One of the most important advantages that the Luxembourg citizen has when abroad is that linguistically and culturally we embrace both the German and the French cultures, not to mention the Anglo-Saxon way of life. This gives a Luxemburger, particularly one active in the arts or the cultural environment, a different outlook and approach, suggested Luxembourg composer Alexander Müllenbach in an interview. Perhaps it is this different perspective, the quite individual, open approach, that Françoise Groben herself had, a quality that she brought to her performance of German, French and Anglo-Saxon compositions for the cello. And it is for that reason that Banque Générale de Luxembourg placed at her disposal an exquisite instrument built by Matteo Goffriller in 1695. Françoise Groben was born in Luxembourg on December 4, 1965. She received her first lessons in the cello at the age of five at the city's Conservatoire, studying there with Francine Weber-Deprelle, Jean Join und Georges Mallach. She eventually completed her studies with Boris Pergamenschikov at the Cologne Musikhochschule, graduating in her concert examination, while continuing to attend master classes given by such artists as Daniil Shafran in Moscow or William Pleeth in London, or by the Amadeus Quartet. From 1974 onwards she was a member of the ensemble Les Musiciens founded by her father, Joseph Groben, and was only 15 when she first played in the Youth Orchestra of the European Union, going on to perform under such conductors as Claudio Abbado, Daniel Barenboim, Herbert von Karajan and Georg Solti. The recordings collected here illustrate the entire spectrum of Françoise Groben's artistic interests, demonstrating that she was not only a leading soloist but also a gifted and coveted chamber musician who regularly included pieces by Luxembourg composers in her programmes and was strongly committed to cont
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One of the most important advantages that the Luxembourg citizen has when abroad is that linguistically and culturally we embrace both the German and the French cultures, not to mention the Anglo-Saxon way of life. This gives a Luxemburger, particularly one active in the arts or the cultural environment, a different outlook and approach, suggested Luxembourg composer Alexander Müllenbach in an interview. Perhaps it is this different perspective, the quite individual, open approach, that Françoise Groben herself had, a quality that she brought to her performance of German, French and Anglo-Saxon compositions for the cello. And it is for that reason that Banque Générale de Luxembourg placed at her disposal an exquisite instrument built by Matteo Goffriller in 1695. Françoise Groben was born in Luxembourg on December 4, 1965. She received her first lessons in the cello at the age of five at the city's Conservatoire, studying there with Francine Weber-Deprelle, Jean Join und Georges Mallach. She eventually completed her studies with Boris Pergamenschikov at the Cologne Musikhochschule, graduating in her concert examination, while continuing to attend master classes given by such artists as Daniil Shafran in Moscow or William Pleeth in London, or by the Amadeus Quartet. From 1974 onwards she was a member of the ensemble Les Musiciens founded by her father, Joseph Groben, and was only 15 when she first played in the Youth Orchestra of the European Union, going on to perform under such conductors as Claudio Abbado, Daniel Barenboim, Herbert von Karajan and Georg Solti. The recordings collected here illustrate the entire spectrum of Françoise Groben's artistic interests, demonstrating that she was not only a leading soloist but also a gifted and coveted chamber musician who regularly included pieces by Luxembourg composers in her programmes and was strongly committed to cont

Around the Fur the follow-up to Deftones' passionate, aggressive Adrenaline, sees the California quartet expanding on the sheer rage of their earlier work, adding new, more sinister shades to their already extreme sound. The opening InchMy Own Summer (Shove It),Inch serves as an introduction to the album's sonic theme sinewy guitars and eerie whispers alternate with fast, violent crunch. Sepultura's Max Cavallero contributes guitar and vocals to InchHeadup,Inch while InchMXInch finds singer Chino trading off vocal lines with Annalynn Cunningham, (wife of Deftones' drummer Abe) in an acerbic take on the rock star mentality. Vocal acrobat Moreno attacks a variety of styles his breathy, psychotic recitations sound downright industrial, while the album's calmer, more brooding moments show his gift for haunting melody. Behind him, guitarist Stephen Carpenter's heavy wall of sound is astoundingly muscular, yet inspiringly agile. When Deftones' hellish fury hits full tilt, as it always does on this album, Moreno's voice erupts into screams which are best described as otherworldly, transforming this intense musical firestorm into a hurtling juggernaut of aggression. This LP version comes pressed on 180 gram vinyl. Album Tracks 1. My Own Summer (Shove It) 2. Lhabia 3. Mascara 4. Around the Fur 5. Rickets 6. Be Quiet and Drive (Far Away) 7. Lotion 8. Dai the Flu 9. Headup 10. MX

Special edition 40th anniversary 180-gram vinyl LP. 2014 import reissue. Take a chance on ABBA's greatest hits on vinyl. Knowing me knowing you, you won't be disappointed. Each hit is certified gold and is as catchy as pop music can get. This limited edition double album is pressed on 180-gram audiophile vinyl. Celebrating 40 years since their break-through hit in 1974, ABBA sounds just as good as ever back on an actual record. Hits include InchDancing Queen,Inch InchFernando,Inch InchWaterloo,Inch InchTake A Chance On MeInch, InchThank You For The MusicInch and many others. The album also includes a voucher to download an MP3 version of the album, which will take their music into the 21st century! Album Tracks 1. Dancing Queen 2. Knowing Me, Knowing You 3. Take a Chance on Me 4. Mamma Mia 5. Lay All Your Love on Me 6. Super Trouper 7. I Have a Dream 8. The Winner Takes It All 9. Money, Money, Money 10. S.O.S 11. Chiquitita 12. Fernando 13. Voulez-Vous 14. Gimme! Gimme! Gimme! (A Man After Midnight) 15. Does Your Mother Know 16. One of Us 17. The Name of the Game 18. Thank You for the Music 19. Waterloo

Limited 180 gram vinyl LP pressing. Purple Rain is the sixth studio album by Prince, the first to feature his backing band The Revolution, and is the soundtrack album to the 1984 film of the same name. Purple Rain is regularly ranked among the best albums in music history, and is widely regarded as Prince's magnum opus. Time magazine ranked it the 15th greatest album of all time in 1993, and it placed 18th on VH1's Greatest Rock and Roll Albums of All Time countdown. Rolling Stone ranked it the second-best album of the 1980s and 76th on their list of the 500 Greatest Albums of All Time. The first two singles from Purple Rain, InchWhen Doves CryInch and InchLet's Go CrazyInch, topped the US singles charts, and were hits around the world, while the title track went to number two on the Billboard Hot 100. The album was certified thirteen-times platinum (diamond) by the RIAA. Album Tracks 1. Let's Go Crazy 2. Take Me with U 3. The Beautiful Ones 4. Computer Blue 5. Darling Nikki 1. When Doves Cry 2. I Would Die 4 U 3. Baby I'm a Star 4. Purple Rain
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