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Reginald Mobley - Because - COMPACT DISCS [CD]

SKU: 10691512

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During the long era when Bach, Mozart and Beethoven were creating the musical canon of Western Europe, the songs of African slaves resounded in the colonies on the other side of the Atlantic, expressing pain and longing, but also joy and the desire for freedom. The American countertenor Reginald Mobley - a rising figure in baroque music, notably under the direction of John Eliot Gardiner with whom he sings very regularly - and the French pianist Baptiste Trotignon, winner of numerous awards (Victoires du Jazz, Django d'Or) have combined their talents and sensibilities to celebrate these spirituals and the music of Black composers including Harry T. Burleigh (1866-1949) and Florence Price (1887-1953), whose beautiful transcriptions and melodies blend with Baptiste Trotignon's subtle arrangements of the famous Sometimes I feel like a motherless child or I got a robe... The melody InchBecauseInch, composed by Florence Price on a poem by Paul Laurence Dunbar, inspired the title of the album Because I had loved so hard (...) Because I had loved so vainly... Why this album? Because

Specifications

  • Genre
    Classical
    Description
    During the long era when Bach, Mozart and Beethoven were creating the musical canon of Western Europe, the songs of African slaves resounded in the colonies on the other side of the Atlantic, expressing pain and longing, but also joy and the desire for freedom. The American countertenor Reginald Mobley - a rising figure in baroque music, notably under the direction of John Eliot Gardiner with whom he sings very regularly - and the French pianist Baptiste Trotignon, winner of numerous awards (Victoires du Jazz, Django d'Or) have combined their talents and sensibilities to celebrate these spirituals and the music of Black composers including Harry T. Burleigh (1866-1949) and Florence Price (1887-1953), whose beautiful transcriptions and melodies blend with Baptiste Trotignon's subtle arrangements of the famous Sometimes I feel like a motherless child or I got a robe... The melody InchBecauseInch, composed by Florence Price on a poem by Paul Laurence Dunbar, inspired the title of the album Because I had loved so hard (...) Because I had loved so vainly... Why this album? Because
    Artist
    Reginald Mobley
    Title
    Because
    Format
    CD
    Label
    Alpha
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Reginald Mobley - Because   - COMPACT DISCS [CD]
Reginald Mobley - Because - COMPACT DISCS [CD]

During the long era when Bach, Mozart and Beethoven were creating the musical canon of Western Europe, the songs of African slaves resounded in the colonies on the other side of the Atlantic, expressing pain and longing, but also joy and the desire for freedom. The American countertenor Reginald Mobley - a rising figure in baroque music, notably under the direction of John Eliot Gardiner with whom he sings very regularly - and the French pianist Baptiste Trotignon, winner of numerous awards (Victoires du Jazz, Django d'Or) have combined their talents and sensibilities to celebrate these spirituals and the music of Black composers including Harry T. Burleigh (1866-1949) and Florence Price (1887-1953), whose beautiful transcriptions and melodies blend with Baptiste Trotignon's subtle arrangements of the famous Sometimes I feel like a motherless child or I got a robe... The melody InchBecauseInch, composed by Florence Price on a poem by Paul Laurence Dunbar, inspired the title of the album Because I had loved so hard (...) Because I had loved so vainly... Why this album? Because

Reginald Mobley - Solitude   - COMPACT DISCS [CD]

After a first album (Because, Alpha 936) devoted to Afro-American spirituals that won several awards (Opus Klassik, Edison Klassiek, GRAMMY® Award nomination), the American countertenor Reginald Mobley devotes this new recording to English repertoire with a simple combination of primarily voice, lute, and viola da gamba. Solitude opens with Henry Purcell's moving 'Tis Nature's Voice and other famous Purcell melodies, sails through John Dowland's deeply melancholy waves, and also reveals the declamatory charm of the 17th-century English composers who surrounded Samuel Pepys. We then travel to America, where contemporary composers Jonathan Woody and Douglas Balliett explore Inchthe indomitable resilience contained in the tale of a runaway slaveInch as told by the brilliant African-American haiku poet Crystal Simone Smith. With Brandon Acker on lute, theorbo and baroque guitar and Douglas Balliett on viola da gamba and double bass, Reggie completes this intimate journey with songs arranged in the 19th century by the black American guitarist, composer and abolitionist Justin Holland.

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