Rhythm Machine - Rhythm Machine - VINYL LP

Necroticgorebeast - Repugnant / The wounds that Necroticgorebeast inflicted in 2022 with their contributions to the 'Acts of Sadistic Cruelty' split album, alongside Gorepot, Kill Everything and Virulent Excision, may barely have healed, but the Canadian blast masters have returned to wreak yet more havoc! The time has come for a third full length album from these lords of the extreme and 'Repugnant' promises to be their most devastating to date! Necroticgorebeast 's self titled debut album erupted from the cankerous crust of the brutal death metal scene in 2019 and immediately established the band as one of the very heaviest around. Combining fearsome technical ability with intimidating brute force they pushed the limits further with second album, 'Human Deviance Galore' and now they have bulldozed through the boundaries of sonic extremity once again. 'Repugnant' is a relentless attack of world shattering violence, it's bludgeoning blows entwined in cruel complexity and warped imagination. Each strike is deadly, from the panic inducing opening of the title track to the final, fatal blow of InchFrozen Feces EviscerationInch. Along the corpse strewn way you'll find throat shredding guest vocal appearances from Cryptopsy's Matt McGachy and Bludgeoned's Jonathan Huber, and some of the most incredible brutal death metal you will ever hear. Necroticgorebeast have the strength to take on anyone in their field and leave them bleeding. In the badlands of brutality there is no match for the 'GoreBeast. On November 3rd the number one tag for the most savage and unforgiving death metal, Comatose Music, will unleash 'Repugnant' upon an unsuspecting world. Recorded, mixed and mastered to the highest of standards by a team of Gabriel Joly (The Outborn), Olivier Bourgeois (Humanity's Disgrace) and Miguel Tereso (Analepsy, Pyrexia etc) and clothed in the disturbing artwork of RF Pa

After the genre-bending Paradigmes (2021) and the Spanish escapade Teatro Lucido (2022), French neo-psych ensemble La Femme continue their world tour with Rock Machine, their first album entirely written in English. Composed over the past few years during various tours around the world, this new LP has been strongly inspired by the succession of dates in the USA, Canada, South America, Australia, and the encounters that ensued.Led by Marlon Magnée and Sacha Got for more than 10 years, La Femme has created it's own movement, inspired by loads of different music genres including new wave, rock, electro, punk, and more. On Rock Machine, the band returns to the new wave and synthwave roots of their acclaimed first LP Psycho Tropical Berlin (InchMachineInch), which they mix with an Anglo-Saxon rock sound from the 80s/90s (InchRockInch). This album is an ode to rock 'n roll's effectiveness and timelessness, but also an ode to love and despair. With Rock Machine, La Femme continues to develop a universe beyond trends with their own sound and aesthetics. In addition to rock and synthwave sounds (of which lead single InchClover ParadiseInch is the perfect example), there's still electro (InchSweet BabeInch), surf music (InchCiao Paris!Inch), disco with a UK punk twist (InchMy GenerationInch), and even elements of western. InchVenusInch is a marvelous mix between The Velvet Underground and The Mamas and the Papas, while InchLove is OverInch sounds like a InchMadchesterInch single from the Hacienda time. The list of influences is long but always unique and coherent.

Remastered edition. Scenes from the Second Storey is the debut album by American rock band the God Machine, released in 1993 by Fiction Records and Polydor. It peaked at number 55 on the UK Albums chart.