Ramsey Thornton - I Called It! (PURPLE VINYL) - VINYL LP
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Ramsey Thornton makes modern-day folk music for early mornings and quiet hours. It's a warm, rhythmic sound, fueled by intricate fingerpicking and the observational storytelling of a lifelong musician who's still discovering new horizons. Long before he became an unsung hero of Tulsa's music scene - playing banjo in Ken Pomeroy's band, drumming for jazz combos, and collaborating with hometown heroes like Wilderado - the Oklahoma native began drumming at 6 years old. By his late-teens, he was playing stringed instruments, too. Banjo came first. Acoustic guitar followed, with Ramsey developing a hypnotic, percussive style - including intricate rhythms and uniquely phrased arpeggios - that seemed to nod to the two instruments he'd already learned. Ramsey recorded I Called It! In Brooklyn, where he teamed up with Isaac Stalling and Sam Skinner (Pinegrove) in a Bed-Stuy studio. They anchored each song with a live performance of guitar and vocals, adding other instruments - from the interlocking layers of strings that sweep through InchTony's Song,Inch a gorgeous duet with Ken Pomeroy, to the brushed percussion and keyboards that punctuate InchBackyardInch - for textural effect. Back home in Oklahoma, Ramsey tapped Chad Copeland (Broncho, Wilderado) to contribute synth, drones, and other atmospherics to tracks like InchFourth of July.Inch Even so, I Called It generally unfolds like a one-man show, capturing Ramsey Thornton in his element intimate, locked-in, and focused on the present moment. InchI like my music to sound natural,Inch he says simply. InchThese are songs that I wrote around my kitchen table. I recorded them with my friends. I hope they just sound like me.InchWith I Called It!, Ramsey Thornton keeps his eye on the outside world and his hands on the fretboard, creating a gentle, guitar-driven soundtrack to everyday life.
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- GenreRockDescriptionRamsey Thornton makes modern-day folk music for early mornings and quiet hours. It's a warm, rhythmic sound, fueled by intricate fingerpicking and the observational storytelling of a lifelong musician who's still discovering new horizons. Long before he became an unsung hero of Tulsa's music scene - playing banjo in Ken Pomeroy's band, drumming for jazz combos, and collaborating with hometown heroes like Wilderado - the Oklahoma native began drumming at 6 years old. By his late-teens, he was playing stringed instruments, too. Banjo came first. Acoustic guitar followed, with Ramsey developing a hypnotic, percussive style - including intricate rhythms and uniquely phrased arpeggios - that seemed to nod to the two instruments he'd already learned. Ramsey recorded I Called It! In Brooklyn, where he teamed up with Isaac Stalling and Sam Skinner (Pinegrove) in a Bed-Stuy studio. They anchored each song with a live performance of guitar and vocals, adding other instruments - from the interlocking layers of strings that sweep through InchTony's Song,Inch a gorgeous duet with Ken Pomeroy, to the brushed percussion and keyboards that punctuate InchBackyardInch - for textural effect. Back home in Oklahoma, Ramsey tapped Chad Copeland (Broncho, Wilderado) to contribute synth, drones, and other atmospherics to tracks like InchFourth of July.Inch Even so, I Called It generally unfolds like a one-man show, capturing Ramsey Thornton in his element intimate, locked-in, and focused on the present moment. InchI like my music to sound natural,Inch he says simply. InchThese are songs that I wrote around my kitchen table. I recorded them with my friends. I hope they just sound like me.InchWith I Called It!, Ramsey Thornton keeps his eye on the outside world and his hands on the fretboard, creating a gentle, guitar-driven soundtrack to everyday life.ArtistRamsey ThorntonTitleI Called It! (PURPLE VINYL)FormatVINYLLabelGar Hole Records
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Ramsey Thornton makes modern-day folk music for early mornings and quiet hours. It's a warm, rhythmic sound, fueled by intricate fingerpicking and the observational storytelling of a lifelong musician who's still discovering new horizons. Long before he became an unsung hero of Tulsa's music scene - playing banjo in Ken Pomeroy's band, drumming for jazz combos, and collaborating with hometown heroes like Wilderado - the Oklahoma native began drumming at 6 years old. By his late-teens, he was playing stringed instruments, too. Banjo came first. Acoustic guitar followed, with Ramsey developing a hypnotic, percussive style - including intricate rhythms and uniquely phrased arpeggios - that seemed to nod to the two instruments he'd already learned. Ramsey recorded I Called It! In Brooklyn, where he teamed up with Isaac Stalling and Sam Skinner (Pinegrove) in a Bed-Stuy studio. They anchored each song with a live performance of guitar and vocals, adding other instruments - from the interlocking layers of strings that sweep through InchTony's Song,Inch a gorgeous duet with Ken Pomeroy, to the brushed percussion and keyboards that punctuate InchBackyardInch - for textural effect. Back home in Oklahoma, Ramsey tapped Chad Copeland (Broncho, Wilderado) to contribute synth, drones, and other atmospherics to tracks like InchFourth of July.Inch Even so, I Called It generally unfolds like a one-man show, capturing Ramsey Thornton in his element intimate, locked-in, and focused on the present moment. InchI like my music to sound natural,Inch he says simply. InchThese are songs that I wrote around my kitchen table. I recorded them with my friends. I hope they just sound like me.InchWith I Called It!, Ramsey Thornton keeps his eye on the outside world and his hands on the fretboard, creating a gentle, guitar-driven soundtrack to everyday life.
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Released in 1970, Funkadelic's self-titled debut was a radical collision of psychedelic rock, gospel, blues, and soul - a chaotic, genre-defying statement that redefined the possibilities of Black music. Where Motown aimed for Polish and crossover appeal, Funkadelic dove headfirst into distortion, improvisation, and spiritual ambiguity, offering a sound as gritty and unpredictable as the era itself. Backed by a ferocious young band - including Eddie Hazel, Billy Bass Nelson, Tawl Ross, Tiki Fulwood, and Mickey Atkins - the album rejected convention in favor of raw groove and existential noise. Tracks like InchI Got a Thing...Inch and InchWhat Is SoulInch pulse with menace and joy, bookended by surreal monologues that echo both street philosophy and space-age gospel. As part of Org Music's Westbound Records reissue series, this edition restores the album's full impact across multiple formats. The deluxe double LP, mastered at 45RPM directly from tape by Dave Gardner at DSG Mastering, offers the highest fidelity to date. Gardner and restoration specialist Catherine Vericolli archived and restored the original master tapes at 54 Sound Studios in Ferndale, Michigan, with assistance from in-house engineer Nick King. A single LP edition, cut from high-resolution tape transfers, is also available, alongside CD, cassette, and digital formats. A sonic revolution in it's time and a lasting influence ever since, Funkadelic remains a groundbreaking testament to music without rules and freedom without limits.
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