Reger - Suite for Violoncello 1 in G Major 131C - COMPACT DISCS [CD]

This product is an authorized manufactured on demand CD-R Album Tracks 1. Suite for Violoncello No. 2 in D minor, Op. 131C I. Pr\Xe4Ludium 2. Suite for Violoncello No. 2 in D minor, Op. 131C II. Gavotte 3. Suite for Violoncello No. 2 in D minor, Op. 131C III. Largo 4. Suite for Violoncello No. 2 in D minor, Op. 131C IV. Gique

One of the first singers to become identified with the smooth sweet sounds that became known as Philly soul, Barbara Mason's main focus was on songwriting when she entered the music biz in her teens. She started performing her own material and scored a huge hit in 1965 with InchYes I'm ReadyInch (number five pop, number two R&B), which established Barbara as a top-notch soul performer, and audiences grew to love her unique blend of smooth soul-pop. Barbara changed her focus considerably in the seventies, singing about sexual love and infidelity with a frankness that was uncommon among female soul singers of the day. Songs like InchShackin UpInch, InchFrom His Woman to YouInch, InchBed And BoardInch and InchShe's Got the Papers (But I Got the Man)Inch cemented her stature in the pop-soul pantheon. Presented here is Barbara covering some of the most well known tunes of the soul pop pantheon including Carole King's InchI Feel the Earth MoveInch and Bobby Hebb's InchSunny.Inch Also included is Barbara covering her own massive hit, InchYes I'm Ready.Inch All selections newly remastered. Album Tracks 1. Yes, I'm Ready 2. If Loving You Is Wrong (I Don't Want to Be Right) 3. Feel Like Makin' Love 4. Stranger 5. From His Woman to You 6. People Make the World Go Round 7. Sunny 8. Baby What You Want Me to Do 9. (For) Your Precious Love 10. I Feel the Earth Move

It all began in 2011, when DuWors and Niekawa, then students at Eastman School of Music, were assigned to perform Mozart's last Sonata for Violin and Piano K. 526 together. The magnificence of the piece not only unlocked a profound musical rapport between the two young musicians, but also inspired their name as a collective. Perhaps it is not surprising, then, that there should be something timeless in the manner in which duo526 interpret their chosen works - and be they from the 20th century, like the compositions on DUO FANTASY. The selection itself is already superb, exploring the fantasia aspects of each piece through improvisatory style and free form. Villa-Lobos, Bax, and Bolcom each have a unique compositional voice, but heard together, they share the common thread of fantasy. Not only does this greatly contribute to the immense listenability of DUO FANTASY; more artistically, it also mirrors the relationship of the two musicians performing it. Violinist DuWors' audacious martelé, bold dynamics, and immense spectrum of tone are perfectly complemented by Niekawa's ever-sensitive musical command and uncompromising precision on the piano. Together, they achieve what most duos strive for in vain a perfect homogeneity in interpretation. There is a great joy in risk-taking to be found here, but most importantly, the two musicians are impeccably in agreement at all times. DUO FANTASY is a wonderful example of how the sum of music is greater than it's individual parts. No doubt that DuWors and Niekawa are formidable virtuoso musicians in their own right. But together, they are simply stunning.