Rosenau & Sanborn - Two - VINYL LP
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After nearly 20 years of knowing one another, the collaboration between Nick Sanborn and Chris Rosenau seemed inevitable but ended up accidental, an Eaux Claires music-festival lark that had immediate chemistry. As they were rehearsing, they realized they were already making a record. They kept the working mixes and titles, as well as the bird songs and traffic sounds that drifted into the microphones. The result was 2019's Bluebird, a little five-track wonder that made you feel like you were sitting in the room between them, smiling as they found their wordless rapport. Two years later, Rosenau (Volcano Choir, Collections of Colonies of Bees) and Sanborn (Sylvan Esso, Made of Oak) got together again. They had fun during round two, but the sessions were neither as carefree as that first attempt nor more focused in a way that felt compelling and new. The pair shelved those pieces to try again when the time seemed right. Then there was a pandemic. There were tours. There were other records. There was life at large. By the time Rosenau ventured back to Betty's (Sylvan Esso's studio in the North Carolina woods) to try again, four years had flashed past.Both Sanborn and Rosenau came prepared this time by, well, un-preparing. Rosenau borrowed an unconventional guitar tuning he'd never tried (DAEAC#D) from a friend. And Sanborn dismantled his live Sylvan Esso rig, rearranged it, and added new bits, hoping to eschew any muscle memory for a real-time exchange. They instantly knew it was working, with none of the past's second-guessing in tow. On that first day, a Thursday, they made InchGhost SubInch and InchHarm.Inch On that second day, they had a false start with a piece called InchKay,Inch Sanborn's synths not quite fitting beneath Rosenau's riff, before moving on to make InchDeltas.Inch Album Tracks 1. Ghost Sub 2. Harm 3. Deltas 4. Kay 5. Walrus 6. Two
- GenreRockDescriptionAfter nearly 20 years of knowing one another, the collaboration between Nick Sanborn and Chris Rosenau seemed inevitable but ended up accidental, an Eaux Claires music-festival lark that had immediate chemistry. As they were rehearsing, they realized they were already making a record. They kept the working mixes and titles, as well as the bird songs and traffic sounds that drifted into the microphones. The result was 2019's Bluebird, a little five-track wonder that made you feel like you were sitting in the room between them, smiling as they found their wordless rapport. Two years later, Rosenau (Volcano Choir, Collections of Colonies of Bees) and Sanborn (Sylvan Esso, Made of Oak) got together again. They had fun during round two, but the sessions were neither as carefree as that first attempt nor more focused in a way that felt compelling and new. The pair shelved those pieces to try again when the time seemed right. Then there was a pandemic. There were tours. There were other records. There was life at large. By the time Rosenau ventured back to Betty's (Sylvan Esso's studio in the North Carolina woods) to try again, four years had flashed past.Both Sanborn and Rosenau came prepared this time by, well, un-preparing. Rosenau borrowed an unconventional guitar tuning he'd never tried (DAEAC#D) from a friend. And Sanborn dismantled his live Sylvan Esso rig, rearranged it, and added new bits, hoping to eschew any muscle memory for a real-time exchange. They instantly knew it was working, with none of the past's second-guessing in tow. On that first day, a Thursday, they made InchGhost SubInch and InchHarm.Inch On that second day, they had a false start with a piece called InchKay,Inch Sanborn's synths not quite fitting beneath Rosenau's riff, before moving on to make InchDeltas.Inch Album Tracks 1. Ghost Sub 2. Harm 3. Deltas 4. Kay 5. Walrus 6. TwoArtistRosenau & SanbornTitleTwoFormatVINYLLabelPsychic Hotline
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After nearly 20 years of knowing one another, the collaboration between Nick Sanborn and Chris Rosenau seemed inevitable but ended up accidental, an Eaux Claires music-festival lark that had immediate chemistry. As they were rehearsing, they realized they were already making a record. They kept the working mixes and titles, as well as the bird songs and traffic sounds that drifted into the microphones. The result was 2019's Bluebird, a little five-track wonder that made you feel like you were sitting in the room between them, smiling as they found their wordless rapport. Two years later, Rosenau (Volcano Choir, Collections of Colonies of Bees) and Sanborn (Sylvan Esso, Made of Oak) got together again. They had fun during round two, but the sessions were neither as carefree as that first attempt nor more focused in a way that felt compelling and new. The pair shelved those pieces to try again when the time seemed right. Then there was a pandemic. There were tours. There were other records. There was life at large. By the time Rosenau ventured back to Betty's (Sylvan Esso's studio in the North Carolina woods) to try again, four years had flashed past.Both Sanborn and Rosenau came prepared this time by, well, un-preparing. Rosenau borrowed an unconventional guitar tuning he'd never tried (DAEAC#D) from a friend. And Sanborn dismantled his live Sylvan Esso rig, rearranged it, and added new bits, hoping to eschew any muscle memory for a real-time exchange. They instantly knew it was working, with none of the past's second-guessing in tow. On that first day, a Thursday, they made InchGhost SubInch and InchHarm.Inch On that second day, they had a false start with a piece called InchKay,Inch Sanborn's synths not quite fitting beneath Rosenau's riff, before moving on to make InchDeltas.Inch Album Tracks 1. Ghost Sub 2. Harm 3. Deltas 4. Kay 5. Walrus 6. Two

Double white colored vinyl LP pressing. 2024 . The Tortured Poets Department (also shortened to Tortured Poets) is the eleventh studio album by the American singer-songwriter Taylor Swift. Shortly after finishing work on Midnights, Swift conceived The Tortured Poets Department and developed it during the Eras Tour (2023-2024). She described the album as her InchlifelineInch record, a product of imperative songwriting. It consists of sixteen songs, featuring collaborations with the American rapper Post Malone features on InchFortnightInch and the English indie rock band Florence and the Machine on InchFlorida!!!Inch. Each of the four physical versions of the album include one additional bonus track. Album Tracks 1. Fortnight (Feat. Post Malone) 2. The Tortured Poets Department 3. My Boy Only Breaks His Favorite Toys 4. Down Bad 1. So Long London 2. But Daddy I Love Him 3. Fresh Out the Slammer 4. Florida!!! (Feat. Florence + the Machine) 1. Guilty As Sin? 2. Who's Afraid of Little Old Me? 3. I Can Fix Him (No Really I Can) 4. Loml 1. I Can Do It with a Broken Heart 2. The Smallest Man Who Ever Lived 3. The Alchemy 4. Clara Bow 5. The Manuscript (Bonus Track)
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