Rival Consoles - Persona - VINYL LP

Album Tracks 1. In Reverse 2. Catherine 3. Drum Song 4. Soft Gradient Beckons 5. Gaivotas 6. Coda 7. Known Shape 8. Nocturne 9. Jupiter 10. In a Trance 11. If Not Now 12. 2 Forms 13. Tape Loop 14. Landscape from Memory

Double vinyl LP pressing. Includes digital download. Rival Consoles returns with a resonant and explorative soundscape of original music, composed for renowned choreographer Alexander Whitley's contemporary dance production Overflow. Exploring themes of the human and emotional consequences of life surrounded by data, the piece echoes the concept of social media, advertising, marketing companies and political factions exploiting our data to gain wealth, political advantage and sow division. Key reading for the project was based around the contemporary philosophical work Psychopolitics Neoliberalism and New Technologies of Power by Byung-Chul Han. Album Tracks 1. Monster 2. I Like 3. Hands 4. Pulses of Information 5. Noise Call and Response I 6. Overflow 7. The Cloud Oracle 8. Tension in the Cloud 9. Noise Call and Response II 10. Scanning 11. Flow State 12. Touches Everything 13. Making Sense of It All

'Domenico Codispoti plays with a warmth and fervor worthy of Cortot himself,' according to the veteran Gramophone piano critic Bryce Morrison. 'His sonority, too, has an Arrau-like fullness and richness.' Born in 1975, Codispoti has a growing discography of Romantic-era music including the piano works of Cesar Franck on Piano Classics (PCL0052) a 'most distinguished and enterprising recital' according to Gramophone, in which 'Codispoti gives us an impetus and virtuosity to set pulses racing.' Now he turns his attention to music from the other end of the Romantic era, composed by a figure even more significant in the history of the piano and pianists, Clara Wieck Schumann. A leading pianist of her day, the wife of one great composer and the intimate friend of another, Clara was also mother to eight children, a serious composer and a hugely influential teacher during the course of a career in the public eye spanning over 60 years. We may view Clara now as a strikingly independent woman, a woman of her time yet one who worked tirelessly against the grain of assumption and prejudice. It is right, therefore, that her art should be so celebrated 200 years after her birth in Leipzig. Her gifts as a creator that were much admired at the time, not only by her husband but by Franz Liszt, the greatest virtuoso of his day. It was Liszt who had created the modern concept of the solo piano recital in 1840, but he retired from performance soon afterwards, and Clara was the one who created the image of the modern pianist. On this new album, Codispoti performs a prodigiously accomplished set of Soirees Musicales, Op.6, published while Clara was still a teenager; the strikingly mature trio of Romances written before she turned 20; a G minor Sonata dating from the time just before and after her marriage to Robert; and finally the Variations on a theme by Robert which she composed to ce