Reinoud Van Mechelen - Rameau: Pygmalion; Iso: Zemide - COMPACT DISCS [CD]

Tenor Reinoud Van Mechelen concludes his trilogy dedicated to hautes-contre with InchLegros; Gluck's haute-contreInch. Joseph Legros (1739-1793) was a singer at the Paris Opéra; renowned for his extraordinary musical abilities; wide range and brilliant high notes. InchHis contemporaries appreciated the fact that his vocal delivery was not forced and that his taste was less mannered than that of his predecessors. His pronunciation was perfect and his face pleasing; although he did not cut a graceful figure and his stage acting left something to be desiredInch writes Benoit Dratwicki; of the Centre de Musique Baroque de Versailles; which is a partner in this series... Legros sparked renewed interest among modern composers for the haute-contre voice. The first to write for him were La Borde; Trial and Berton. Then came Gossec (Alexis et Daphné) and Grétry (Céphale et Procris). In 1774; Gluck's arrival in Paris marked a turning point in Legros's career he made a name for himself in Orphée et Eurydice; caused a sensation in Iphigénie en Aulide and Iphigénie en Tauride... The title roles in Amadis de Gaule by J. C. Bach and Piccinni's Atys were the last roles in which he shone. After Legros; the haute-contre voice gradually disappeared; giving way to that of the Inchtrue tenorInch; a more powerful voice; but one that had difficulty tackling the high register of the old repertoire Album Tracks 1. Thétis Et Pelée Ouverture 2. Thétis Et Pelée Act I Que Mon Destin Est Déplorable 3. Thétis Et Pelée, Act III Ciel ! en Voyant Ce Temple Redoutable 4. Sylvie Conduisez Ces Captifs 5. Sylvie Air Pour Les Cyclopes 6. Sylvie Air Gracieux 7. La Fête de Flore Amour, Si Tu Te Plais À Ma Douleur Mortelle 8. Iphigénie en Aulide, WQ. 40 Ouverture 9. Iphigénie en Aulide, WQ. 40 Act II J'obtiens L'objet Que J'aime 10. Orphée Et Eurydice, WQ. 41, Act I Accabl

Barenboim's first Beethoven Symphonies collection recorded in 1999. That box set will be re-released. Barenboim, known as Furtwangler's follower, was recorded in a brief period of two months at a stretch, and a great performance of a heavy sound that pushed the powerfulness which pushed the enthusiasm fully enough forward. It is a high-quality one that has earned a higher reputation than at the time of the first and it can be said to be a very standard standard collection. Berlin-Staatskapelle is also a prestigious oke-like heavy-duty sound that exudes superb functionality. Album Tracks 1. Symphony No.1 in C Major Op.21 I Adagio Molto - Allegro Con Brio 2. Symphony No.1 in C Major Op.21 II Andante Cantabile Con Moto 3. Symphony No.1 in C Major Op.21 III Menuetto - Allegro Molto E Vivace 4. Symphony No.1 in C Major Op.21 IV Finale - Adagio - Allegro Molto E Vivace 5. Symphony No.2 in D Major Op.36 I Adagio Molto - Allegro Con Brio 6. Symphony No.2 in D Major Op.36 II Larghetto 7. Symphony No.2 in D Major Op.36 III Scherzo - Allegro 8. Symphony No.2 in D Major Op.36 IV Allegro Molto 1. Symphony No.3 in E Flat Major Op.55, 'Eroica ' I Allegro Con Brio 2. Symphony No.3 in E Flat Major Op.55, 'Eroica ' II Marcia Funebre - Adagio Assai 3. Symphony No.3 in E Flat Major Op.55, 'Eroica ' III Scherzo - Allegro Vivace 4. Symphony No.3 in E Flat Major Op.55, 'Eroica ' IV Finale - Allegro Molto 1. Symphony No.4 in B Flat Major Op.60 I Adagio - Allegro Vivace 05 Symphony No.5 in C minor Op.67 I Allegro Con Brio 2. Symphony No.4 in B Flat Major Op.60 II Adagio 06 Symphony No.5 in C minor Op.67 II Andante Con Moto 3. Symphony No.4 in B Flat Major Op.60 III Allegro Vivace 07 Symphony No.5 in C minor Op.67 III Allegro 4. Symphony No.4 in B Flat Major Op.60 IV Allegro, Ma Non Troppo 08 Symphony No.5 in C minor Op.67

Album Tracks 1. Agárrate a Mi 2. Vidas Agridulces 3. Topes Del Amor 4. No Puedo Mirar 5. Enganchado a Una Señal de Bus 6. Magia y Precisión 7. Pon Precio a Tus Besos 8. Luz de Cruce 9. Estado de Sitio 10. Como Hasta Hoy 11. Sin Conversación