Robert-Achumann-Philharmonie - Little Daneliade - COMPACT DISCS [CD]
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It was never even an unofficial club of composers like the Russian InchMighty HandfulInch or the French InchLes SixInch. And yet, there are striking commonalities among a group of Soviet composers all born in the 1930s. They were hailed from ethnic minorities in the Russia-dominated Soviet Union and they defied the cultural-political directives which eventually led them to find a post-ideological musical language - guided by a personal faith - that enchants listeners to this day with it's unique beauty. Giya Kancheli, born in Tbilisi in 1935, is one of them. A fellow composer called him Inchan ascetic with the temperament of a maximalist - a restrained Vesuvius.Inch The works on this disc - for and with the piano - display exactly that side of his To be able to make time seemingly stand still... while continuing to dance
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- GenreClassicalDescriptionIt was never even an unofficial club of composers like the Russian InchMighty HandfulInch or the French InchLes SixInch. And yet, there are striking commonalities among a group of Soviet composers all born in the 1930s. They were hailed from ethnic minorities in the Russia-dominated Soviet Union and they defied the cultural-political directives which eventually led them to find a post-ideological musical language - guided by a personal faith - that enchants listeners to this day with it's unique beauty. Giya Kancheli, born in Tbilisi in 1935, is one of them. A fellow composer called him Inchan ascetic with the temperament of a maximalist - a restrained Vesuvius.Inch The works on this disc - for and with the piano - display exactly that side of his To be able to make time seemingly stand still... while continuing to danceArtistRobert-Achumann-PhilharmonieTitleLittle DaneliadeFormatCDLabelCapriccio
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It was never even an unofficial club of composers like the Russian InchMighty HandfulInch or the French InchLes SixInch. And yet, there are striking commonalities among a group of Soviet composers all born in the 1930s. They were hailed from ethnic minorities in the Russia-dominated Soviet Union and they defied the cultural-political directives which eventually led them to find a post-ideological musical language - guided by a personal faith - that enchants listeners to this day with it's unique beauty. Giya Kancheli, born in Tbilisi in 1935, is one of them. A fellow composer called him Inchan ascetic with the temperament of a maximalist - a restrained Vesuvius.Inch The works on this disc - for and with the piano - display exactly that side of his To be able to make time seemingly stand still... while continuing to dance

It's no secret that we can be a li le bit geeky. On VSQ Otaku we indulged our fandom a bit and chose twelve essential anime themes that we hold near and dear to our nerdy hearts. From the emotive yearning of Neon Genesis Evangelion's InchA Cruel Angel's ThesisInch to the wild frenzy of InchJoJo (Sono Chino Sadame)Inch from JoJo's Bizarre Adventure, we reimagined these timeless openings with all the lushness and tranquility a string quartet can provide. Something of a spiritual successor to our fan-favorite VSQ The World of Studio Ghibli, VSQ Otaku was our chance to revisit some old favorites and bring them to a new light.
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Slothrust - Everyone Else [COMPACT DISCS] date 10/28/2016
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Several attempts have been made over the last sixty years or so to record all of Robert Schumann's works for solo piano, a fascinating cosmos full of variety that ranges from extremely virtuosic pieces for the concert hall to valuable literature for piano tuition. This attractive but difficult quest has unfortunately been marked by a lack of the necessary care, not to mention purely artistic deficiencies, so that none of the releases deserves the name Inchcomplete recordingInch. Since Schumann published several works in two more or less different versions, it is not legitimate in a Inchcomplete recordingInch to include only one of the versions, let alone to amalgamate two of them. Moreover, works published at remote places as well as unpublished works and fragments that could easily be completed without too much speculation, have so far been taken into account only in exceptional cases. Florian Uhlig's is the first genuine complete recording of Robert Schumann's works for solo piano. The pianist for the first time attempts to present all the original piano works between 1830 (Abegg Variations op. 1) and 1854 (Theme and Variations in E flat Major), using the latest critical editions and/or first editions. The includes several first recordings.
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