Royer Labs - R-122 MKII Active Ribbon Microphone, Phantom Powered Studio Mic for Instruments and Vocals

The R-122V is the pinnacle of our R-Series line, a world-class tube ribbon microphone exhibiting unparalleled richness, depth, and detail, particularly in the midrange frequencies. With a lushness that has to be heard to be truly appreciated, the R-122V offers the ultimate in ribbon microphone performance for those who insist on the very best. The R-122V takes the Royer-pioneered concept of active ribbon microphone technology to an unprecedented level by incorporating vacuum tube electronics into the same proven transducer system used in the venerable R-121 and R-122 ribbon microphones. The high operating voltage of the vacuum tube provides headroom far beyond that available from a standard phantom power supply. Sonically this translates into unmwatched clarity, detail, and airiness, along with the ability to handle brute SPL levels without flinching. Features: · Vacuum tube electronics provide high output capacity, optimal impedance to the ribbon element and low output impedance · Extremely low self-noise · Operates from a dedicated power supply · High SPL capabilities for electric guitar and percussion instruments · Absence of high-frequency peaks, ringing and phase shifts · Ribbon element, unaffected by impedance/load, heat or humidity · Very low magnetic leakage · Equal sensitivity from front or back of element · Consistent frequency response regardless of distance · Rear side of mic records slightly brighter when three feet or closer to sound source

The SF-24 stereo ribbon microphone is a phantom-powered version of our popular SF-12 stereo ribbon microphone. It combines the SF-12's high-quality audio performance, outstanding stereo separation, and imaging with our exclusive active electronics system for ribbon microphones. The SF-24's output of -38 dB is a full 14 dB more sensitive than our non-powered SF-12, putting its sensitivity on par with that of phantom powered condenser microphones. The unique electronics and custom-designed FET's used in the SF-24 allow for ultra-quiet operation, with self-noise of lower than 18 dB. Like an SF-12, the SF-24 is actually two matched ribbon microphones placed one above the other in a coincident pair, each aimed 45 degrees from center in the classic Blumlein configuration. The magnet/pole piece structure of each ribbon transducer delivers a wide, uniform frequency response with no substantial peaks or dips, and the 1.8-micron ribbons produce superb transient response. Frequency response is excellent regardless of the angle of sound striking the ribbons and off-axis coloration is negligible. The SF-24's extension cable comes with a Y adapter that splits into separate 3-pin male XLR connectors labeled Upper and Lower for the upper and lower capsules of the microphone (when held vertically). Features: · Phantom powered circuitry provides high output and impedance matching · True stereophonic (Blumlein and M-S) recording from one microphone · High SPL capabilities · No distortion up to maximum SPL rating · Extremely low residual noise · Ribbon elements are not affected by heat or humidity · Absence of high frequency phase distortion · Equal sensitivity from front or back of elements · Consistent frequency response regardless of distance · High efficiency, matching toroidal transformers · Very low magnetic leakage

In studios and on live stages around the world, the R-121 is the sound of electric guitars... and so much more! The R-121 is Royer's flagship microphone - the iconic, radically engineered ribbon mic that put modern ribbons on the map in the 1990s has changed the meaning of natural sound for engineers and musicians around the world. The undisputed #1 first-call ribbon microphone for electric guitars, R-121s are equally well suited for trumpets and all brass instruments, drum rooms, percussion, piano, and much more. The R-121 delivers a warm, extremely natural sound pickup in a compact, light-weight, high-output package that's easy to position, and it handles massive SPLs famously (160dB #1kHz). R-121s are built to use on guitar ramps from small combos to wide open high-wattage heads, trumpets from close-up muted to blow-your-hardest blaring, drums, and other high SPL applications. But its nuanced, natural sound pickup is also beautiful on quiet instruments like fingerpicked acoustic guitars, harp, flute, light percussion and others. The R-121 is warm, smooth and musical, giving phenomenal results on a wide variety of instruments.