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Ries / Ardinghello Ensemble - Flute Quartets 2 - COMPACT DISCS [CD]

SKU: 10599951

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It is our good fortune that Ferdinand Ries bequeathed to posterity six remarkably beautiful Quartets for Flute, Violin, Viola, and Violoncello. These compositions sparkle like gems in the early Romantic chamber literature including the flute. On the present , Vol. 2 of our complete recording, his Quartets in G major WoO 35, 2 and E minor op. 145, 2 as well as his remarkable String Trio in E minor WoO 70, 2 are heard. On the one hand, conventional elements verging on practically Baroque sequential processes stand out in the trio. On the other hand, here we also find innovative musical surprises and full-fledged, motivically organized development sections, above all in the fourth movement. The violin part is very exceptionally demanding. In any event, the young Ries was able to compose a work representing a highly expressive contribution to the not exactly large number of string trios. In the chamber compositions recorded here Ries once again presents himself as a composer who experienced musical classicism firsthand and adapted it but then increasingly pursued his own path and found a unique personal style marking the beginning of a new worldview. Following the of our Vol. 1, Heinz Braun enthusiastically wrote InchI freely concede that over the years I have become a glowing admirer of the Bonn master and have impatiently awaited each new . In the present case too, the wait has been well worth it. The Ardinghello Ensemble with the flutist Karl Kaiser succeeds overall with it's fine sense of sound, supported by Manuel Braun's outstanding sound technique.Inch

Specifications

  • Genre
    Classical
    Description
    It is our good fortune that Ferdinand Ries bequeathed to posterity six remarkably beautiful Quartets for Flute, Violin, Viola, and Violoncello. These compositions sparkle like gems in the early Romantic chamber literature including the flute. On the present , Vol. 2 of our complete recording, his Quartets in G major WoO 35, 2 and E minor op. 145, 2 as well as his remarkable String Trio in E minor WoO 70, 2 are heard. On the one hand, conventional elements verging on practically Baroque sequential processes stand out in the trio. On the other hand, here we also find innovative musical surprises and full-fledged, motivically organized development sections, above all in the fourth movement. The violin part is very exceptionally demanding. In any event, the young Ries was able to compose a work representing a highly expressive contribution to the not exactly large number of string trios. In the chamber compositions recorded here Ries once again presents himself as a composer who experienced musical classicism firsthand and adapted it but then increasingly pursued his own path and found a unique personal style marking the beginning of a new worldview. Following the of our Vol. 1, Heinz Braun enthusiastically wrote InchI freely concede that over the years I have become a glowing admirer of the Bonn master and have impatiently awaited each new . In the present case too, the wait has been well worth it. The Ardinghello Ensemble with the flutist Karl Kaiser succeeds overall with it's fine sense of sound, supported by Manuel Braun's outstanding sound technique.Inch
    Artist
    RIES / ARDINGHELLO ENSEMBLE
    Title
    Flute Quartets 2
    Format
    CD
    Label
    Cpo Records
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Ries / Ardinghello Ensemble - Flute Quartets 2   - COMPACT DISCS [CD]
Ries / Ardinghello Ensemble - Flute Quartets 2 - COMPACT DISCS [CD]

It is our good fortune that Ferdinand Ries bequeathed to posterity six remarkably beautiful Quartets for Flute, Violin, Viola, and Violoncello. These compositions sparkle like gems in the early Romantic chamber literature including the flute. On the present , Vol. 2 of our complete recording, his Quartets in G major WoO 35, 2 and E minor op. 145, 2 as well as his remarkable String Trio in E minor WoO 70, 2 are heard. On the one hand, conventional elements verging on practically Baroque sequential processes stand out in the trio. On the other hand, here we also find innovative musical surprises and full-fledged, motivically organized development sections, above all in the fourth movement. The violin part is very exceptionally demanding. In any event, the young Ries was able to compose a work representing a highly expressive contribution to the not exactly large number of string trios. In the chamber compositions recorded here Ries once again presents himself as a composer who experienced musical classicism firsthand and adapted it but then increasingly pursued his own path and found a unique personal style marking the beginning of a new worldview. Following the of our Vol. 1, Heinz Braun enthusiastically wrote InchI freely concede that over the years I have become a glowing admirer of the Bonn master and have impatiently awaited each new . In the present case too, the wait has been well worth it. The Ardinghello Ensemble with the flutist Karl Kaiser succeeds overall with it's fine sense of sound, supported by Manuel Braun's outstanding sound technique.Inch

Ardinghello Ensemble - Flute Quartets, Op. 37   - COMPACT DISCS [CD]

Adalbert Gyrowetz is one of the numerous, highly talented Czech musicians of the 18th century who received an excellent education in Prague and then turned to the musical centers of Europe. His music is strongly influenced by the classical language of Haydn. Architectural structures, harmonic progressions of tension, instrumentation, disposition of a cycle, representation of affect, and the general idea of music as a balanced language of feeling and reason dominate the aesthetics of this style. The quartets for flute and string trio are all in three movements with the tempo sequence fast-slow-fast. Around 1800 this was rather the exception, since Haydn's mature string quartets had established four movements. The duration of the pieces is about the same as the total duration of a InchnormalInch four-movement chamber work of the time. In addition, it is interesting that the voices, especially those of the flute, violin, but also viola and cello, feature rapid and virtuosic solos. Gyrowetz thus writes a cycle of three lively quartets that want to be nothing more than virtuoso divertissements and amusements with esprit. The composer has succeeded in this!

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