
You may know Rodrigo Amarante already. You may have heard InchTuyo,Inch his theme tune to the Netflix drama Narcos, or the Little Joy album, recorded with Fab Moretti and Binki Shapiro, you might have noted his name among the credits on songs by Gal Costa, Norah Jones and Gilberto Gil; or perhaps you saw him play live with Brazilian samba big band Orquestra Imperial, or with Rio rockers Los Hermanos; you really should have heard his debut album, Cavalo, released in 2014. You may think you know Rodrigo Amarante already, but Drama, his second solo album, is going to introduce a whole new level of confusion to the mix.Drama is purposefully caricatural, cinematic; InchAs biased as memoryInch. It flows as an arch, playfully deceiving, like a tale. The ominous opening number gives you a hint that things might not be what they appear, and clues are hiding in plain sight. InchProjection, attachment, deception that is Drama.Inch. The sunny upbeat start of InchMaréInch, with a nearly childish opening melody, echoes something less naïf InchThe tide will fetch what the ebb bringsInch. The beat helps you move past. InchTangoInch sounds like falling in love on the dance floor, warm and tropical, it celebrates companionship, while perhaps pleading for it, yearning. InchTara,Inch meanwhile, feels like something Astrud Gilberto might have sung at the height of bossa nova's global popularity, with the twist of the big-band-era muted horns on the chorus, nearly self-deprecating, as if mocking such idealized infatuation. Drama closes with the piano on InchThe End.Inch To live is to fall. After all the emotional upheavals the singer has put his cast through, is this some kind of farewell to this mortal coil? InchEverything Furthers.Inch says Amarante. InchWhispering, you get louder like that, people respond better to an invitationInch, and adds InchStaring at the absurd while remaining
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You may know Rodrigo Amarante already. You may have heard InchTuyo,Inch his theme tune to the Netflix drama Narcos, or the Little Joy album, recorded with Fab Moretti and Binki Shapiro, you might have noted his name among the credits on songs by Gal Costa, Norah Jones and Gilberto Gil; or perhaps you saw him play live with Brazilian samba big band Orquestra Imperial, or with Rio rockers Los Hermanos; you really should have heard his debut album, Cavalo, released in 2014. You may think you know Rodrigo Amarante already, but Drama, his second solo album, is going to introduce a whole new level of confusion to the mix.Drama is purposefully caricatural, cinematic; InchAs biased as memoryInch. It flows as an arch, playfully deceiving, like a tale. The ominous opening number gives you a hint that things might not be what they appear, and clues are hiding in plain sight. InchProjection, attachment, deception that is Drama.Inch. The sunny upbeat start of InchMaréInch, with a nearly childish opening melody, echoes something less naïf InchThe tide will fetch what the ebb bringsInch. The beat helps you move past. InchTangoInch sounds like falling in love on the dance floor, warm and tropical, it celebrates companionship, while perhaps pleading for it, yearning. InchTara,Inch meanwhile, feels like something Astrud Gilberto might have sung at the height of bossa nova's global popularity, with the twist of the big-band-era muted horns on the chorus, nearly self-deprecating, as if mocking such idealized infatuation. Drama closes with the piano on InchThe End.Inch To live is to fall. After all the emotional upheavals the singer has put his cast through, is this some kind of farewell to this mortal coil? InchEverything Furthers.Inch says Amarante. InchWhispering, you get louder like that, people respond better to an invitationInch, and adds InchStaring at the absurd while remaining

Around the Fur the follow-up to Deftones' passionate, aggressive Adrenaline, sees the California quartet expanding on the sheer rage of their earlier work, adding new, more sinister shades to their already extreme sound. The opening InchMy Own Summer (Shove It),Inch serves as an introduction to the album's sonic theme sinewy guitars and eerie whispers alternate with fast, violent crunch. Sepultura's Max Cavallero contributes guitar and vocals to InchHeadup,Inch while InchMXInch finds singer Chino trading off vocal lines with Annalynn Cunningham, (wife of Deftones' drummer Abe) in an acerbic take on the rock star mentality. Vocal acrobat Moreno attacks a variety of styles his breathy, psychotic recitations sound downright industrial, while the album's calmer, more brooding moments show his gift for haunting melody. Behind him, guitarist Stephen Carpenter's heavy wall of sound is astoundingly muscular, yet inspiringly agile. When Deftones' hellish fury hits full tilt, as it always does on this album, Moreno's voice erupts into screams which are best described as otherworldly, transforming this intense musical firestorm into a hurtling juggernaut of aggression. This LP version comes pressed on 180 gram vinyl. Album Tracks 1. My Own Summer (Shove It) 2. Lhabia 3. Mascara 4. Around the Fur 5. Rickets 6. Be Quiet and Drive (Far Away) 7. Lotion 8. Dai the Flu 9. Headup 10. MX

Limited 180 gram vinyl LP pressing. Purple Rain is the sixth studio album by Prince, the first to feature his backing band The Revolution, and is the soundtrack album to the 1984 film of the same name. Purple Rain is regularly ranked among the best albums in music history, and is widely regarded as Prince's magnum opus. Time magazine ranked it the 15th greatest album of all time in 1993, and it placed 18th on VH1's Greatest Rock and Roll Albums of All Time countdown. Rolling Stone ranked it the second-best album of the 1980s and 76th on their list of the 500 Greatest Albums of All Time. The first two singles from Purple Rain, InchWhen Doves CryInch and InchLet's Go CrazyInch, topped the US singles charts, and were hits around the world, while the title track went to number two on the Billboard Hot 100. The album was certified thirteen-times platinum (diamond) by the RIAA. Album Tracks 1. Let's Go Crazy 2. Take Me with U 3. The Beautiful Ones 4. Computer Blue 5. Darling Nikki 1. When Doves Cry 2. I Would Die 4 U 3. Baby I'm a Star 4. Purple Rain

Limited 180 gram vinyl LP pressing. The Rise and Fall of Ziggy Stardust and the Spiders from Mars is the fifth studio album by David Bowie, which is loosely based on a story of a fictional rock star named Ziggy Stardust. The album tells the story of Ziggy, a rock star who acts as a messenger for extraterrestrial beings. The album, and the character of Ziggy Stardust, was known for it's glam rock influences and themes of sexual exploration and social commentary. These factors, coupled with the ambiguity surrounding Bowie's sexuality and fuelled by a ground-breaking performance of InchStarmanInch on Top of the Pops led to the album being met with controversy and since hailed as a seminal work. The Rise and Fall of Ziggy Stardust and the Spiders From Mars has been consistently considered one of the greatest albums of all time, with Rolling Stone magazine ranking it the 35th greatest ever. Album Tracks 1. Five Years (2012 Remastered Version) 2. Soul Love (2012 Remastered Version) 3. Moonage Daydream (2012 Remastered Version) 4. Starman (2012 Remastered Version) 5. It Ain't Easy (2012 Remastered Version) 1. Lady Stardust (2012 Remastered Version) 2. Star (2012 Remastered Version) 3. Hang on to Yourself (2012 Remastered Version) 4. Ziggy Stardust (2012 Remastered Version) 5. Suffragette City (2012 Remastered Version) 6. Rock 'N' Roll Suicide (2012 Remastered Version)
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