Royal Liverpool Philharmonic Orchestra - Mihkel Kerem: Orchestral Music, Vol. 2 - COMPACT DISCS [CD]
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The Estonian composer Mihkel Kerem - born in Tallinn in 1981 and Joint Assistant Leader in the Royal Liverpool Philharmonic Orchestra since 2015 - used the Covid lockdown to produce no fewer than four symphonies, two of them, his Seventh and Eighth, conceived as a contrasting pair. Kerem's dark and ominous Seventh Symphony, like that of Sibelius, plots a huge sonata-form arch, growing from and back into it's opening material. It's soundworld sits somewhere between Sibelius and Schnittke, combining a sense of natural symphonic growth with dramatic twists of kaleidoscopic textural variety. No. 8, which also nods to Sibelius' Seventh by quoting it's celebrated trombone theme, is a vast, unhurried accelerando, it's three linked movements tapping into the Nordic-Baltic tradition of using the controlled power of the orchestra to suggest the vastness of nature. Album Tracks 1. Symphony No. 7 2. Symphony No. 8-I. Mesto 3. Symphony No. 8-II. Comodo 4. Symphony No. 8-III. Volante
- GenreClassicalDescriptionThe Estonian composer Mihkel Kerem - born in Tallinn in 1981 and Joint Assistant Leader in the Royal Liverpool Philharmonic Orchestra since 2015 - used the Covid lockdown to produce no fewer than four symphonies, two of them, his Seventh and Eighth, conceived as a contrasting pair. Kerem's dark and ominous Seventh Symphony, like that of Sibelius, plots a huge sonata-form arch, growing from and back into it's opening material. It's soundworld sits somewhere between Sibelius and Schnittke, combining a sense of natural symphonic growth with dramatic twists of kaleidoscopic textural variety. No. 8, which also nods to Sibelius' Seventh by quoting it's celebrated trombone theme, is a vast, unhurried accelerando, it's three linked movements tapping into the Nordic-Baltic tradition of using the controlled power of the orchestra to suggest the vastness of nature. Album Tracks 1. Symphony No. 7 2. Symphony No. 8-I. Mesto 3. Symphony No. 8-II. Comodo 4. Symphony No. 8-III. VolanteArtistRoyal Liverpool Philharmonic OrchestraTitleMihkel Kerem: Orchestral Music, Vol. 2FormatCDLabelToccata
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The Estonian composer Mihkel Kerem - born in Tallinn in 1981 and Joint Assistant Leader in the Royal Liverpool Philharmonic Orchestra since 2015 - used the Covid lockdown to produce no fewer than four symphonies, two of them, his Seventh and Eighth, conceived as a contrasting pair. Kerem's dark and ominous Seventh Symphony, like that of Sibelius, plots a huge sonata-form arch, growing from and back into it's opening material. It's soundworld sits somewhere between Sibelius and Schnittke, combining a sense of natural symphonic growth with dramatic twists of kaleidoscopic textural variety. No. 8, which also nods to Sibelius' Seventh by quoting it's celebrated trombone theme, is a vast, unhurried accelerando, it's three linked movements tapping into the Nordic-Baltic tradition of using the controlled power of the orchestra to suggest the vastness of nature. Album Tracks 1. Symphony No. 7 2. Symphony No. 8-I. Mesto 3. Symphony No. 8-II. Comodo 4. Symphony No. 8-III. Volante
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