Ritual Howls - Ritual Howls - Cemetary Green - VINYL LP
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The story of Ritual Howls begins in a southwest Detroit basement in the early winter of 2012. Singer/guitarist Paul Bancell had been writing and performing solo as well as in several bands and was looking for collaborators for a new project. Ben Saginaw (bass) and Chris Samuels (synths, drums, drum machines) were acquatances that became natural fits. With the help of a friend (Jeff Navarre), they recorded their first full-length in Ben's art studio using a laptop. Paul tracked vocals at home in his bedroom and, not wanting to relinquish control, mixed and mastered the album himself.A formidable introduction to the band's haunting, cinematic blend of twangy industrial rock, their self-titled album established the band as a unique force in the landscape of dark music, both past and present. Separated by a decade, four LPs, two EPs later, Ritual Howls is an impressively cohesive first effort and testament to the band's vision that, even in it's infancy, forged a distinct sound that has only matured with perfection over time.
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- GenreRockDescriptionThe story of Ritual Howls begins in a southwest Detroit basement in the early winter of 2012. Singer/guitarist Paul Bancell had been writing and performing solo as well as in several bands and was looking for collaborators for a new project. Ben Saginaw (bass) and Chris Samuels (synths, drums, drum machines) were acquatances that became natural fits. With the help of a friend (Jeff Navarre), they recorded their first full-length in Ben's art studio using a laptop. Paul tracked vocals at home in his bedroom and, not wanting to relinquish control, mixed and mastered the album himself.A formidable introduction to the band's haunting, cinematic blend of twangy industrial rock, their self-titled album established the band as a unique force in the landscape of dark music, both past and present. Separated by a decade, four LPs, two EPs later, Ritual Howls is an impressively cohesive first effort and testament to the band's vision that, even in it's infancy, forged a distinct sound that has only matured with perfection over time.ArtistRitual HowlsTitleRitual Howls - Cemetary GreenFormatVINYLLabelFelte Records
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The story of Ritual Howls begins in a southwest Detroit basement in the early winter of 2012. Singer/guitarist Paul Bancell had been writing and performing solo as well as in several bands and was looking for collaborators for a new project. Ben Saginaw (bass) and Chris Samuels (synths, drums, drum machines) were acquatances that became natural fits. With the help of a friend (Jeff Navarre), they recorded their first full-length in Ben's art studio using a laptop. Paul tracked vocals at home in his bedroom and, not wanting to relinquish control, mixed and mastered the album himself.A formidable introduction to the band's haunting, cinematic blend of twangy industrial rock, their self-titled album established the band as a unique force in the landscape of dark music, both past and present. Separated by a decade, four LPs, two EPs later, Ritual Howls is an impressively cohesive first effort and testament to the band's vision that, even in it's infancy, forged a distinct sound that has only matured with perfection over time.
The dark spell of Ritual Howls' sixth album, Ruin, is cast in the first moments of lead single, InchFollow the SunInch, as the clarion call of Paul Bancell's reverberating guitar is anchored by the pulsing kick and flitter of Chris Samuels' drum programming and the snarl of Ben Saginaw's taut, fuzzed-out bass groove. More than a decade into their career, the trio continues to refine it's nuanced alloy of industrial, goth, and post-punk to a new level of all-consuming fullness, and more than ever, the results embody the contrasts they have become known for, at once hauntingly bleak but kinetically catchy, intimately raw but tantalizingly mysterious.Hailing from Detroit since their foundation, the band have always loosely incorporated elements of old school rave culture in their work, yielding a deeply physical experience from their heavy, brooding, melodic, and meticulous constructions. After their last outing (2023's Virtue Falters), Bancell relocated to Los Angeles, and much of Ruin came together over the wires, culminating in a series of intensive recording sessions with long-time sound engineer Adam Cox back in Michigan. InchIt started with Chris presenting musical ideas - beats, melodies, sounds, riffs - and a couple of complete tracks; he and Ben would get together and jam, and I contributed some guitars remotely,Inch he notes. Fundamentally unchanged by distance, Ritual Howls operate as a truly collaborative unit, and Ruin provides abundant, undeniable proof that they remain at the top of their game.
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Trinity College Choir, Cambridge - Requiem [COMPACT DISCS] date 05/10/1994
The Detroit trio's fifth album is eight tracks of what we've come to expect from the always in form group - a cinematic blend of twangy industrial rock, metal, noise, baritone vocals, and macabre lyrics -but with an immediate urgency not yet seen from the band on past albums. It's their most focused album to date. a
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