Royer Labs - Sling-Shock RSM-SS1 Microphone Shockmount, Vibration Isolation Mount for Studio Microphones

The Sling-Shock(TM) (Patent No. 8,571,250) is a revolutionary departure from traditional shockmount designs. We've done away with unreliable rubberized parts and elastic cords, producing a durable shockmount that provides exceptional isolation from vibration, rumble and resonances. Our proprietary system of non-resonant nylon cable and damped steel springs acts to isolate the microphone from vibrations induced from the microphone stand. These vibrations appear as rumble and/or low-grade noise across the bandwidth and are greatly reduced by use of the Sling-Shock. Sling-Shocks also eliminate the self-resonance that traditional shockmounts can generate on high SPL applications like close-miked electric guitar. Shockmount self-resonance creates harmonic interferences at various frequencies - Sling-Shocks eliminate the issue. The Sling-Shock's superior vibration-reduction capabilities and lack of self-resonance allow engineers to capture performances free of vibration-related interference across the bandwidth. A cable clip is included on each Sling-Shock. Loop a length of cable under the microphone, then secure the cable to the mic clip to minimize cable-related vibrations. Sling-Shock Features: · Superior isolation from vibration, shock and rumble · Lack of self-resonance on high SPL applications · Felt-lined, scratch-free microphone chamber holds mic securely · No rubberized parts to degrade or stretch · Built in microphone cable clip minimizes cable-related vibration · Flexible for easy microphone positioning · Lifetime warranty The RSM-SS24 accommodates Royer's SF-2, SF-24, and SF-24V microphones, and any cylindrical microphone measuring approximately 1 1/2 inch. in diameter (+/- 1/8 inch.).

The R-121/57-styled dynamic mic combo is legendary for capturing electric guitars. With the AxeMount, using these two classic mics has never been easier, faster to set up, or more stable once they're set up. You can also move the two mics from one cabinet to another effortlessly - it's as easy as moving one mic stand. The AxeMount microphone clip positions an R-121 right next to a 57-style dynamic mic, phase-aligned and ready to record for the ultimate electric guitar microphone package. A good starting point is positioning the clip so the dynamic mic is pointed at where the speaker dome meets the paper. The R-121 will be more on the dome. This is a classic position for these two mics. The natural, full bodied sound of the R-121, blended to taste with the fist-forward pointedness of a 57-styled dynamic microphone, allows for phenomenal tailoring of recorded and live guitar tones. In the past, using these two mics required two mic stands, two clips, and time to get the mics lined up properly and in-phase with each other. The AxeMount does away with all that and makes the R-121/dynamic microphone method as early as possible.

The PRSM is a microphone shock mount designed to support and stabilize compatible large-diameter microphones, including the Heil Sound PR 30 and PR 40, while helping reduce vibration transfer from desks, consoles, and microphone stands. This microphone isolation mount absorbs and dampens mechanical noise to help suppress low-frequency rumble in studio, podcast, and broadcast setups. It features a standard 5/8″ mounting thread for compatibility with common mic stands, boom arm microphone systems, and mounts such as the PL-2T, allowing straightforward integration into existing recording environments. Weighing 16.2 oz, it functions as a microphone holder and support system that can be used across studio and rehearsal applications where reducing vibration and maintaining consistent microphone positioning are part of the workflow.