Run DMC - Run-DMC - VINYL LP

1985 ALBUM ESTABLISHED HIP-HOP'S MODERN BLUEPRINT AND MAINSTREAM CURRENCYMastering Source to Be Determined Closer to Production Date; Specifics Will Be Posted Here When AuthenticatedRun-D.M.C. leaves no doubt about it's intent on King of Rock. The New York trio's hard-hitting sophomore album begins with a statement of purpose ('Rock the House') that serves as a stereophonic primer for the title track, a hybrid warning-anthem-theme song that swarms with justified boasts, heavy metal riffs, booming beats, cowbell accents, and dance-worthy grooves. The back-to-back tunes set the tone for a 1985 record that largely established the blueprint for the hip-hop that would follow for the next two decades - and which helped make rap a mainstream currency via the previously off-limits channels of radio, TV, and the national stage. 'It's not Michael Jackson/And this is not Thriller,' the group broadcasts early on in the record. Truer words - and music recorded with such honesty, pride, rawness, and integrity - have seldom been committed to tape.Sourced from the original master tapes and pressed on MoFi SuperVinyl, Mobile Fidelity's numbered-edition 180g SuperVinyl 33RPM LP is the definitive-sounding version of this monumental recording.More information is coming soon!MoFi SuperVinylDeveloped by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable fr

Limited red colored vinyl reissue of the hip hop pioneers' debut album, originally released in 1984 by Profile Records, and later re-issued by Arista Records. The album was primarily produced by Russell Simmons and Larry Smith. Album Tracks 1. Hard Times 2. Rock Box 3. Jam-Master Jay 4. Hollis Crew (Krush-Groove 2) 5. Sucker M.C.'s (Krush-Groove 1) 6. It's Like That 7. Wake Up 8. 30 Days 9. Jay's Game

Among the Most Influential, Inventive, Invigorating Records Ever Released Run- D.M.C.'s Raising Hell Brought Hip-Hop to the Mainstream, Includes Crossover Smash 'Walk This Way'Sourced from the Original Master Tapes and Pressed on MoFi SuperVinyl Mobile Fidelity Numbered-Edition 180g 33RPM SuperVinyl LP Heightens Rick Rubin's Pioneering Production1/2' / 30 IPS analog master to DSD 256 to analog console to lathe. Run-D.M.C.'s Raising Hell remains the turning point at which hip-hop crashed through mainstream barriers and never left. Anchored by the crossover smash 'Walk This Way,' the 1986 blockbuster still sounds like a revolution unfolding in real time. It has everything - hard-rock riffs, turntable scratching, itchy rhythms, hit singles - not the least of which are the trio's invigorating raps and inseparable chemistry. And now it's the first rap record afforded audiophile treatment, courtesy of Mobile Fidelity's simply illin' edition. Sourced from the original master tapes and pressed on MoFi SuperVinyl, the reissue tag's numbered-edition 180g 33RPM SuperVinyl LP elevates Raising Hell to sonic heights on par with it's musical and cultural significance. Ranked the 123rd Greatest Album of All Time by Rolling Stone, 43rd on Pitchfork's Greatest Albums of the 1980s, one of the Top 100 Albums of All Time by TIME - and included on 'Best of' lists by Spin, Paste, XXL, Entertainment Weekly, and basically every other significant media outlet - the triple-platinum effort rocks the house. Benefitting from the ultra-low noise floor and groove definition of SuperVinyl, Raising Hell unleashes a torrent of massive dynamics and tsunami of frequency-plumbing details underlined by Rick Rubin's taut, crisp, albeit raw and streetwise production. Just as the Queens-based group both defined what hip-hop could represent - and displayed just how big it could get - Rubin's work melded ear-