Rheinberger - Cantus Missae - COMPACT DISCS [CD]

Album Tracks 1. Mahlik Mahlik 2. Katharina 3. Aktar Min Sihir 4. Iish Hayaatak Ouh! 5. Raksa Attabla 6. Laylat Saif 7. Lisa 8. Salina 9. Khallina Nihlam 10. Sahretna 11. Mona Mona 12. Ahla Salwa 13. Bihlam Birraks 14. A Firdausik 15. Jalihah 16. Touboul Majnouni

Album Tracks 1. 1. Con Moto 2. 2. Thema Mit Verã¤Nderung 3. 3. Sarabande 4. 4. Finale 5. NR. 4 E-Moll (Bearb. Von Liszt) 6. NR. 9 E-Dur (Bearb. Von Liszt) 7. NR. 23 F-Dur (Bearb. Von Sembdner) 8. NR. 22 G-Moll (Bearb. Von Sembdner) 9. NR. 3 G-Dur (Bearb. Von Sembdner) 10. Romanze FüR Violine Und Orchester F-Dur (Bearb. FüR Violine Und Orgel Von Sembdner) 11. Priã©Re FüR Violoncello Und Orgel 12. Melodie F-Dur Op. 3 NR. 1 (Bearb. FüR Violine, Violoncello Und Orgel Von Sembdner)

In his Mass in A flat, Schubert set himself the great task of composing a InchMissa solemnisInch, as he later entitled the work. As with the Mass he wrote in the last year of his life, he severed the bonds imposed by tradition on the four earlier works of 1814-16. His highest ambition for the effect it might have on the world (there is evidence of his early intention to dedicate it to the Emperor Franz and his consort) is linked in the A flat major Mass with a deeply personal confession, the formulation of his own faith, of Inchtrue devotionInch, as he put it in 1825. There can scarcely be another work upon which Schubert worked so long, so intensively and with such revision begun in November 1819, the Mass was not finished until September 1822; given one performance at the end of that year and possibly another in 1823 in the Alt-Lerchenfeld parish church in Vienna, it was by no means Inchfinished businessInch, being modified by Schubert by 1825. Album Tracks 2. Mass in A-flat major, D. 678~Gloria 3. Mass in A-flat major, D. 678~Credo 6. Mass in A-flat major, D. 678~Agnus Dei