Hospital - Play The Songs You Like [VINYL LP] date 10/20/2017

The Daggermen all went to Rede Secondary School in Medway, Kent. It was a school for those that failed their 11 plus, or who passed it but decided to go there anyway (as Jon pretends). Being in some of the same classes we became friends and found we liked the same music; The Who, The Small Faces, The Kinks, The Beatles and The Jimi Hendrix Experience. We started going to Carnaby Street, wearing Beatle boots and generally being a bit Moddy. Dave's older brother, James Taylor, played organ in The Prisoners and we'd listen to cassette tapes of them along with other local band, The Milkshakes as we bounced on the trampoline during P.E. After watching both bands play live in local venues such as the M.I.C. club in Chatham we formed The Daggermen, working out who was going to play which instrument as we stood next to the now demolished school sports hall. No one can quite remember who thought of the name, The Daggermen (it was me) or how comes Jon was playing bass on a guitar in the band at the very start and then Terry took over when we started gigging (it was because he had a real bass guitar and a car). But the next thing was that we were supporting The Prisoners both in Medway and places such as the 100 Club in Oxford Street. Then, one sunny day at around the age of 17, I bumped into Billy Childish walking across a field. I formally introduced myself and told him that he should definitely come and see our band that night because we were Inchfucking brilliantInch. He did turn up and bought us a tray of whiskies whilst we were on stage, a sure sign that he had liked it. This led to him and Russ Wilkins, bass player in The Milkshakes alongside Billy, asking us if we wanted to record an E.P. for Russ's tag, Empire Records. This was our first ever recording called Introducing The Daggerman which was made in a brick arch under Rochester bridge that we rented for £2 a week to